An impenetrable way through perseverance and resistance in the book “Persepolis” has sent a powerful message to audiences everywhere. This graphic novel is a story of small Marji, who had to face formidable obstacles through her childhood. Living in Iran surrounded by war and thousands of deaths, inspired the little girl to fight for her rights. On page 102 of the book, we can see a powerful juxtaposition, where both of the panels have a profound effect on the reader. Looking at the elements of a graphic novel, Satrapi uses caption, movement and mood in both of the panels in order to enhance the significance on the narrative. The first panel is an illustration of thousands of children being bombed. They are all in the air with their keys around their neck. The bomb is drawn with sharp and dark angles stabbing into the children’s bodies. This is extremely important in the book because it shows one of the consequences of the Iranian Revolution: thousands of innocent people died from the war and no one was able to help. The second panel shows Marji and her friends having fun on the party. They are all jumping around and not thinking about what is happening in the real outside world. These two panels are very significant because they describe a situation between the poor and the wealthy children during the war. How enormous are the differences and how they can affect the lives of each individual. Caption, movement and mood have been clearly shown in panel one. In
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Most people would agree that who they are as children is completely different from who they are as teenagers and adults. ________.... This can been seen in the book Persepolis, a story about a young girl, Marjane, living in Iran during the Islamic revolution. The book describes what changes she undergoes as a young child to a teenager. Satrapi uses juxtaposition to compare how Marjane changes in her innocence, the way she acts in public (socially?), and _______.
On page (6) Marji is having deep thoughts about what she is wanting to do with her life. She is thinking on turning into a prophet or not. On this various page Marjane is stuck between wearing a veil and not wearing a veil. She was religious but their family was also modern. The juxtaposition is that the history of her family and which Marjane wants to be a prophet but it's either veil or no veil.
I 'm here to explain why I believe that my book, Persepolis has very valuable things to tell the world. I 'll start by saying that as a ten-year old girl, I 'm being forced to wear a veil to school by those that have called the cultural revolution in Iran. As a girl and the age I am I 'm always being told what to do, and if I don 't obey it there will be consequences. It 's not fair that now it 's not only my parents telling me what to do, but now there 's people, strangers telling what to do or they will be many consequences, and that has cause many protest both for and against this cultural revolution. Im afraid that not obeying what I 'm being told to do even if it 's against my religion will bring me severe consequences.
Marjane Satrapi uses a variety of graphic techniques, specifically on pages 61 and 137, to describe the way that Iran’s oppressive environment has forced Marji’s young, optimistic mind to think in a way that is painfully realistic. Throughout the book, Satrapi’s style of drawing is signature and
This is another way Satrapi integrates perspective with a given theme. In like manner, theme discussed throughout Persepolis is the role and influence of Iran 's social class system. The picture shows the different levels of social class which play a big role in the book Persepolis. Marjane best displayed social class when her maid fell in love with their family 's neighbor. The text says, “You must
Often, comic books get read at surface level and the reader only sees the image and words surrounding it, but there is much more to many of these graphic novels. Behind the pattern of images, dialogue, and captions, there is depth to the stories. By looking closer and analyzing each page, panel, and image, themes and symbols are discovered. Marjane Satrapi’s Persepolis is just one example of a graphic novel with a deeper meaning hidden inside of the black and white pages. At first glance, the novel seems to be a simple story about a young girl that grows up during the revolution in Iran in 1979, but there is much more.