Ke Nna Yo Moren Music Analysis

The majority of the songs were sacred music. There were not many instruments being played that night, but there were three different instruments being played in two different pieces. The piano was playing in Ziegeunerleben (Gypsy Life), and it was a double meter. In the beginning of the song, the piano was allergro, but then it switched to andante. Throughout the whole song, the piano switching from allergro to andante a few more time. For the other instrument was being play in Ke nna yo Morena was tambourine, and some sort of drum that looked like a wooded box. The musician was sitting on top of the box and tapping it. The piece was a triple meter throughout the whole song, and the tempo was allegro throughout the whole song. Majority of the songs texture were monophonic, and some were homophonic. All of the song’s tempos were between andante and allegro, and the harmony was in the middle range and the high range. Most of the pieces were between the Middle Age and the Renaissance period because these pieces’ lyrics were about some sort of God or Lord. The dynamics of all these pieces were between piano and forte because all of these pieces

I really like the Ke nna yo Monrena pieces because of how different the piece comparing to the rest of other pieces, and it was charming by the box drum and the tambourine. It made me feel more alive, and I wanted to dance and sing along with it. I found the first piece was not enjoyable because it seemed like I was in a church back in the eleventh century. Eventhough, Exsultate, Justi in Domino and Ke nna yo Morena were about some sort of God or Lord, but everyone could tell the different between those two from texture, pitch, temp, and ect. Altogether, I feel like the performers did a fantastic job on that