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Kindred By Octavia Butler: Literary Analysis

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A normality in the literary world is that texts deeply nestled in the crosshairs of biopolitics, gender, nationalism, and other identity particularities often fall victim to one sided and dogmatic cultural critiques. Critic after critic find difficulty regarding how to analyze and essentially read a novel where intersectionality is intrinsic to its framework such as Kindred, because it does not fit the fairly common singular literary theory mold. This notion is articulated and defended in “"Some Matching Strangeness": Biology, Politics, and the Embrace of History in Octavia Butler's "Kindred"” where Robertson explores Butler’s usage of Dana’s body to confront universal truths and to cement the idea that Dana is in a historical paradox due…show more content…
In Kindred, Dana’s narrative entirely revolves around the slaveholding American narrative of Rufus which illustrates the second fiddle notion of Dana’s identities. The fact that she can only time travel when white man, Rufus, mortally needs her demonstrates that her entire story regardless of time is dictated by the White Man (Butler 12). Furthermore regarding time fragmentation, the imagery of Dana’s body being in a constant state of scars, bruises, and general crisis in 1976 and 1819 while Rufus’ body and life continues in a progressive linear state depicts how the white historical narrative continues to strut along time whereas the black, female, American narrative continues to be an unhealed wound discarded alongside white-American-male chronology. This notion is expressed when Dana puts her bodily pain to the side in order to sexually usher love and welcoming to Kevin’s five year journey in Antebellum south (Butler 190). Essentially Dana’s body politics do not exist in a state of paradox because through Butler’s textual portrayal of embodiment, she was and still remains as an
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