Another Broadway production that Puerto Rican Legend Chita Rivera was in was Kiss of the Spider Woman-The Musical (1993-1995). This seven time Tony Award winning musical was based off of Argentine novelist Manuel Puigs’ novel El Beso de la Mujer Araña . The novel was later turned into a film in 1984 and then staged into a musical in 1993. Rivera received a Tony Award for Best Leading Actress in a Musical for her portrayal of Aurora in the musical on Broadway. Kiss of the Spider Woman-The Musical tells the story of two cellmates, Molina and Valentín, and their daily conversations in an Argentine prison as well as the intimate bond they form in the process. Of the three lead actors playing Latinos in the Original Broadway Production Rivera
Mona Ruiz was raised in the middle class neighborhoods of central Santa Ana in a household of two parents, and seven siblings. Although Ruiz had family members affiliated with gangs, her father despised gang members. Both of them would have talks about how proud he’d be if she furthered her education and became a police officer. He had said to her and her sisters, “gangs promise only shame and danger for a young girl.” (Ruiz 27).
During the 1920s and 1930s, it was not uncommon for directors to assign roles that were inconsistent with del Rio’s Latinx identity. Exotic storylines often told the common stories that are reminiscent of the colonization of countries inhabited by people of color. Although these films exemplified her “foreignness” to American culture, none portrayed del Rio as more “exotic” as when she starred in Bird of Paradise, a romantic drama directed by King Vidor (1932), as the “savage princess, Luana” (18). The Bird of Paradise portrays a native princess, Luana, who meets Johnny Baker, a South Seas American man who jumps in a ship and arrives on her island before the two fall in love with each other. Described as having an “alien beauty [that] fits in so effectively with her role” by the New York Herald Tribune, Dolores del Rio is represented as a “foreign” woman who is saved by a white man in the film and is ultimately viewed as the “white [male] hero’s desire” (18).
On the film “La Mission” directed by Peter Bratt that took place in San Francisco, CA we see a teenager named Jesse Rivera who is struggling on how to come to his dad about his sexuality, his dad is Che Rivera who is a machista. The film takes in La Mission, is a community that most of the people who live there are Latinos. The day that Jesse dads founds out that his son is gay, he beats him up and kicks him out the house because he is not oaky with having a homosexual on his family especially his own son. We tend to see this type of problems in the Latino community where homosexuality is not okay, especially if you if your family is catholic, is considered to be a sin. On this film we also see a biracial with Che and Lena because both of them
In It's Not About the Santa in My Fe, but the Santa Fe in My Santa by Alma Lopez, she discusses how the Virgin Mary has influenced her life and how this religious icon has played a huge role for many people of Mexico. In my home, we have a huge Virgin Mary portrait hanging near our living room. My father and mother love and adore the Virgin Mary. Lopez mentioned at the beginning of the story how the Virgin Mary was always present in her family's home and community (pg. 249) I use to live in South Central Los Angeles and remember always seeing paintings on the walls of the Virgin Mary and seeing them as key chains or wallets people had.
He created it to be an organizing and fundraising arm of the United Farm Workers organization (Gelb, 2002). This theater provided a vehicle for young Mexican Americans who were actively involved in causes of their people to tell the story of their history, the myths surrounding them, and their political issues (Escamilla, 2002). El Teatro Campesino travelled all around California and performed at outdoor fields, farms, college campuses, churches, theaters, and community halls, churches, and theaters – anywhere people gathered – to create an emotionally releasing experience for these marginalized citizens of the U.S. (Boffone, 2013). The actors performed in the back of flatbed trucks and dramatically told the struggles of migrant farm workers and the Chicano people. Valdez, now known as the father of Mexican theater, used these plays to tell the world about the injustices of the Chicano people (Diaz-Hurtado, 2015).
In the article, “ El Teatro Campesino: An Interview With Luis Valdez,” by Carl Heyward, Heyward emphasizes on how Valdez wanted to address, “ the Chicano experience in America in a context meaningful to all Americans (1).” In other words, Valdez wanted to use his Chicano Theater to increase awareness about how the Latino community was being exploited, discriminated, as well as, poor working conditions. The way he incorporated this type of ideas was in a teleplay called the Los Vendidos. Throughout this film, Valdez mentions the history of how challenging it was to live as a Chicano during the 1960’s, however, at the same time he was presenting this issue humorously. It was something that he has never done before in his work.
Adele was a Creole woman who was devoted to her husband. Adele and her husband "...understood each other perfectly. " If ever the fusion of two human beings into one has been accomplished on this there it was surely in their union"(93). Adele was a "mother-woman" because she wanted children every two years.
The song Outside Looking In by Jordan Pruitt perfectly describes the Scarlet Letter. The first few verses describes how everyone is gossiping and talking behind someone’s back. This is a recurrent event in the Scarlet Letter. As Hester walks down the street people will look at her and gossip and she walks by. “You don’t know how it feels to be your own best friend and on the outside looking in.”
A hilarious and steamy sports romance from USA Today and Wall Street Journal bestselling author, Tabatha Kiss! How deep can he go? All the way. ROSE John Kirby. Just another big, dumb jock with a real big… you know.
The Bronze Screen introduced both positive and negative portrayals of Latinas and Latinos in film. While there are plenty of positive Latino roles in films, Latinos and Latinas should be included in more positive roles because the negative roles Latinos have in films cause negative stereotypes. Positive and negative representations of Latinos in films has always fluctuated throughout history, however the more negative ones seem to always overpower the good ones. The film, “The Bronze Screen”, gave many examples of the negative roles Latinos played in films throughout film history. Early films included Latino actors, however they did not always have a lead role or even a positive one.
In the movie "La misma luna," multiple themes are presented. The film revolves around a young boy, Carlitos, trying to travel from Mexico to Los Angeles to find his mother, Rosaria. Two of the main themes that are shown in the movie are courage and determination. Throughout the film, the theme of courage is displayed in multiple instances.
Works of post-modern literature raise questions about life and the human condition. The questions raised by the author not always answered in the text. Juniot Diaz’s novel, The Brief Wondrous Life of Oscar Wao is an example of this. In the novel the motif of love and violence raises the question, “How closely aligned is love or the lack of it to violence or madness?” The author provides no clear answer to this question and the questions helps to emphasize the meaning of the work as a whole.
According to the Mansfield News, Rio was considered “a real Spanish beauty” that possessed “the sexual attraction, the beauty of face, the attractiveness of figure, [and] the racial characteristics” necessary to master her role in “Carmen” (11). The word “Spanish” utilized to describe del Rio was foreign enough to appeal to U.S. audiences--who favored American whiteness--but not “too ethnic” to be associated with blackness and the working class. Del Rio’s “racial characteristics” allowed directors to view her as an “acceptable” Latina (11). Because Eurocentric beauty standards were foregrounded and idealized worldwide, Hollywood allowed del Rio to become one of the most successful Latina actresses of the decade. Dolores del Rio possessed light-skin, was white-passing, educated, and associated herself with the elite, as she had “parents of Spanish nobility” (11).
Maya Angelo once said that her mission in life was not to merely survive but to thrive and to do so with some passion, compassion, humor and style. I am certain that I feel the same way when it comes to how I live my life. No one is perfect but we are all simply individuals trying to find our way for achieving happiness and serenity for ourselves. Now I am no Maya Angelo which is why I am writing this so that you will know something about who I am, Darretta Burgess. I believe I relate to everyone in some type of way, some more than others, whether it’s because of past experiences, goals for my future or present circumstances.
Her Story is a crime fiction game. It was developed by Sam Barlow with a great performance from Viva Seifert. . Viva Seifert, plays the woman, and played wonderfully. The woman isn’t necessarily on the defensive as much as willfully omitting what becomes painfully, coldly obvious from a simple slip of the tongue or an uneasy body movement. The interviews are recorded in full-motion video Her Story respectfully deals with mature themes such as mental illness, identity, loss, and infidelity.