Karen Hollinger is a professor of English at Atlantic University, an author and is also a very strong feminist. Hollinger’s essay, “The Monster as Woman: Two Generations of Cat People,” is an essay merely expressing how most monsters in novels or films are characterized as masculine identities and that viewers forget how powerful feminine identities in novels and films can be. Hollinger’s goal in this essay is to explain that feminine monsters are just as frightening all masculine monsters. She uses many references to movies with feminine monsters and expresses how powerful they are compared to masculine monsters and also expresses that males and females have castration anxieties. I think Hollinger succeeded in a sophisticated way because she
In the book, Frankenstein by Mary Shelley, complex forms of imagery, tone-developing diction, and a variety of well-organized and composed themes are utilized to further envelop her story and engage readers. These writing techniques are very prominent in the section beginning on page 43, at the start of chapter 5, and ending on page 44, with “so miserably given life.” The imagery used in this section ultimately creates a very clear image of the monster to the readers. “I saw the dull...and straight black lips” (page 43.) The description of the monster is largely painted through this use of intense and comprehensive adjectives that aptly portray an uneasing creature. Under Frankenstein’s interpretation of the monster, the reader can actively imagine and adopt the feelings that he has towards the monster.
Molly Childree Fleischbein EH 102.147 Draft February 5,2018 Our world is full of monsters, some imaginary, but most are legitimate and terrifying. In his text “Monster Culture (Seven Theses)”, Jeffery Jerome Cohen examines the use of monsters in literate and cinema. Cohen makes the claim that the use of monsters, historically and presently, in forms of entertainment symbolizes more than just the fear they instill in audiences. A monster is no longer just a monster. Cohen suggests that every monster, villain, antagonist, or scary thing in a piece of writing, represents some major cultural issue that the world is facing at that time.
Asma shows that his article was written for an educated or specialized audience by his continual use of complex vocabulary, as well as the place of which the article was first published. Asma did an excellent job convincing his audience using emotion, logic, and ethics. Besides his use of logic, there is a large amount of pathos in his writing, which makes the reader perceive that he is writing to a skeptical audience. For example, describing how in modern films, such as Frankenstein, “we dramatize the rage of the monstrous creature…then scold ourselves…[for being an] intolerant society”(61). “The liberal lesson of monsters
What makes someone or something a monster? Throughout Grendel by John Gardner there are plenty of explanations of what makes a monster and what the qualities monsters must have to be a monster. There are a lot of examples of monsters throughout Grendel including the Dragon, Grendel, and Grendel’s mother. One scene in Grendel stuck out as the perfect example of a monster, which was when Grendel and the Dragon were talking. This scene really stuck out because it shows how it is to be a monster and how monsters act with each other.
A writer named Nikita Gill once said “When you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.” This quote can be related to the novel Frankenstein where instead of the actual creature being perceived as the monster, the person who created it deserves to be called one. Using the archetypal lens, Victor can be seen as the real monster in Mary Shelley’s Frankenstein from his cruel characteristics, continuous patterns of monstrosity, as well as symbols and themes involving nature. Throughout Frankenstein, most readers will notice how egocentric Victor appears from messing around with his own monstrous creation as well as the people he cares about.
His descriptive, detailed article displays the gruesome, revolting, yet wholly human aspects of the show. All in all, Dawidziak 's intense review led me, someone who has never before seen The Walking Dead, to begin watching it on the popular media platform
In Mary Shelley's novel, Frankenstein, Shelley conveys the pursuit of gaining knowledge and isolation and how it affects someone mentally by using similes, diction, contrast, and hyperbole. In Frankenstein, Victor Frankenstein is telling Walton how gaining knowledge has turned him into a different person. Walton is making a comment of what he knows of Victor's story and how he thinks Victor was like in his prosperity of knowledge. “He is thus noble and godlike in ruin!” Walton is stating that Victor was gaining knowledge and achieved what his plan was. The use of the simile, “godlike” illustrates Victor being and feeling extremely powerful that he felt that no one can ruin him and his power like a god.
There are many examples from the story that make Grendel look even more monstrous than he already was, but that’s because the story is at the point of view of the monster. So, we’re able to see the natural habitat of the monster Grendel. Although, the young life of Grendel may be barbaric and monstrous to us, it’s not to Grendel, because that’s his life. As you can see, there many valid reasons why I believe John Gardner wrote Grendel to help us understand the monster’s mind. Grendel expresses his thoughts and emotions throughout the whole story, so we’re able to see how Grendel is feeling.
That all the deeds done by the monster in the novel is totally the fight towards beauty and ugliness. This throws light upon the idea it is not always simple to know about goodness and evilness with regard to outer beauty but it’s the beauty of the soul as the victor was projected as a good and loving human being and the monster evil but we can realize throughout the novel that this might be up turned for both victor and the monster Mary Shelley depicted the phenomena of beauty vs. ugliness of the soul very prominently in the novel Frankenstein . The thesis will describe that how the own loved ones fails to accept the outer beauty of their loved ones instead of focusing towards the