Unlike ‘sex’, which typically refers to the biological and physiological differences, gender is a sociological concept that describes the social and cultural constructions that is associated with one’s sex (Giddens & Sutton, 2013, p. 623-667). The constructed (or invented) characteristics that defines gender is an ongoing process that varies between societies and culture and it can change over time. For example, features that are overly masculine in one culture can be seen as feminine in another; however, the relation between the two should not be seen as static. Gender socialization is thought to be a major explanation for gender differences, where children adhere to traditional gender roles from different agencies of socialization. Gender …show more content…
(0:05:15-0:12:19). When reaching Australia, however, the setting shifts drastically with numerous stereotypical traits entering the film. The ‘Drover’(Hugh Jackman) is, like most men during the scene, portrayed as uncivilized, tough and violent. They also drink and show sexist behavior. When Sarah’s suitcases are destroyed in a brawl, she becomes passive, while the men are cheering. Furthermore, the clothes Sarah is wearing are decorative and clean, which is a stereotypic belief of women’s attention to appearance as opposed to the men’s functional clothing, though this could be explained by the cultural differences exposed in the film. Over the course of the film, Sarah changes from a challenge-seeking aristocrat into a mother figure to Nullah. The generalization that women are better caretakers of children than men is presented by Drover after Nullah’s mother has died: “He needs motherin’ … and you're a woman, so, go on, get down there.“ Sarah Ashley states she is not good with children but follows Drover’s judgement, maintaining the gender order …show more content…
I have tried to pick examples of each work that mainly focuses on the main character. In three out of the four works of fiction, the main character(s) are male. Only in Australia, the lead protagonist is a woman. We do however find different gender generalisations and characteristics between them. Harry (Rowling), unlike both Marcus (Hornby) and Christopher (Haddon) shows stronger traditional masculine traits as he is both a leader as well as competitive. Moreover, once he begins at Hogwarts, he becomes both popular and protective of his
Even after learning he is a wizard, Harry is forced to repress that fact every summer when he must return to his aunt and uncle’s house to await the next school year. This forces Harry into a routine that is tedious, difficult, and borderline oppressive. While at his aunt and uncle’s house, Harry cannot act freely nor express his wishes, desires, or needs. Because of this situation, Harry is always glad to return to Hogwarts, breaking him out of his backbreaking routine and into a world that is ever changing and unpredictable. Here not only does Harry have an unprecedented level of independence, but he is not required to conform to what an uncaring authority figure thinks; the teachers at Hogwarts tend to be fairly forgiving of Harry’s behavior.
Burak defines gender socialization as “the process of interaction through which we learn the gender norms of our culture and acquire a sense of ourselves as feminine, masculine, or even androgynous” (Burack, 1). According to Burack, people of different genders behave differently not due to biological factors, but due to socialization that teaches individuals to behave in a particular way in order to belong to a certain gender. For example, women may tend to be nurturing, not because they are biologically programed to be caretakers, but as a result of society teaching them through toys and media to act as mothers. In this way, gender becomes a performance based on expectations rather than natural behaviors or biology, a phenomenon called “doing
In "Learning to Be Gendered", Penelope Eckert and Sally McConnell-Ginet argues that the gender identification does not begin at birth. The dichotomy between a male and a female in biology is what sets them apart. The authors address the false assumptions with gender identification for people who think they figured out the pattern for boys and girls. The article gives examples of instances where parents and adults have unconsciously made judgments for males and females based on their expectations and roles. As a result, boys have learned to perform as a male and girls have learned to perform as a female.
The book deals with themes that include love, reputation, and class. However, Pride and Prejudice received much criticism for being a novel full of female characters that fit the social norms for women in the 19th century. The female characters in Jane Austen’s Pride and Prejudice, while being seen as frivolous and typical representations of
There are arguably more strong female characters than male characters in this novel. This Novel was written by Suzanne Collins who is a female. One of the main reasons she wrote the book was to highlight the sexist and messed up countries
The leading role in “Star Wars: The Force Awakens”, portrayed by Daisy Ridley, is Rey, who breaks every possible stereotype that women usually suffer as the main character in a movie. There’s no sexual reference in her personality or costume. In fact, her costume has no bright colors and shows very little skin. Rey is a character who was abandoned by her family, living alone as a scavenger, which totally contrasts with past female characters’ economic situations in this franchise, where the female role has big titles like princess or
Some folks assume that girls and boys behave and like different things based on their distinctive innate nature and physical differences. While it might be true that they identify themselves based on biological traits like their gender/sex, Penelope Eckert, the author of Learning to be Gendered, argued that receiving different treatments and nurture can have influence on how girls and boys learn to identify themselves. Penelope suggest that there’s a social matter where an individual’s gender can be a heavy label on how he or she would be like, but part of the gender label is developed by parenting while growing up. Even at birth, gender roles are conditioned by their milieu. Baby girls are given flowery or pink gifts while boys are
Trifles by Susan Glaspell opens when the County Attorney says, “Come up to the fire, ladies (1156).” Obediently, the women follow even though they are not cold. This is the first instance where the role of masculinity is shown in the play. Both the men and women are present in the same house and working on the same case.
The traditional gender roles are noticeable in the novel because the women were either in the homes or in the Red Center. The men could have different kinds of jobs and even rise to a higher social status. Women were to remain the same all through their
Fern is the first mother to Wilbur, we can see this when she saves him from being killed and takes care of him. This portrays that girls should take care of those who are sick. Fern has great compassion for Wilbur, this is an emotion stereotyped for woman rather than men. The book also mentions that Fern would not eat her breakfast until she gave Wilbur his milk, again stereotyping that woman should take care of their family members and children before they take care of themselves. Mrs. Arable, the stay at home mom, does all of the stereotypical house work like cleaning, cooking, and caring for the kids.
The female characters are few and far between, but they are showed as strong and capable. Eowyn is a skilled fighter, and Galadriel is a wise and powerful queen. However, the limited number of female characters reinforces the idea that men are the primary actors in the world of this book. The relationship between power and gender in The Return of the King is also worth noting.
Gender is something that is brought to the attention of people well before people are even brought into the world. Take for instance, when a woman finds out that she is pregnant and is about to have a child. The first question that that women is asked is “What are you having?” In doing this we are automatically emphasizing the importance of being able to identify whether or not to buy “boy” things or “girl” things. As a society we deem it important for each sex to practice a set of “norms” of how to behave via that sex.
He is considered a scrawny, weakling for his age and size. But deep inside, Harry has much more to him. He is a very selfless kid and will always put his friends and family, no matter how cruel, before him.
In the Harry Potter world there is the usual male and female genders. Hermione being one of the main female roles. Harry and Ron are two of the main male characters in the novel. At first in the story when Hermione was introduced it portrayed her by saying “She had a bossy sort of voice, lots of bushy brown hair, and rather large front teeth” (Rowling 83).
The statement ‘masculinity in Victorian literary texts is a category radically divided, re-imagined and problematic’ sums up not only masculinity but also the main male characters from Victorian literature. Some of the most memorable male characters within literatures comes from this era, and they are radically divided from women, they are re-imagined character from the typical Anglo-Saxon white English gentleman, and in no way a stereotypical male, (even creating a new stereotype) and yet they are all problematic flawed characters. The most memorable masculinity novels have characters that are divided, re-imagined and problematic like that of Heathcliff, Allen Quatermain Sherlock Holmes and Watson. With a close textual analysis readers can see how these Victorian masculine characters are made immortal. Masculinity cannot be assessed without femininity to contrast to, even in the book that is for boys written by a boy and about boys King Solomon’s Mines, written by H. Rider Haggard.