Who Was Lago's Revenge In Othello

He verbalizes that his motivation for getting revenge on Othello is because Othello gives Cassio, rather than Iago, the position Iago thinks he deserved, but it goes much deeper than that. Iago is driven by jealousy to seek revenge because Othello has more power, a better marriage, and Othello has more achievements and gets more recognition for them. After Iago becomes Othello’s lieutenant, he chooses not to end his revenge at this point, even though he could have, because of his envy of Othello. Iago is very envious of the power Othello has. Othello is a foreigner in Venice, and the amount of power and respect he has acquired as a foreigner is much more than what Iago has acquired and this angers Iago very much because he thinks Othello is

He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own

This sin is used in order to show how pride in one's own self may lead to unwanted repercussions. Because this tale was written in this time period, boasts and pridefulness were common. The use of pride develops the characters from being a band of brothers to becoming each other's murderer.

Throughout the story the audience views how impacting the character Iago is to Othello and his total interpretation of every single aspect around him which leaves readers with nothing but an ache in their chest filled with sorrow and longing. Othello is immediately introduced as a confident, humble man as general of the venetian army and his marrying of a white woman. Evidence of this is when in Brabantio confronts Othello about marrying Desdemona. “Down with him thief!. . .Keep

Sit you down/And let me wring your heart. For so I shall/If it be made of penetrable stuff,/If damnèd custom have not brassed it so/ That it is proof and bulwark against sense.(3.4.30-40) This show the hidden meaning of Hamlets violence with being love hurt, in his head he feels as no one loves him and is all alone to suffer with his grief. Letting Hamlet be so hurt by love lets the reader and audience see how the love really can affect a person view into driving the play in madness and despair.

Romeo thinks that his blurred sense of reality due to romanticism has let Mercutio die to Tybalt. Romeo furiously states, “[His] very friend, hath got this mortal hurt / In [his] behalf. [His] reputation stained / With Tybalt’s slander…” (III.1.115-117).

An embodiment of evil, with no moral compunction, and therefore while he does initially provide reasons for his wicked intentions, his motives are unsubstantial and merely excuses to cover up his inner evil and Machiavellian ways. Iago is an incredibly intelligent, cunning villain, who throughout the play uses his ability to think quickly and to play multiple roles to clutch on to every opportunity that will further his cause. At first, his motives are revealed to be based upon his lack of promotion, later he changes this to sexual jealousy and finally on the belief that his own made up affair between Cassio and Desdemona is true. Iago seems to be ever altering and modifying his motives, indecisive as to what his real motive is making it seem as though he is indeed nothing but a motiveless disturbing

Candide's carelessness can also come from his love for Cunegonde, his lover. The reader may assume that Candide’s love for Cunegonde blinds his judgement and results irresponsible and inattentive behavior. “When a man is in love, is jealous, and has been flogged by the Inquisition, he becomes lost to all reflection” (Voltaire pg 22). What Voltaire was trying to say was that a man is not himself when he is in love or is jealous. All Candide wants is to return to his lover so he would do anything to see her again.

Unit 3 (Othello) What seems to be the motivation for Iago's treachery? Lago is the really mean villain in the play Othello. He is manipulative and dishonest. He seems to encourage bad behavior to get what he wants.

Oberon belittles Titania with words and actions in an attempt to gain not only the upper hand, but the Indian boy. It presents his capability to set aside emotion in order to get his way. When Titania refuses to hand over the Indian boy, Oberon becomes furious and plots his revenge by putting love potion on her eye (2.1.179-183). Oberon’s motive proves his willingness to perform any action for his benefit, even if it takes away from his wife. His reaction further emphasizes his feelings for his wife and the diversification to Theseus’s.

or I will not love you. This is manipulative because she is cornering her husband, so he will have no option but to carry on with Duncan’s murder. Another example is when Lady Macbeth pulls

Jealousy is the most dominant theme of Othello. “Honest” Iago, the protagonist, is utterly absorbed with his jealousy of Michael Cassio because Cassio was chosen as lieutenant instead of Iago. He yearns for everyone to be as miserable as himself by implementing seeds of doubt resulting jealousy of other characters. His mind is clouded by animosity; Iago acquires for others to be justly jealous shown through Iago’s manipulation of characters, especially Othello.

By planting the idea into Othello 's mind that his wife, Desdemona, is having an affair with his lieutenant, Iago transforms the once rational Othello into a creature. Through this, the audience learns that it is not Iago 's actions, but rather his words that enabled the monster that is jealousy to be unleashed within Othello. Through his subtle suggestions of “Desdemona should not be trusted”, since she has 'deceived her father ', Iago encourages the on-start of jealousy within Othello. The dangers of the spoken word is further shown through Iago 's manipulation of Othello. Throughout the play, Iago doesn 't show much action but instead he is a character known

The Power of Manipulation Michael Ende once stated, “When it comes to comes to controlling human beings there is no better instrument than lies. Because, you see, humans live by beliefs. And beliefs can be manipulated. The power to manipulate beliefs is the only thing that counts.”

In William Shakespeare’s Othello, jealousy is a major, plot-advancing mechanism, as well as one of the most prominent themes. As planted by Iago in Act III, Othello’s own doubts and jealous tendencies cause his demise. Shakespeare utilizes ambiguity, adoring tones, and the power of suggestion to develop the young hero’s unfortunate hamartia. In doing so, it is proven that sometimes naivety and too much faith in an unvalidated source of information can cause deadly miscommunication. Act III Scene III of Othello is dripping with ambiguity, specifically in the answers and suggestions of Iago as he discusses the faithfulness of Desdemona with Othello.