Lola, a film directed by Brillante Mendoza and released on 2009, is a story of two grandmothers, whose grandson is the murder victim, and whose grandson is the suspect of the murder. The story begins with the death of Arnold, Lola Sepa’s grandson, by a cell phone snatcher, Mateo, who is Lola Puring’s grandson. Because of Arnold’s death, Lola Sepa has to prepare for the funeral which requires lots of money. On the other hand, Lola Puring who is the grandmother of Mateo, who killed Arnold, is suffering to pay the bail in order to make her grandson to get free. Lola Sepa and Lola Puring is trying their best to earn money When Lola Sepa and Lola Puring attended the court for the trial of their respective gradsons, they face each other for the …show more content…
Water is seen anywhere inside the movie. It keeps on raining, and the place where Lola Sepa lives is flooded with water. This water in the movie has a big meaning inside the movie. It symbolizes the difficulties that the characters encounter. The water is the pain itself, and also the water enlarges the pain of the two characters. When every time the two main characters’ encounter difficulties or sadness the rain pours. The water is also another symbol for money. Water is important in one’s life. People cannot live without water, but excessive water can also make people die. The water expands the meaning of money. Just like water, money is important for a person to live, but it can also make a person to …show more content…
Lola Sepa’s family was able to catch the fish out of the water. The fish from the dirty water symbolizes hope and a bright future. The dirty water is the current situation of Lola Sepa or the problems Lola Sepa is currently facing. And from her situation, she was able to get the fish, which is hope, and this signifies that Lola Sepa’s problem will be resolved soon, and she will have a bright future. The last converstion which Lola Sepa and Lola Puring talked inside restaurant tells many things. This film does not simply tell about the poverty. This idea was shown in the scene of Lola Puring rode a train to meet her relatives in a far province. In the train, two foreigners were talking about how poor the Philippines is, which is contrasting the view of tired looking of Lola Puring. In this scene it is clear that the idea of the movie is to show the life the people who are living in poverty, but not the poverty itself. At the beginning of the movie ‘Lola’, the murder is already present in the movie. But that does not have much importance in the movie. It is not shown that why the murder is happened or what actually happened. What the movie wanted to tell to the audience was the law which wants the agreement among the victims and suspects, and the poverty which made a life of a person worthless. Lola Sepa and Lola Puring are the victims of the neglectful
Oscar Casares created a very believable character in “Mrs. Perez” by writing about Lolas passion, bowling, and including flash backs about her younger life and family. He used these flash backs and incorporated her family to go into depth about her past, and let the readers infer why she is the way she is. The bowling ball that is repeatedly mentioned throughout the story contrast her past life. By giving her a hobby, and showing the struggles she has experienced in her past, she becomes like a real person readers empathize with. To begin with, Casares often went back in time to show her seemingly unhappy life with her now deceased husband.
Leonardo Sciascia in To Each His Own pairs the reader up with Professor Laurana, a teacher that is oblivious to what has actually happened in his own town. The audience can work with Laurana because his ignorance puts him on par with the audience’s knowledge of the town, which is none. The book starts with Laurana finding a clue that he believes the police have over looked, which starts off his investigation into the murder. In Chapter three Laurana states that “There was not one person in town who had not already, privately and to his own stratification, solved or almost solved the mystery… Professor Laurana had his key; it was the Unicuique… [Laurana] did not know whether the marshal had attached any importance to the [back of the letter]
Amy Tan uses imagery in the short story “Fish Cheeks” in order to let the reader feel the way Amy felt at the table on Christmas Eve. For example, in the story it states, “ My relatives licked the ends of their chopsticks and reached across the table dipping them into the dozen or so plates of food.” This explains that Amy felt embarrassed that her family wasn’t realizing the fact that they had no manners at the table. Amy was completely embarrassed with the fact that, that was the way her family had acted while they ate. Everyone is put into a situation where they wished their parents or family members had not acted the way they did in front of them, and Amy Tan writing this story makes you remember those times.
The narrator immediately incorporates symbolism insinuating the emphasis on struggle in the first stanza. Symbolizing adversity, she tells the reader “I think by now the river must be thick with salmon. Late August,
It was only then that I could forget how big the sea was, how far down the bottom could be, and how filled up it was with things that couldn 't understand a nice hallo. (42) Here, the motif of water personifies the closeness of their relationship.
In The Boat the author uses the roll of money as a symbol of hope for Mai, “her mother had hooked her fingers under her waistband and handed her a damp roll of money”. Mai’s mother had hope for her future by handing her the roll of money, which was also a symbol of hope that they would make it to their destination. Another symbol of hope is Truong, his singing is the driving force that gives Mai hope. The Road also uses symbols to relate to the theme hope. “The fire” is a symbol of hope in the road, it gives light and warmth is a guide of how to live and it designates the difference between the cannibals who have no hope and people that “keep carrying the fire”.
One way which love is aligned with violence is that, when in love characters sometimes blindly put themselves in harm’s way. This is true for Belicia Cabral’s relationship with the “Gangster”. During her teenage years Belicia having blossomed into a beautiful woman Belicia was subject to many advances by older men. Belicia would typically turn down these men, but that was until she met the “Gangster”. The “Gangster”, one of Trujillo’s (the harsh and ruthless dictator of the Dominican Republic at the time) henchmen was the type of man Belicia had been looking for after a failed previous relationship.
Lola does this because she is a lost soul with no foundation of who she really is. As she runs away from her “Domincaness” that she desperately needed change from, her mother finds her in Wildwood and returns her to the origin of a “perfect Dominican daughter” which is the Dominican Republic. Once there she
Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.
Alvarez and her family have a lot of trauma considering there lives in the dominican republic and living under the dictator,through it all alvarez's parents raised a daughter who would share their story in a fashionable matter that told the story how it was.
Juana Barraza is a serial killer in Mexico. She was born on December 27, 1958 in Hidalgo, Mexico. As a child she had a thought life. Her mother Justa Samperio an alcoholic woman would exchange her to a man called Jose Lugo for a couple of beer. Barraza was sexually abuse; as a result she became a mother at the age of 13.
The author tells about the water and that fish have to breathe underwater to show the resemblance to the accident Maddy was in. The language here demonstrates that Maddy has to realize the benefits of water even though she's afraid of water. Ever since the accident, Maddy has been scared of water. She thinks that the accident is all her fault and that she killed her best friend. To sometimes when she sees water she gets nervous and because she was scared of water for a while she got a fish tank.
There are countless families with impoverished, single mothers with many children of a minority race that are discriminated against. Especially around the 50s and 60s when the novel is set, immigrant women did not have high chances of being hired for a stable enough job to support their family. This then causes the mother to grow tired and weary, too drained to take care of their children like they should. After a while, the neighbors stop caring and ignore them rather than help them, and the children run about without any care for the consequences of their actions. Some of these consequences aren’t that bad; however, in cases like the Vargases’, the lack of proper supervision, guidance, and care can lead to horrible occurrences like the death of a
This alludes to a scripture in the bible that reads “Many waters cannot quench love, neither can the floods drown it” (Song of Solomon 8.7). In both quotes the water aspect is made plural to enhance the idea of how strong love is and that there is nothing that can essentially quench the thirst Bradstreet has for her husband’s
As Chronicle of a Death Foretold tells the story of the killing of Santiago Nasar, who was murdered for depriving Angela Vicario of virginity, this work is set in a small Colombian town, while the events described were inspired by the real events that