Le Corbusier: The Father Of Modernism
Modern, yet Classic
The study of architectural history helps architects in understanding the basic principles of architecture, the urban built environment and the landscape starting with ancient times and progressing to the modern life. Understanding ancient history makes an architect realize how surrounding structures affect our lives. Le Corbusier considers as one of the modernism 's avant-garde architects. It is impossible to understand architecture history of the twentieth century without knowing him. Even though Le Corbusier was the father of modernism, he was influenced by classical architecture. His architecture has double senses, because he mixed modern along with tradition.
For Le Corbusier, standard is necessary in order to reach
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Architects gained a new perspective , experience and a new social life. In response to the demands of the machine age, Le Corbusier developed a new theory to refine and simplify design, without ornamentation . He wanted to invent a new artistic expression, just like all movement at that time. His planning and designing was influenced by machines and technology. Thus, he defined the house as “Machine for Living” . Like a car and its parts, each part is essential to its function, so the house would work as efficiently as possible. Then, he established “The Five Points” of architecture, which are the universal principles of architecture.
The Villa Savoye at Poissy, France is one of the most famous and remarkable buildings and the first one which tested the five point of architecture. It was inspired by a machine yet, it also has a reinterpretation of the basic idea of the Greek temple. It represents a design concept that has contemporary paradigm, but it still asserts the classical
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He also, had a tendency for organizing pilotis in grid, which was a way of representing the classical qualities, such as regularity and proportion to his modern designs by making an equal distance columns. The Parthenon has eight columns at the façade, as well as seventeen columns at the flanks. The regular grid of columns on both villa Savoye and the Parthenon create a special richness of being able to see through many layers at once. In addition, the re-interpreting of classical principles could be found on the “four column” entrance. There were two piolits flanking the entrance and the other two flanking the stairs. Like the opisthodomos, Athena’s treasure area, has four columns of the Ionic order to support its
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