Introduction This advertisement was part of a print campaign “Creativity Forgives Everything” created by a french advertising agency for LEGO; the title of this advert is “Fridge” and it was released in February 2014. LEGO is an internationally-known toy manufacturing company that addresses a range of cultural target groups, but more specifically for a western audience. Owing to this, the text of the advertisement is in English. From the language choice and words chosen for the advert’s slogan, it can be inferred that it was targeted at a more educated audience belonging to or above the middle-class. The advertisement depicts two well-dressed brothers, the eldest carrying the youngest on his shoulders, caught playing in the kitchen with an igloo they built out of lego inside the freezer; …show more content…
The colour themes of the kitchen (: white, blue, brown and yellow) are the same as the colours of lego igloo set and the children’s clothing; personally, it signifies the cold, antarctic theme of the lego set. The kitchen tools featured in the advertisement, the bowls and colander, are both round-shaped and white, like an igloo; this also contributes to the antarctic theme. Another possible reason why cold soft colours dominate the advertisement is to make LEGO’s logo and ad slogan, that are in bold colours black and red, situated at a corner stand out. The expressions of both brothers are indexes for ‘getting caught in the act’. It can be assumed that the eldest is staring up at a parental figure (such as a parent or a nanny) standing at the kitchen doorway. The boy’s open mouth and raised eyebrows indicate that the person has discovered them; an indexical sign we cannot see. Meanwhile the youngest gazes at our direction as if to say ‘Uh Oh, we've been caught’ to us, the readers. The way the brothers are positioned, eldest carrying the youngest, indicates that they
Rhetorical Analysis An ad that takes up less than half of a page, boxed off by a white boarder, letting the viewer almost see the other side of the page. The only thing blocking this is a photo of three young women dressed up for a tea party. It is an ad for the Lamarca Prosecco, a brand that sells sparkling wine (Prosecco). Lamarca is a company that uses the need for affiliation and prominence to market their sparkling wine.
The organization’s overall goal was to persuade civilians to practice subsistence farming and to discourage any unnecessary “hoarding” (Imperial War Museum). In efforts to inform Canadians, the organization had created a series of advertisements. However, this Canada Food Board advertisement, in particular, satisfyingly appealed to the Canadian citizens by efficiently utilizing the usage of color, scenery and two rhetorical strategies – ethos and pathos. Through employing specific color techniques, the poster
The commercial starts with a series of heartwarming
In Eric Schlosser‘s essays, the author shows how the social media are targeting children by their ads and advertisements. He exposes the negative side of advertising especially when children are implicated. The author explores children’s cooperation with these companies whether consciously or unconsciously through their behavior and ways of convincing their parents to get them what they want. He mentions how these same parents by lack of spending enough time with kids pamper them and don’t refuse their desires. Schlosser gives more explanations by introducing several examples of these companies such as Disney, McDonald, clothes, oil, and phone companies, too without openly blaming neither of them.
The commercial uses a much more easy-going tone to aid in the process of connecting the audience with the young boy in the play. In addition, it serves to slow down the
In Advertisements R Us by Melissa Rubin, she analyzes how advertisements appeal to its audience and how it reflects our society. Rubin describes a specific Coca-Cola ad from the 1950’s that contains a “Sprite Boy”, a large -Cola Coca vending machine, a variety of men, ranging from the working class to members of the army, and the occasional female. She states that this advertisement was very stereotypical of society during that decade and targeted the same demographic: white, working-class males- the same demographic that the Coca-Cola factories employed.
This commercial draws on the viewers emotional well-being through the dialogue of the characters. The first words said in the commercial are, " Never give up on the ones that you care about and, always remember the good things." That statement is strong and will immediately catch the reader 's attention. The little boy also said, “I looked everywhere.
While there are different shades of blue, royal blue is a prominent theme throughout the advertisement, which is signified with elegance, intelligence and superiority. The colours grey and white are also seen throughout various portions of the ad, such as the table, the bottle and box, and in the text and borders. The colour grey helps build a sense of “coolness” to the product. Grey is essentially visualized as a neutral tone that is often tied to power and conservativeness—which suggests that Grey Goose is traditional and an old-fashioned drink that's been around for a long time. The use of ice in the scene also help build onto this theme, suggesting that the product is “cool”, while also suggesting freshness.
When all the food is made they all start eating at the table. When they are eating, they are all drinking Coke. The main message of the advertisement is that together tastes better. The families all have cute little kids as well. Lastly, in general the advertisement was super
The commercial begins with a soothing song and an immediate introduction to the two main characters of the ad. Within the first twenty seconds of the advertisement, there is already a foundation
The shade of blue he uses is very dominant as it ties her apron and sleeves to the table cloth and to the cupids on the baseboards. The redness of the pitcher matches her skirt, the floor, her facial skin tones, and the footwarmer, and blends in with the yellows used to paint the bread. The colors in bread also causes the viewer to flow to the yellow and gold color in her shirt and to the gold decoration on the wall behind her and to the left. This image has rustic colors consuming the background. The walls are light gray, dark and gloomy with a few spots of what appears to be brown
That way, when people are shopping, they’ll see bottles or cans of Coke and subconsciously remember how happy and pleasant those Coca-Cola ads made them feel. Then, they’re much more likely to purchase the products. In conclusion, this advertisement tells the story of two brothers, but it does much more than that. Its music, lighting, and humor create a happy, nostalgic tone that reminds the audience of their own happy memories with their siblings - all for the purpose of selling
Dolce and Gabbana is a high-end Italian clothing company that was founded by Stefano Gabbana in 1985 targeting women primarily, famous for their superior sartorial content. It was not until 1990 that menswear collections started to appear and made its entrance in Dolce and Gabbana stores. In 2007, Dolce and Gabbana released their spring/summer ready-to-wear collection that targeted individuals in the upper class who wanted to dress casually but still feel expensive. This advertisement caused controversy amongst women about objectification. However, the advertisement also targets the social group of men being represented as dominant, powerful and in control in order to sell clothes and the idea of confidence through wearing Dolce and Gabbana clothes.
Advertisement two: Calvin Klein is a dark-full colour advert, for Calvin Klein Jeans advertisement (Figure II). Nudity combined with the body position and body language make this a highly sexual ad and a solid reason for its inclusion in the study. The Calvin Klein advertisement features a woman with a nude torso positioned on top of man with a nude torso. The visual elements presented in the second ad by Calvin Klein create visual texture; the ocean/rocks surrounding the human figures creates a frame focusing the eye on the bodies in the centre. The woman’s fixated body pulling away from the male model attracts the viewer down her arm, to her waist pointed at the logo at the bottom of the page (right-hand-side).
Every single day we are bombarded with advertisements, and we are sometimes subconscious to it. Advertisements play an eminent role in influencing our culture by moulding the minds of its’ viewers. They grab our attention left, right and centre; leaving us feeling insecure about ourselves wishing that we could look like the size 4 model depicted in the Guess advert. Messages are delivered to us in all sorts of ways through television, radio, magazines, social media and text messages aiming to capture our attention wherever possible. Everywhere we look, we are plagued with images of the latest products, which in essence attract consumers because we as humans are constantly wanting to satisfy our wants and needs because what we have is never