Lies And Deceit In William Shakespeare's Much Ado About Nothing

One of Macbeth’s many soliloquies explains his fear of Banquo’s sons becoming king. Fearing so much for his crown, Macbeth calls upon three poor men in need and manipulates them for his own wants. The men being convinced by Macbeth manipulative words “That it was he, in the times past, which held you;/So under fortune” kill Banquo (Shakespeare 87). Macbeth use of the lowest of society, the poorest of the poor, when he has access to all the people of the Kingdom is a horrendous but intelligent move all done to keep himself safe. His intelligence helps him stay unknown to those close to him because Macbeth is afraid of being blamed for Banquo’s death.

He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own

Iago was really trying to convince othello that Cassio is not and honest and that he is sleeping with Desdemona.this characterizes Iago as a deceitful person who tricks people into believing what is not true. In Iago’s second attempt to convince Othello, he tries to convince him by appealing to his logos by saying “she did deceive her father, marrying you; and when she seemed to shake and fear your looks, she loved them most” (III,iii,233-235). This is another way by which Iago is trying to tell Othello about his wife. He is trying to put doubt into the moors mind. This reveals Iago’s deceitful nature when he is placing these doubts into Othello’s head by asking she deceived her father, why not deceive you too?

Doodle always wanted a brother who will care for him and keep him safe. At the end of the story deceitfulness was shown when brother left Doodle alone in a storm. Brother also mislead Doodle, through having him done things he was not capable of doing. Being deceitful can sometimes break a good relationship or lead to a lot of worse things. Not only did brother mislead Doodle, but he was untruthful to Doodle.

He is blind and unfair as a father and as a ruler. He desires all the trappings of power without the responsibility which is why the passive and forgiving Cordelia is the perfect choice for a successor. ( Foster Edward E.) The audience may feel alienated towards him at the start of the play considering his selfish and harsh treatment of his favorite daughter.As an audience, we soon feel sympathy for Lear despite his egotistical manner. He quickly regrets his decision and can be forgiven for behaving rashly

In the thought provoking play, Much Ado About Nothing, a character named Don John displayed very unchristian like thoughts and actions. Throughout the play, Don John became a very jealous individual, this led him to lie multiple times, and demonstrate a dastard attitude. Don John claims himself as a trouble maker, and he doesn`t fail to disappoint. Many main characters such as Hero, Claudio, and Don Pedro were greatly affected by Don John’s deceptive plots. By making no efforts to change his displeasing habits, Don John creates unnecessary jealously, deceitfulness and a finally a fleeing coward.

Moreover, Claudio's quickness on believing that Broachio, who claims to be Hero’s supposed lover, comes to show that he is unworthy of her. On their wedding he publicly shamed her by stating, “Give not this rotten orange to your friend…Behold how like a maid she blushes here” (4.1.32-34). This then causes Leonato to fake Hero’s “death” so that Claudio can grieve her memory and admit that he was wrong on publicly bashing her. Shakespeare’s Much Ado About Nothing revolves around the manipulation and deceptions. Benedict and Beatrice are deceived for their own good.

Roderigo cannot see through Iago’s lies because he is too busy being jealous of Othello and Desdemona’s love. Another instance of how jealousy could blind one from distinguishing the truth would be how Othello cannot see past Iago’s deceiving lies. After just being manipulated to doubt his own wife, Desdemona, Othello speaks to himself, “this fellow’s of exceeding honesty and knows all quantities, with a learned spirit, of all humans, if I do prove her haggard.” Othello is constantly insecure of himself, though he never would imagine Desdemona cheating on him, Iago managed to “plant a seed” into Othello’s mind. Manipulating him that Desdemona is having an affair and he should keep a close eye on her. Now that Iago has managed to make Othello jealous, Othello would never see where and and when Iago is deceiving

His ultimate choice is choosing between trusting Desdemona or Iago. Iago’s influence on Othello is so great that he is transformed into a man that no one recognizes. His jealousy is terrifying because of the noble way he originally held himself. Othello does not even recognize the man he becomes and refers to himself as “he that was Othello” (“Othello.” Shakespeare A-Z 471). Othello’s jealous spirit drives him to murder his wife; he cannot stop his obsession with the alleged affair until she is harmed (“Othello.” Shakespeare for Students 663).

This scene is also important mostly where it illustrates why King Henry V was so depressed and melancholy because he was disgusted about the sin and devious act his father committed in order to achieve the crown. Henry feels ashamed and is willing to do as much as possible to prove to the people that he is not like his father in his ruling and shameful ways but he is worthy enough to be wearing the crown. Henry V disguise through the use of a cloak also help to showcase the differences in the class positions in the society. For instance, the people they speak to King Henry V who is disguised very straightforward and open but if they saw the King in real they would have been more hesitant to say what they wanted. This third poster is very symbolic in the play since it helps us to distinguish the type of respect and authority the subjects have for the King as opposed to a common man.