It has to be difficult for someone to leave the only place they have ever known, and move to an entirely different continent, but yet it has to be truly brave too. Many immigrants left their homes, and traveled thousands of miles to The United States of America, in search of not only a new life, but a better way of life. In New York City, in the Lower East Side of Manhattan, on 97 Orchard Street, stands a monumental building. The Tenement Museum is a historical site, which reflects the time span of 1863 -1935, during some of the peak years of European immigration to America.
Another known muckraker Jacob Riis published his book,“ How the Other Half Lives: Studies Among the Tenements of New York.” This book consolidated content with photographs to deliver a genuinely aggravating photo of the living states of the poor in the Lower East Side of Manhattan. His book prompted to apartments being torn down and upgrades being made to the range including the working of sewers and the usage of garbage collection. Jacob Riis attacked the miseries of the poor who suffered the degradation of living in miserable slum areas without a proper water supply. He worked not only for the abolition of rear tenements but for playgrounds for children, for small parks, for the abolition of child labor (231).
Brooklyn has been known to be more than just a borough. It has been known and accredited for being a community of peers. Despite the difference in areas, and environment Brooklyn is a place where people intend to look out for one another. However, some people had their own beliefs about Brooklyn itself and felt only “Poor people live in Brooklyn” (Mehta, pp1) however this is not the case. Just as Adam Bonislawski’s article “Is the New Brooklyn Economy For Real?” stated that the “New Brooklyn Economy” was in fact a place where it welcomed the passion driven, tech savvy and entrepreneurialism of the new era.
This architectural fantasy “that invents a narrative of irregularity and forbiddeness and otherness that comes to life in the form of a western reproduction”. (Brody 124) Kropp and Brody also both argue about some type of power dynamic that is going on. Kropp’s argument of Rancho Santa Fe suggests that since it is such an elite exclusive community this gives it a somewhat powerful presence because not everyone can afford to live there. Similarly, in Brody’s essay, with the architectural style in the Philippines was built in that matter to communicate power and make known that the U.S. is there and they have power. In Luhr’s essay, she discusses how Encinitas, in San Diego California, has become an affluent community with “imagination an aura of religious sanctity, diversity, and tolerance in the recent past that embraced…new ageism while reinforcing an exclusionary neoliberal economy of privileged bourgeois consumption and culturally appropriative branding.”
This competition also affected the future of American construction and the weak environment that was in Chicago slowed the process of construction. This situation was difficult because “… Burnham and Root were being called upon to build what amounted to an entire city in the same amount of time- not just any city, but one that would surpass the brilliance of the Paris exposition.” (44). The depiction of the strain and stress set forth by the success of Paris is reiterated to the reader each time the Paris Exposition Universelle is described in such an adored
There has to be a realistic solution that can be put into motion to benefit everyone involved. Referring again to his article “Is Gentrification All Bad?” Davidson argues that urban renewal, if done right, is not a monstrous custom that it is painted to be; nevertheless, he reasons that gentrification depends on who does it, how they do it, and why they do it. As a resident in New York, a city where gentrification is as widespread as the common cold in winter, Davidson speculates that those who go into a neighborhood with the intention to renovate houses, or abandoned buildings ought to have a good reason for it. The author points out that “Gentrification does not have to be something that one group inflicts on another…” (Davidson 349), rather, he suggests that everyone, the gentrifiers and the locals, be on the same page when it comes to developing their
Midterm Paper A. The Pruitt-Igoe Myth History shows that the Pruitt-Igoe public housing complex symbolizes how architects, politicians and policymakers have failed to their job. Relatively, if one tries to search of “Puritt-Igoe” online, the images shown reveal is legacy: an imploded building; broken windows; and vandalized hallways. The Myth Pruitt-Igoe Myth is centered on the impact of the 1949 Housing Act, because this legislated did not only build Pruitt-Igoe but it also built other high-rise public housing decades after the Second World War.
The buildings appear to be glued together, mostly small houses and apartment blocks that look nervous. There is murky snow spread out like carpet. There is concrete, empty hat-strand trees, and gray air.” (page 27) B.
Isaac Shaw October 9, 2014 Hist 2020 Dr. Paulauskas Paper #1 In the 1890’s, America was starting to experience changes leading to new revelations in the way it functioned in mass communication, mass transportation, and urbanization. In Erik Larson’s The Devil in the White City, he brings the seemingly different stories of two men in this time period, one a mass murder, H.H. Holmes and, the other a grand architect, Daniel Burnham to explain how America was changing into a more modern era. First, both Burnham and Holmes used the popularity of urbanization to achieve their individual goals.
There has been a lot of changes throughout New Amsterdam history. In 1609 until the year of 1664 there has been dramatic changes in history that has brought the country together in unity overtime. During this time in history many explorers had sailed across the ocean in hopes of discovering something that no one else had before. One such explorer was Henry Hudson, who went on an expedition to find a faster route to supplies that he and other people in the New Netherlands needed. Hudson made his first voyage from England in 1607 where he then tried to find a “shorter route around to Asia from Europe and through the Arctic Ocean” (History, 2009).
Inside, rather than providing the order and simplicity that the modernists worshipped, Venturi’s design chose to surprise people with its contradictions. The interior design played with concepts of scale, with an oversized fireplace, and an undersized stairway which leads to nowhere. While the Vanna Venturi house is widely considered to be the first postmodern building, Robert Venturi insists he wasn’t trying to create a new movement. Maybe it was just ‘art’ and that “sometimes, rules are meant to be broken.” (Robert Venturi, wttw.com).
Often nicknamed the “Freedom Tower,” the 104-story skyscraper is made of 2,000 pieces of prismatic glass and stands at 1,776 feet tall, its height being a subtle tribute to the year that America won its independence (Fowler). The observation deck, at over 1,250 feet, offers dazzling views of Manhattan, Brooklyn, New Jersey, and beyond, allowing the tourist to experience a sense of unity: the city is one, the nation is one, and the world is one. The new tower continues the old’s symbolic representation of world peace while soaring above the ruins of a catastrophic day in American
FREDERICK LAW OLMSTED AND CAMILLO SITTE: NOT AS DIFFERENT AS THEY FIRST APPEAR Harkening from different sides of the Atlantic, two influential urban planners worked to transform the blossoming urban environment of the nineteenth century, albeit with very different approaches. This essay will be looking at the ideals and some of the work of Frederick Law Olmsted and Camillo Sitte. Born within just over twenty years of one and other, Olmsted in Hartford, Connecticut, and Sitte in Vienna, both men had careers encompassing fields well beyond urban planning. Not a planner by training, Olmsted delved into the world of planning when he and Calvert Vaux won the design competition for New York’s Central Park in 1858.
In each of these case studies she investigates several urban projects. For example, in the New York chapter, she analyzes three development projects of Battery Park and Yankee Stadium mostly by considering the contribution of these projects to affordable housing and provision of inclusive public space. She then concludes that New York is diverse, but its policy and planning has led to inequity and a lack of democracy. This problem city is contrasted in her book by framing Amsterdam,as a Utopia where where her criteria of a just city are all met. When reading these chapters it can be inferred that Fainstein believes if a city has a egalitarian political culture, adequate welfare for all, and inhabitants can live in harmony and tolerance that the city will be just and successful.
The Chrysler Building, New York, is one of the most admired Art Deco style skyscrapers in history. This essay will analyse the Chrysler Building contextually and evaluate the applicability of the theoretical features of the early Modern Movement, as described by Paul Greenhalgh, to it in an attempt to determine exactly what it is that makes the Chrysler Building the icon that it is today. Historical Background The Chrysler Building has a rich historical background from which it originates. The famous 77-story Art Deco skyscraper was constructed between the First World War (1914-18) and the Second World War (1939-45) in Manhattan, New York.
