Literary Analysis Of The Love Song Of Alfred Prufrock

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Literary Analysis A poem in fragments is the manner in which author T.S. Eliot describes his remarkable work The Waste Land. The Waste Land is esteemed as a modernist text for that it is labor intensive pushing past the previous genres, leaving behind the democracy and wistfulness of Whitman and Realism 's weight on reality and realness with innovative thoughts of money, intimacy, intellect, industry and individualism. The Wasteland contains five spasmodic divisions designed each in separate sections combining multiple voices, literary characters, historical allusions, quotations and glimpses into contemporary life through absurd images, myths, and legends. The reader becomes lost in a maze of past literature swarming into a piece of its own. The poem is a collage of writing; within every collage is fragments of other material, in The Wasteland 's case these bits consist of stanzas that at first glance seem misplaced but upon further inspection blend with the other unusual pieces fit together. This description of fragmentation is fulfilled through its use of foreign languages, allusions to other stories and comparison to one of Eliot’s earlier texts “The Love Song of Alfred Prufrock” Eliot sees the importance of unifying the disconnected human race at a time when it needed it most. He adds to his element of fragments by pulling languages one after another yet seamlessly pushing them into one another. Eliot transitions from English to German in a rather poetic way that takes

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