A search for Independence: A Literary Analysis of Oate’s “Where are you going, Where have you Been?” Joyce Oates wrote the short story, “Where are you going, Where have you been?” in 1966. The story that was inspired by a serial killer who preyed on young girls, became an instant classic. “Where are you going, Where have you Been?” is about a young girl, Connie, who is very self-centered, vain, and focuses on her looks without much regard for anything else. Connie thinks she can handle the responsibility of adulthood but in the end finds out she is not ready. Unfortunately by then it’s too late. This harsh reality of no longer being able to find safety in the comfort of her youthful innocence leaves her forever changed. The story illustrates …show more content…
Connie who’s usual self-absorbed and seemingly in control of situations when it comes to boys her own age finds herself struggling for control when Arnold arrives at her door. “Connie stared at him, another wave of dizziness and fear rising in her so that for a moment he wasn't even in focus but was just a blur standing there against his gold car, and she had the idea that he had driven up the driveway all right but had come from nowhere before that and belonged nowhere and that everything about him and even about the music that was so familiar to her was only half real” (Oates 6). Connie begins to realize she’s not ready for the responsibilities of adulthood after all. In fact when she starts to realize the sexual advances from Arnold, she begins to panic. ” she was so sick with fear that she could do nothing but listen to it—the telephone was clammy and very heavy and her fingers groped down to the dial but were too weak to touch it. She began to scream into the phone, into the roaring. She cried out, she cried for her mother…” (Oates 8). As Connie senses she’s leaving her refuge of youthful innocence behind and having a new world opened up to her, she calls out for her mother like a child. Connie’s search for independence by rebelling against her family and constantly isolating herself from them made her a perfect target for Arnold who could sense her vulnerability. Even with having so much conflict between her and her family they represented the only life Connie knows. “She put out her hand against the screen. She watched herself push the door slowly open as if she were back safe somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited” (Oates 9). Arnold has wrenched Connie out of her childhood and into the adult world where there is no turning back. Connie’s life has changed forever
She does not get affection from her family, and feels isolated from them. Connie first receives affection from Arnold when he asks her “You wanta come for a ride” (Oates 8). No one has ever offered Connie any affection. Her family looks down on her as the disappointing child and she is just a young girl trying to be loved. Arnold asking her to come for a ride and seeking to spend time with her is the attention she is missing in her daily life.
She becomes rebellious day by day. She ignores her mother’s criticisms and starts exploring her sexuality by flirting with boys. Because of her oblivious ways, she fails to recognize trouble when Arnold Friend shows up outside her house. Parents are the ones who should warn their child about the dangers in society and protect them from harm. Connie’s fate proves that her mother has terribly failed as a parent.
Where Are You Going, Where Have You Been by Joyce Carol Oats is a short story that is based on a true event that happened in the 1960’s. The allegory came from the man named Charles Schmid, who was a serial killer in which he was known for his ability to get the girls to fall for him. As for the story, Connie, the protagonist, wants to grow up and live in a fast pace and experience adulthood. She soon meets up with a guy named Arnold Friend, the antagonist, who is in search of finding someone to kill or looking for another innocent soul to take. In terms of the story, the author uses a type of writing that differentiates what is reality versus fantasy by using the literary devices of symbolism of Arnold Friend, setting of the music Connie
Later that night, Connie’s mother sat at the end of Connie’s bed and thought of what happened to her daughter. She was unsure if her daughter was still alive, and feared the thought of her being dead. The thought made her realize how much she had neglected Connie. Sure, she wanted Connie to be more like her sister June, but there were things that she was proud of Connie for. She wished for Connie to still be out there somewhere so that she could tell her about the things she is proud of, like being outgoing rather than nagging her to clean her room and to stop gawking at herself.
Arnold Friend was there to take Connie away; away from her childhood and home, which never quite felt like home until her fantasy world deteriorated and reality set it. The next moment is pivotal, this is when Connie forgets her hedonism and becomes something of much more substance. Before Connie studies Arnold Friend’s abnormal personality and erratic behavior she is fascinated by him and even worries that she is ill prepared for this
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
With the help of Arnold Friend and Ellie, Connie matures into an adult by understanding her “religion”, Connie dreams, and Arnold Friend being perceived as a devil. Connie’s “religion”
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
When Connie realizes that Arnold is much older than she thought, she is taken over by fear of what’s going to happen. This situation is much different than anything else she has ever
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult. Connie’s dream begins when she refuses to go to her aunt’s house for barbecue party. She stays home, and under the warmness of the sun, she begins her day dreaming about love and the boy she has met the night before. In the beginning, the author writes “Connie sat with her eyes closed in the sun…”
Due to her poor relationship with her family, Connie did not want to ever be around them. In the story is says that during summer vacation she went out “several times a week” (87) with her friend. Then on what appears to be Connie’s last day alive, she refuses to go to a picnic with her family and ends up meeting Arnold Friend and Ellie Oscar, who eventually will take her
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.