The fictional world is full of chaos, as people tend to prefer unstable theories to countless philosophies. Specifically, there is a literary shift from linearity and order to randomness and fragmentation. Consequently, Postmodernist writers understand that their works are subject to interpretation; however, they believe that the flexibility of understanding in texts is the basis for the development of innovative ideas in society. Moreover, Kurt Dinan writes in a nonlinear, flexible fashion by writing with a component of Mystery. Subsequently, the reader can make different predictions on what will occur throughout Don’t Get Caught, and the ability to predict and analyze uniquely is one of the principal ideals of Postmodernist literature.
Reading resistance literature need an open mind. The reader does his or her best to understand things according to the view of the author and it is not easy for some people to agree with this point of view. Sometimes, the reader can not have a particular feeling , but the author use some descriptive words for showing emotions which he wants to present. If we study this issue carefully, we find that this issue is popular and prevalent everywhere throughout literature without taking some important points into account. Authors have a good chance and freedom to express themselves in different ways because of the open definition of resistance as if the definition of resistance literature is Specified this would limit the author’s ability
I wouldn't be the best candidate if you were trying to persuade someone. In class, I love doing speed writes. It lets me focus on putting my ideas on paper instead of trying my best to make a sentence perfect. I write quicker one prompts that are more specific.
This means that when the reader tries to understand what is happening it will be different for each person. The story uses such a real problem filled with characters we can not relate to and know nothing about, and uses figurative language and other literary devices to hide the truth of the story. It is up to the reader to interpret the story how they understand it. The plot of this story is very important to this story, and what is missing from the plot.
“How to Tell a True War Story” and “Ambush” are stories that both explore on topics: truth, the real definition of a true war story, and the role of truth. O 'Brien starts off “How to Tell a True War Story” with “This is true.” Starting this story with such a bold sentence not only makes it seem more true, but to some extent, it acts as a comfort statement to the narrator’s own doubts, as if there were unspeakable uncertainties and lies of the narrator. The title of this story also comes into play, with a meta-fictional name “How to Tell a True War Story”, as if it were a guide, a manual, having a true war story tell the readers how to tell a true war story. However ironically, towards the middle of the story, us as
Here and there finding out about our history through the eyes of various characters can be agitating or even agonizing, yet it additionally can be an enlivening to the obscure. Diversity in literature is also important because it has some influence on how different people are seen or not by some other cultures according to literature. When analyzing literary works, we must first see the structure of the work such as plot, which is the way that the author arranges the ideas or incidents that have place in the story. We also must take a close look to the character which is essential to the plot, without characters the writing would not have a true sense. Another part of the structure is the setting.
Symbolism is arguably a very important term when comes to writing, it plays a vital role in getting the reader involved and finding the key meaning of the text involved. It’s not easy to find an overall meaning when there isn’t any other outstanding force influencing the meaning behind the intended novel or whatever it may be. In other words; writers and books enjoy playing mind games with those who are reading. Sure, there are symbols that contradict one another or maybe perhaps that’s simply the point that’s being conveyed, an example that the two symbols add up to mean not everything is at it seems. Of course, those symbols that we find may result in something we’ve been looking for, such as the piece that could potentially lead to an important life experience.
The realism movement in the last of nineteenth century produced works in literature that were characterized by declining sentimentality and increasing objectivity. The goal was to let details tell the story, and omit noticeable leaning of the author through detailed and scientific explanation. While this technique of storytelling certainly is most accurate, it creates difficulties for authors to fuse their themes into the story. This pointed out an increase of symbolism in realist works. The objects and descriptions within the narrative are the author’s tools for displaying the values and themes of the work.
People use literacy to express their thoughts, feeling and sometimes experiences. Some stories are similar and others are not, these stories are then categorized into different genres to have a universal organization for the many literature pieces we have. I have decided to read and analyze a collection of stories that all fall under the genre of dystopian fiction. By imagining and writing about the extremes of a society, which are dystopian societies in these stories our present society is enabling itself for the actions, it needs to take in the chance of a similar event. Human instinct finds comfort in a situation that one has experienced before but the fear of the unknown causes threat.
The word of God is deemed as correct, yet it has been altered. It foregrounds/foreshadows the idea of living in a repressive society. The language of the Bible is partially falsified in order to take up control of society. It is denying reality and is shaping the way in which people think.
Considering the many different literary devices used in creating writing, I have chosen several distinct elements, setting, theme, point of view and characterization. These particular devices are essential elements in my toolkit. As a realistic fiction writer the four elements serve a purpose and together they should craft an interesting story. As a result, my first important foundational tool is setting.
Literature has been measured a driving force for societal change, particularly in a nation like America where literature has been acting upon our actions since our independence, correcting mistakes and provoking thought among our readers. Straying from the beginnings of Tom Sawyer to modern classics such as the Harry Potter Series, many characteristics such as the adventuring boy we enjoy to the suspense wizardry and witchcraft make what is considered “good” writing. Critics often have numerous views of what constitutes good writing or not, but there are few pieces that set the standard. In “Good Readers and Good Writers”; Vladimir Nabokov suggests the use of rhetoric to give the novel body and character to discern it from other novels. In
NEED LEAD. “She knows that doubleness, in the very act of identification, is of the essence of role taking: There is the taker of the role and there is the role taken. And fiction is, in imaginative enactment, a role taking.” By the reader taking on the role of a character in a work of fiction, the reader feels a sense of accomplishment
For example, I don’t know about you, but when I read fiction with historical events involved, I’m engaged, but I feel unsettled. As if, I’m in the wrong to be reading these words from this voice who is attempting to create an already made past in order to give readers something. _ This Way for the Gas, Ladies and Gentlemen_ by Tadeusz Borowski has been one of those types of stories for me. A heart-wrenching story.
However, the author position is quite ambiguous in this article. In the author style, Carroll combines his writing with several questions to attract reader engagement and critical thinking. However, this article is lack of introduction and conclusion. In consequence, it can confuse the reader about the purpose and main point of the article.