Little Evil is a horror-comedy movie. Gary’s stepson Lucas had a supernatural power to make horrible thing happen. Gary was told his stepson was the antiChrist and tend to kill him in his sixth birthday at six o’clock in order to save the world. When Gary took Lucas out to the water park, and he decided to save Lucas rather than kill him. The truth was that Lucas was not Satan itself but the portal of evil. If Lucas dies, the world will end. Gary saved the child and the world with his love. The beginning sequence of the movie was shot in a thunderstorm night. The director used backlight to introduce Lucas to the audience. Due to the backlight, Lucas’ face was shadowed, and the audience could not see clear. When Gary moved to live with Locas, he saw Lucas was on the swing. in this scene, the director used backlight again, creating a great contrast between the sunshine and Lucas. By doing this, the movie conveyed a …show more content…
To show the characters’ facial expression, the director mainly used medium close-up shot. These facial expression was not very significant to the whole story. The director only used close-up shot in the water park to show their happiness on the face, and the angry on Lucas’ face when Gary was caught by police. These close-up shots were a symbol of their warmup relationship. The other proximity shots also used throughout the movie, but the medium shot was the most common one in this movie. The director made effort to control the depth of the shot too. The shot was pretty deep when the scenes happened in outside. A deep-space provided the audience a broad background. When a bad guy was making a deal with Gary on the nunnery, which used to hold the cult rite of killing the evil kid, the shot focus changed from background to the foreground, focusing on Gary and the bag guy. At the same time, the bad guy was saying something about the end of the world, which raised the audience’s
The setting and time of these events creates specific insights for Lucas. In earlier chapters, the mood is happier and easy going as Lucas is enjoying his life and carving on the boardwalk. After meeting Knight, the mood shifts to being dark, stressed, fearful, Lucas starts to be stubborn, and his mental state starts to weaken. The setting of these chapters mostly take place in Lucas’s apartment or in his dreams. This is significant because home is normally a safe, secure, and place of comfort, but those feelings are taken away and
Terence Davies film, “The Long Day Closes” portrays the life of a young homosexual boy living in a postwar society. The main protagonist Bud, represents Davies experience of the good and troubled times that childhood and his sexuality brought him. The Tammy’s in Love scene flawlessly applies mise-en-scene, cinematography, editing and sound to depict the underlying message of finding yourself, a theme that is emphasized throughout the film. The use of mise-en-scene signifies the importance of the setting and surroundings by allowing the viewer to make connections between imagery and plot relevance.
Moreover, the film depicts the relationship as reminiscent of another time, often with the use of medium close up shots as the two interact in a disengaged demeanor. However, once Rick and Ilsa converse passionately, the shot distance converts to a close up in order to capture the tension between them. The
An important technique from this scene are the camera shots. The camera shots applied in this scene are simple. These conveyed the raw emotion
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
What makes The General significant is its use of diffusion and backlight. Bert Haines (1896-1991) shot the film on panchromatic film in sepia tone. Giving the film a pleasing dynamic image. Throughout the film, Haines capitalizes on the recent technological innovations in the 20’s with lighting instruments. Lighting the exterior of most shots balances the interior so that there are no harsh shadows on any of the faces.
The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
This shows that the situation in the movie is a happy
The long shot is used to show Mark Zuckerberg running down a road which is not very well lit ,highlighting the fact that he isn’t in a good place tight now with his emotions and later on in the movie when Mark Zuckerberg is being questioned by lawyers the room is well lit and bright highlighting hope for Mark .The medium shot that is used in the opening scene is the one of the male character walking up to his apartment door showing the characters emotion in relation to where they are. The cinematic techniques used create an effective meaning to the viewers, making them want to carry on watching it as it leaves us wanting more because the ending of the opening scene is an opening ending. As it’s an opening ending leaving the audience wanting more as it creates high hopes and at the same time excitement, and with the tension used to draw the audience in makes the audience want to carry on watching it and wanting more.
Colours and lighting were also used strategically to support and add to the emotions that the characters were undergoing and to affect the emotions of the viewers. Being portrayed as a continuous take, a more intimate relationship and understand was formed between the viewers and the protagonist. The fluidity of the camera movements significantly adds intensity to the viewing experience. Overall, such techniques did not overshadow the experience of the film and the movie looked
Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will
These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.
The final scene uses a lot of close up shots to capture the emotions of Romeo and Juliet, we see a lot of anguish and hopelessness in Romeo’s face when he sees Juliet dead, and we see joy in her face when she first opens her eyes and sees Romeo, but that quickly morphs into shock and heartbreak when she sees him dying. The use of close up shots was very effective because it allowed the audience to really feel the emotions portrayed in the scene. A long shot was used in the inside of the church to capture all the interior details of the church. After they are both dead, an overhead shot is used to show them lying next to each other to symbolise their eternal love and peace in each other. In the Great Gatsby, we see a long panning shot of his house, and the lake to show how abandoned it looks.
The shot will start out with just the full hotel shot, then zoom into one of the windows to show what is happening in a specific room. The next way Anderson and Yeoman use the zoom shot in this film is to have a up close shot of a character then zoom out to show more of what is going on in the world. For instance, a character will be talking to another person that is in a car, then the camera will zoom out to show the car driving away leaving the other character behind. The last shot that Wes Anderson uses is the