In this paper, I plan to examine the influences that Miles Davis had on jazz. Starting with the bebop era, when his career first began, to his final collaboration released following his death. While in school Davis had learned how to play the trumpet, and following graduation he attended Julliard in New York. However, he dropped out of Julliard in 1945 in order join one of bebop’s pioneers, Charlie Parker. It was
As a powerful musician and the creator of one of the first big New Orleans jazz band, Oliver was the beginning of jazz in New Orleans and the start of generation of cornet players who advanced their musical style during the 1920s, including Louis Armstrong, who was Oliver's apprentice. All throughout olivers musical career he stood out through his techniques. Joseph Oliver was the first to change the history of jazz music. “King” Oliver helped spread Jazz from New Orleans to Chicago with the creation of his creole band.in 1922( “The life of King Oliver). Together the band brought new songs and music into Chicago.
An other reason for this was his incredible improvisational skill, which allowed him to provide an audience with endless fascination. Before Armstrong left his fingerprints all over jazz, it was more so an organization of musicians who would perform their own part in a perfected script of set musical notes, so when he did finally come along it was a great shock to everyone’s past idea of jazz music Though he was generally noted for his contribution to jazz, Armstrong also played a significant role in the evolution of pop music entertainment in America. -Scott yanowEarly on in his career, he showcased an almost equally unique ability to his trumpet playing, his singing. Right off the bat Louis undeniably raspy voice set him apart from all other singers.
For this discussion I choose a musician Louise Armstrong song from Pandora. When I type Louis Armstrong song, there were hundreds of his records. I choose a “Stardust” track from the album called “Don 't Get Around Much Anymore “. This song is composed by the popular song composer by Hoagy Carmichael in 1927. This song has many versions that recorded by other jazz great musician added to Armstrong. Armstrong recorded this song in 1931.just before an instrumental break, Armstrong use alternate take inserted to the lyrics “oh, memory”. This song involved a great role in culture and stories because this song used at a critical moment during “Woody Allen’s Stardust Memories” Stardust is best combination of melody, strong lyrics and perfect balance
In 1922, Gennett Records, an independent company located in Richmond, Indiana, began recording jazz groups performing in Chicago. The first group they recorded was the New Orleans Rhythm Kings, followed in 1923 by King Oliver’s Creole Jazz Band with young jazz player Louis Armstrong. Louis Armstrong is and will continue to be remembered for his contribution to the Jazz Age of music. By 1929 Armstrong was a big star, touring the U.S. and the continent with his bands. His singing style became as popular as his trumpet playing.
Louis wrote years later, “My whole musical success goes back to the time I was arrested…. because then I had to quit running around and began to learn something. Most of all, I began to learn music.” (McDonough, 26-27) Louis Armstrong was the most influential person of the 1920’s because he was the most important figure in jazz during the 1920’s, he influenced civil rights through his jazz, and he helped transform jazz in 1920’s giving it a
In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.
Faith Eleby-DR. KEAST JAZZ, POP, ROCK The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also ideal because of the location of a performance.
While playing with his band, Armstrong also performed nightly at clubs and silent films. Later in Armstrong's career he joined the Hot 5 and later Hot 7. While playing with the Hot 7 Armstrong made some hit songs including “Potato Head Blues” and “Alligator Crawl”. Louis Armstrong is a impressive representation of the 1920’s because he represents the music from this time. Some of his recording with the Hot 7 are generally known as a great example of 20’s music.
Not to mention, jazz music had been struggle against society. The 1960s and 1970s’s black power movement influenced on jazz musicians and Hancock was not an exception. That’s why sociological factors influenced on Hancock’s styles, sounds and messages in songs or albums. In Musical Borrowing, Dialogism, and American Culture, 1960-1975 (2006), Berry suggests that “Watermelon Man” (1973) from Hancock’s album Head Hunters (1973) shows evidence of mixing African-American culture with traditional African music (Berry,2006, p.168-169).
While in New York, Armstrong made dozens of records as a sideman, creating inspirational jazz and backup singing for many blues singers. Moreover, he had records as a soloist including "Cornet Chop Suey" and "Potato Head Blues." These solos changed jazz history, by incorporating daring rhythm choices, swing and high notes on cornet(Source B). Furthermore, in 1926, Armstrong finally switched from the cornet to the trumpet. After 1926, Louis became more and more famous and broke more and more barriers through his music.
The conditions of New Orleans leant itself nicely to the synthesis of African music and in fact made it hospitable to the creation of jazz music. Not only did the geographic setting of New Orleans help make Jazz music possible, but the abolition of slavery and the historical contexts did as