However what Nea does not understand in all her youth and idealism , is that sourdi does not want to be saved: She willfully accepts her fate and her marriage to Mr.Chhay because she finds financial stability and a secure future. Since the beginning of the story Nea believes that she is saving or protecting Sourdi from the expectations of her mother and Mr. Chhay. The mother and the uncle have fix a marriage with an older man named Mr.Chhay. Sourdi is a young girl that has a boyfriend name Duke, But her mom really dosen’t cares what Sourdi thinks or wants. So Sourdi meets Mr.chhay and she feels uncomfortable in the
Although she has to keep this joy private, she tries her best to hide this contentment, Her resistance to her true feelings show how forbidden her emotions are and that society would never accept Louise’s true emotions. Another theme that is present is the theme of freedom. At first, she does not have much freedom at all and throughout the duration of they story she is confined in her home. Her newfound freedom gave her much joy but as she left her room, it was cut much too short due to her untimely death. The Story of an Hour has many structural, stylistic, and literary approaches that make it a very powerful
Therefore, this short story indirectly emphasizes how women were suppressed in their marriages and wanted freedom, independence, and self-identity. A literary element which serves as great significance to the story is symbolism because it contributes to the actuality that Mrs. Mallard did not love her husband, but was only adhering to society’s norm. Mrs. Mallard’s heart trouble serves as a symbol of anguish because as her heart is trapped inside her body, likewise, she feels oppressed in her marriage and is unhappy with the restricted freedom and lack of independence. After hearing about her husband’s death, she did not experience any heart trouble; however, you would expect her to since she lost her significant other. Instead, Mrs. Mallard was anticipating the new life of
Edna is married to Leoncé Pontellier, who she married to get away from her family and be free. She states, at one point in the novel, that she likes how Leoncé is obsessed with her but that she doesn't really love him the way she should and the way Leoncé loves her. Furthermore, Leoncé cares about his
“Orual even shows a perverted, possessive love in her relationship with Bardia” (Saunders 6). She never considers how the stress she puts on him wears his life away; she only cares about spending time with him for her own enjoyment. She withholds him from going home to Ansit while dreaming about scenarios where she herself is his wife. This again goes back to the idea of Orual’s intense jealousy and possessiveness. However, these fantasies and dreams that she entertains herself with serve to prove how Orual cares about Bardia.
Janie’s grandmother, Nanny, forces Janie to marry a man she is not in love with out of convenience. Nanny does not want Janie to suffer the necessities of life, but Janie cares little about materials and seeks love. Nanny’s ideology haunts Janie for much of her life, influencing decisions she takes later in marriage. Huston says, “The memory of Nanny was still powerful and strong,” which shows how Janie conforms to the ideology her grandmother instilled in her. And although Janie conforms, she continues to question inwardly about love.
In the Miller’s tale, After little reluctance, Alison acquiesces to leave her old husband John for the younger, more romantic Nicholas, a college student who lives with the couple. Alison demonstrates this desire as “My husband is so full of jealousy/Unless you watch your step and hold your breath/I know for certain it will be your death” (Chaucer 91). This elaborates that Alison has a desire or at least no moral qualms about leaving her previous husband for a much more sensual lover, with the only obstacle in her way being her husband's jealousy. Even the jealousy has no effect on her demonstrating that her fears for Nicholas’s safety are trumped by her love and desire for him. Additionally, Alison further represents the desire for such a lover compared to her cuckolded husband.
The other characters in the story saw Mrs. Mallard’s death as she how she couldn’t control the joy she had when she saw that her husband was still alive. For Mrs. Mallard it was better to live an hour of happiness and freedom than to live in the shadow of her husband. Mrs. Mallard joy and freedom had now been taken away from her in a matter of an hour. People will say Mrs. Mallard died happy because she got the freedom she always wanted right before she passed away. Many women in that era would have loved to experience the joy and freedom that came from not being in the shadow of their husbands, but being equal with them.
Once they decide on a man, there is no going back and divorce was considered uncommon. The women in the novel, each display their thoughts on marriage. However, Elizabeth Bennett, who is opinionated and passionate about her beliefs, is inclined to disagree with the norms of the society the most. While others believe that marriage is the key to happiness, she disagrees. She is not easily influenced by those surrounding her, even her family, and her honesty and wit allow her to avoid the drama that dominates the society.
She is a tragic character, who is unable to exist in the world which surrounds her so she makes up a better world in her imagination. The world she wishes to live in. People can sympathize with Blanche because of all the tragedy in her life. Susan Henthorne writes in her essay A Streetcar Named Desire, Death and desire bring Blanche to this low point in her life. She never recovers from the devastating death of her young husband, indirectly caused by the nature of his sexual desire.