Heloise was a scholar that was well known for being the most scholarly person, of her time, next to her former husband, Abelard (287). Heloise writes letters to Abelard that detail her undying affection for her former lover. Her motivation behind these writings was to plead her case to her ex husband, to try and see why he fell out of love with her. Dante Alighieri was a poet from Florence, Italy. Specifically, in The Divine Comedy, Dante writes a poem based on the scenario that he gets to visit heaven, hell and purgatory. His motivations for writing The Divine Comedy were to push the limits on a new style of poetry as well as to tell of the love, he had, for his past relatives. The poets both speak about love and loss in their writings.
The play Cyrano de Bergerac is about a love triangle between Roxane, Cyrano, and Christian. Christian and Cyrano desire Roxane’s love, but Christian has the upper hand because of his outer beauty. Cyrano writes letters conveying his love to Roxane, but allows Christian to use them as his own. Christian wins Roxane’s heart by deceit and eventually realizes that Roxane only loves the fake version of him. Although Christian uses Cyrano, he is a noble and honest man because he wants to tell Roxane regardless of how he feels about her.
As one single poem can intrigue the everyday college student, one can imagine the obsessive nature that one poem can have on the mind. The poem, circulating, round and round in the mind, leaving one to ponder the day away all because one poem, as one can be left questioning, such as in "Prayer" by Galway Kinnell. However, even if someone were to be obsessed with one poem, there are ones who are intrigued by not just one, but two, maybe dozens of poems, all by the same author that had them intrigued since the first poem looming in their head. Nevertheless, as one may ponder across an entire work of a single author, this pondering may lead to one who is passionate about the entire work of an author to publish articles about someone and their work respectively. In the article, "Galway Kinnell: Transfigured Dread," by Edward Hirsch, the pondering over the entire works of Galway Kinnel are discussed in great detail.
Fueled by the anger surrounding his banishment from Florence in 1302, Dante Alighieri spitefully wrote the epic poem, the Divine Comedy. The Inferno, the first part of the trilogy of the Divine Comedy, tells the story of Dante the pilgrim and Dante the poet. The two personas deliver Dante’s journey through hell, the Inferno, with added depth. Dante is also guided by Virgil, an ancient Roman poet from 50 B.C. The three personas share different perspectives on the grueling detail of their findings in hell.
Dante Alighieri was once a White Guelph of Florence, who called for freedom from papal rule, until 1301, when he was banished from his home town due to the Black Guelphs. This banishment from his beloved home is what caused many of Alighieri's bias towards different people. This bias is clearly demonstrated towards some in Dante Alighieri's epic poem The Inferno through the author’s use of different literary devices. Alighieri creates a fictional character, Dante, who travels through different parts, or circles of Hell.
Dante Alighieri is respected as one of the greatest poets today and through time. Born in Florence in 1265, Dante was exiled in 1302 due to political conflict. In his exile he wrote his epic masterpiece, The Divine Comedy, completed just before his death in 1321 (Quinones, Dante). It has had profound influence throughout time, inspiring countless writers, artists, and sparking numerous debates throughout the years. Written at the beginning of the Renaissance, the impact of this incredible work is abundant and clear.
In the “Divine Comedy” the writer, Dante Alighieri uses his own namesake to create a character, Dante, whose moralistic qualities change dramatically as he journeys through Hell, Purgatory, and Heaven. In the beginning, Dante finds himself lost on the path of sin and is sympathetic to others who have strayed as well. As he begins his journey, Dante shows concern and sympathy to the suffering sinners. It is only once Dante ventures deeper into the circles of Hell, when his demeanor changes and hatred begins to show. Dante, once weak and blindly empathetic to the sinners who turned their back to God’s love, becomes consciously aware of the importance of faith and justice.
The Epic of Gilgamesh conveys numerous themes. Among those are the inevitability of death, the eminence of the gods, and strikingly the importance of love as an impetus. Love, defined in a consummate sense is intimacy, passion, and commitment. These traits are exemplified in Gilgamesh and Enkidu's relationship, and they are also implied between Enkidu and Sham hat. Despite the violent and abrasive nature of the happenings of this text, love is displayed blatantly throughout.
What is a relationship without love? It isn 't something that can last forever. It can not overcome the issues that arise in everyday life. It is a business deal that 's as fragile as the bonds it was built around. Only relationships that are completely based in love can survive the turmoils we encounter.
Juno proves love is power, but later love is abused through romance. In the beginning of Book II, Aeneas is very willing to discuss his past with Dido. Dido listens patiently to Aeneas, while he reveals his past. Aeneas even mentions a beautiful vision of his mother, “my gracious mother stood there before me; and across the night she gleamed with pure light, unmistaken goddess, as lovely and as tall as she appeared” (Virgil, Aeneid 2.795-298). Aeneas throughout Book III is still talking about his encounter with the Trojans.
The Greek’s Inferno: A Comparison of Greek and Catholic Underworlds For nearly 2000 years, various religions continue to perpetuate the idea of an underworld, or a place after death. For the Greeks, much of their mythology deals with Gods, Goddesses, and the afterlife. Catholics, however, base their idea of an afterlife with three levels: Heaven, Hell, and Purgatory, a place for people who must experience a purification of sorts. Numerous Greek writers wrote about the idea of their underworld, or Hades, one of the most famous being Homer, writer of The Odyssey. The Odyssey details the hero Odysseus’ journey back to his homeland of Ithaca.
Dante Alighieri, who was born in 1265 CE and later died in 1321 CE, was a famous poet in Florence, Italy, most commonly known for his book, Dante’s Inferno. Dante’s Inferno was a product of Dante’s time period because in Florence during this time period, the idea of death and afterlife was very prominent in religion, and Dante’s text, The Inferno, focuses on the idea that the sins committed during one’s life determines the fate of one’s after-life. Because the idea that one’s sins determined their fate and life after death was such a common element in literature and art in Florence during this time period, many other pieces of work emphasized the same ideals, specifically one work in particular, The Scrovegni Chapel. From the years 1303 through 1310 CE, a man named Giotto Di Bondone, an italian painter, used the same principal ideals about sin and life after death that Dante used, in one of his most famous and influential pieces of work, The Scrovegni Chapel.
Literary devices are what makes up any work. Every author has to incorporate their style into their work so that they can give the reader an idea on how to feel. It is manipulation actually, they use positive and negative reinforcement in their words to affect the readers judgement. In The Inferno by Dante Alighieri uses symbolism and diction to help the reader comprehend his work.
“Durante Degli Aligheries Inferno {Part of the Divine comedy} is widely regarded as the greatest poem in modern european language, its allegorical comparisons, metaphors and satirical critisism of italy in the 15th century all contribute to its level of prestige. However, what influenced Dante Aligherie to create such a masterpiece? By looking at Dante Aligheries participation in Florentine Politics and comparing it to the extensive amount of political references used in Dantes Inferno it is clear that Politics played a vital role in creating Dantes depiction of Hell. Furthermore, by examining the importance of religion in medieval Italy and Dantes connection to the church, one can easily see that Dante heavily uses religious references to the pope of the church. Finally, this essay will investigate how Dantes connection to Florentine art influenced the poems content.
The year is 1302, Dante Alighieri is absent from his role as one of the six supreme magistrates. Prior to that he had an extremely successful political career who had no problem exerting his power. Dante considered himself “a moderate White, he found it necessary during the two-month term to join in banishing his brother-in-law, Corso Donati, and his "first friend," Guido Cavalcanti, as ringleaders respectively of the Blacks and Whites.” Blacks and Whites were faction groups who had ongoing fights in the streets of Florence. This is an extremely admirable trait of a great ruler and/or ruler, the ability to at any moment turn on friends or family in order to uphold the city or government.
Dante’s Inferno represents a microcosm of society; meaning, laymen, church, politicians, and scholars are all compiled into one place and punished for their sins. Hell, despite being depicted as brutal, ugly, and chaotic, is made realistic because the inhabitants come from every country and every walk of life. While Dante Alighieri did not invent the idea of Hell itself, he did create an important and in depth concept that still receives attention in biblical, classical, and medieval works. The Divine Comedy itself was written sometime between the years 1308 and 1321 and scholars still consider it the “supreme work of Italian literature.” The work itself is an epic poem divided into three separate sections: Inferno, Purgatorio, and Paradiso; respectively Hell, Purgatory, and Heaven.