Theme Of Metapoetry In Edmund Spenser
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Self-referentiality in Amoretti
Spenser’s Amoretti (1595) is one of the best records of Elizabethan Petrarchan love sonnet tradition. The sonnets serve the purpose of personal revelation about his courtship with Elizabeth Boyle. Along with the expression of love, Spenser’s sonnets highlight the centrality of art (Brown). The paper attempts to study instances of self-referentiality in Amoretti that emphasize the element of ‘metapoetry’, wherein the poems explore the craft of its own creation and are conscious of being written. The speaker of the Amoretti is a fictionalized “poet-lover-worshipper” (Kellogg). The emphases on the power of poetry combined with the conventional theme of love show the role of art as a means of articulating the abstract.
Spenser’s sonnets highlight the Status of Art. Unlike the deliberate deconstructive attempt of postmodern writers, who use
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“Metapoetry in Edmund Spenser’s Amoretti”. Philological Quarterly, vol. 82, No. 1, 2008. 401-417. Ebscohost. Web. 7 Sep 2017
Cummings, Peter M. “Spenser’s Amoretti as an Allegory of Love”. Texas Studies in Literature and Language, vol. 12, no. 2, 1970, 163-179. JSTOR. Web. 7 Sep 2017.
Kellogg, Robert. “Thought’s Astonishment and the Dark Conceits of Spenser’s Amoretti”. The Prince of the Poets: Essays on Edmund Spenser. Ed: John R. Elliot. Literature Resource Centre. N.p, n.d. N. pag. Web. 12 Sep 2017.
Spenser, Edmund. “Sonnet I”. Amoretti and Epithalamion. N.p., N.d. Scholars’ Bank. Web. 7 Sep 2017.
--. “Sonnet II”. Amoretti and Epithalamion. N.p., N.d. Scholars’ Bank. Web. 7 Sep 2017.
--. “Sonnet LIIII”. Amoretti and Epithalamion. N.p., N.d. Scholars’ Bank. Web. 7 Sep 2017.
--. “Sonnet LXIX”. Amoretti and Epithalamion. N.p., N.d. Scholars’ Bank. Web. 7 Sep 2017.
--. “Sonnet LXXV”. Amoretti and Epithalamion. N.p., N.d. Scholars’ Bank. Web. 7 Sep 2017.
--. “Sonnet LXXXV”. Amoretti and Epithalamion. N.p., N.d. Scholars’ Bank. Web. 7 Sep
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