Unlike the romantic love presented in “La Belle Dame sans Merci”, one could argue that Achebe portrays love in its purist sense through the relationship between a mother and a child in a refugee camp. At the beginning of the poem, the mother is described as “No Madonna and Child could touch / Her tenderness for a son” The noun phrase, “Madonna and Child” is an allusion to Virgin Mary and Jesus. Likened to Virgin Mary and Jesus, the pure and ultimate love a mother has for a child is illustrated. Achebe uses plosive in his expression of, “Her tenderness for a son”, in order to reinforce and enhance how much the mother loves the son. The amount of effort and care the mother puts into her son is to an extent where it is incomparable to the other types of love. The purity of the mother’s love for her son can also be seen when she bathes him, “And rubbed him down with bare palms.” The premodifier, “bare” implies that there may be a shortage of water in the refugee camp. Despite of the brutal conditions, the mother still tries her best to use the limited tools provided to clean her son, treating him with the best she could afford. Through the mother’s sincerity and care she put into her child, the purity of filial love is presented in ‘A Mother in a Refugee Camp’.
In contrast with the pure filial love presented in ‘A Mother in a Refugee Camp’, the Duke in ‘My Last Duchess’ by Robert Browning is depicted to have a lack of sincerity in his love for the Duchess. The Duke explains to
This suggests that the woman’s body is very weak, like a dying flower, and also conveys the writer’s love for her – he believes she is beautiful, like a delicate flower. The theme of isolation is explored in an effective way when the writer speaks of a distance of pain “neither she nor (he) can cross”. The word “nor” isolates the words “she”
With no regular school to attend and no home to spend time in, it’s no mystery that I should have been drawn to these two kind and generous women”. Wakatsuki’s explanation shows the importance of this section because it shows how people find their own interests when they are not being controlled and it also shows that people often rely on religion to help them when they are in desperate situations. Finally, Wakatsuki tells the readers the reaction she and her family show when Papa returns to them after ten months. When Papa returns, he looks a lot older and he has a cane. The authors use reflection to show the distinction between her father before and after being imprisoned.
In the short story "Love in L.A" Dagoberto Gilb sketches the portrait of Jake, a lower-middle-class person, who is fantasizing of a luxurious life. The omniscient narrator presents his third person point of view starting by describing Jake's vehicle. Jake is daydreaming of a new, luxurious car, and "exotic colognes" and "plush, dark nightclubs" (406). Not paying attention to the traffic, he ends up hitting the car in front of him, a Toyota, whose owner is, luckily for him, a beautiful, exotic, female. Gilb shapes Jake using a touch of irony and lies, turning him into a stereotypical character.
Cyrano de Bergerac, by Edmond Rostand, is the story of a plan based on love and deceit created by two friends to beguile a girl to fall in love with one, while the one that truly loves her is the mastermind behind the courtship. Even though Cyrano and Christian are close friends, Cyrano’s large nose and resulting insecurities prevent him from expressing his love for Roxane, so he uses his handsome friend to be the mouthpiece for his poetic charms, which makes Roxane happy and causes her to fall more deeply in love with Christian. Although some may say over time Christian will learn how to intellectually talk to Roxane by listening, reading, and practicing the way Cyrano has flattered her, this is not who he really is, and, therefore, their
The Plague of Platonic Love on Precieuses Successful relationships today are characterized by a high level of communication between two partners, where both people are accustomed to talking and spending quality time together. The relationship between Christian and Roxane in Edmond Rostand’s Cyrano de Bergerac is in stark contrast to this. At the time of their marriage, the two had only exchanged a few spoken words, and they had rarely seen each other. Despite their distance, they are deeply in love with each other. Christian values Roxane only for her beauty, while Roxane loves Christian just for the flattering poetry Cyrano writes.
Another thing that the author empathizes is how the mother endures abuse. Perdomo says, “She walked behind my drunken father… He beat my mami, stop beating my mami!” (Perdomo 2002). In just two single lines he exposes how
Cyrano de Bergerac Response Paper Since plastic surgery was unavailable in the nineteenth century, unfortunate genetics were unadjustable, people like Cyrano were forced to keep their unattractive features and overcome the adversity and disadvantages that come with those features. Edmond Rostand’s Cyrano de Bergerac is a timeless tale of materialism, beauty and the part they play in disintegrating true love. Despite being written in 1897 Rostand’s play is relevant today because it shows how humans want a perfect significant other and desperately search for an impossible dream of finding someone with both inner and outer beauty.
The conflicting interests of the mother and the father result in a situation where one must make a sacrifice in order to preserve the connection in the family. The flat depressed tone of the poem reflects the mother’s unhappiness and frustration about having to constantly
Unlike “From Childhood,” set within the home of the mother and son, this mother-son-duo is at a party. This mother is persistent in taking her son away from his surroundings and reeling him in to her—keeping an eye on him is simply not enough. Nowlan writes, “The touch of her hand embarrasses him” (Nowlan, 390). Taking the term overbearing to new extremes, the mother is not content unless her hands are physically on her son. While it is completely normal for a mother to have protective instincts and to watch over their children, the level of overbearing the mother in the poem reaches is radical.
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
The mother is sketched in the nude, as she is barefoot. She sits with her legs crossed and caresses her fragile offspring with a sense of ownership. She lays her head on the child’s chest, as the child is characterized with no sudden movement. The mother’s face is defined by heartache and mourning. However, she is a symbol of strength.
Love is a complicated affair, it involves the two lives of the couples and the lives of everyone around them. There are many factors that could break or make a relationship, for one to be successful they must be able to succeed in all of those factors. Oscar Wilde’s The Importance of Being Earnest delves into these factors regarding love and marriage. Wilde stresses the importance of social status and gender expectations as a key guideline for a successful marriage. For Wilde, social status is defined as birth, wealth, and power.
In contrast, the speaker in the “My Last Duchess” is flippant, jealous and manipulative, which argues that the speaker is complaining about his wife reflect how some powerful men cannot accept their own failure and place
In Lorca’sconflict themed play;Blood Wedding , symbolism is a dominating literature technique that forebodes the significant events that occur. The protagonist of the play, Leonardo, is seen to have a rebellious attitude towards society. The horse is perceived to be a symbol of occurrences that foreshadows his destiny, which is his death caused by his desire to attain individuality in the repressive society he lives in. This is especially prominent in the morbid lullaby sang by his mother and wife to his son, as the dark imagery of the horse and the river epitomizes Leonardo’s fate.
It is a contrast in comparison to many of Plath's other poems, which are suffused with despair, it is full of tenderness and love. It is a new beginning for both Plath and her baby. This sets the tone as she answers her newbornrole as a new mother. The opening line of the poem – ‘love set you like 's cry, still unsure of her a fat gold watch’ – suggests that her baby is precious. Her baby is depicted as a “new statue in a drafty museum…”