Lucy's Duality In Dracula

frustration. Dracula’s attitude towards Mina, and Mina’s interest in Jonathan Harker, shows the male vampire’s direct attempts at getting what is desired.

Lucy is a character who in the beginning follows the social norms for women of her time. Lucy believes that when marrying, her future husband should have knowledge of events going on in her days. She proves this when she writes in a letter to Mina, “You will tell him, because I would, if I were in your place, certainly tell Arthur. A woman ought to tell her husband everything—don’t you think so, dear?”(61). Now that Lucy is a vampire, obviously her idea of social norms changes. She has transformed from a normal “house wife” into a creature which is not believed to exist. Now that her family and friends see her as a vampire, they will no longer treat her the same.

In the award winning article, “Passages in Mary Shelly's Frankenstein: Towards a Feminist Figure of Humanity?” Cynthia Pon addresses masculinity and feminism in terms of conventions, ideals, and practices (Pon, 33). She focused on whether Mary Shelly's work as a writer opened the way to a feminist figure of humanity like Donna Haraway argued. The article has a pre-notion that the audience has read Frankenstein and Haraway's article. Pon has a slight bias, due to her passion as a feminist writer. It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.

All throughout modern literature many different types of critical perspectives can be found while reading. Of the different critical perspectives (such as; Cultural, Feminist, Historical, and Marxist) the Feminist critical perspective provides society with the most compelling view when reading literature. Through the Feminist perspective displayed in literature we are able to see things such as the discrimination and exclusion of women solely based on their gender, the objectification of women, the power and oppression that others hold over them, as well as the different gender roles and stereotypes that women face. In the play, “Othello” written by William Shakespeare as well as the book “Frankenstein” written by Mary Shelley, we are able to see the way the Feminist perspective is displayed, the way it allows readers to have a basic understanding of the struggles of being a woman, and why it provides the most compelling view when reading literature.

Examine how either text represents either class or gender. Are these representations problematic or contradictory? How do they relate to the plot and structure of the novel?

Dracula is about vampires in general, the myth, the mystery and the horror. Even though Dracula wasn’t the first vampire story, it was the first really popular one. Throughout the novel, the author, Bram Stoker, portrays many different aspects of women's roles in the 19th century. With the use of imagery and symbolism, the theme of sexuality and gender roles has an enormous presence in the novel. Social gender roles of women and men during the Victorian Era were very strict and looked upon differently than any other time period. One of the many characteristic features of the Victorian culture was its patriarchal ideas about women. This culture looked upon sexual activity as a negative matter amongst women. The theme of sexuality is very significant

Lucy Westenra is the best friend of Mina Harker and thus the second female main character of the novel. Stoker describes with Lucy a representative of the New Women movement, as the time was seen by the British population. She is single and lives with her mother, who is suffering from heart disease. Her family, that was once very prosperous, consist only of herself and her aging mother. She is Dracula’s first victim /vampire child in England. Lucy stands in many ways in contrast to Mina’s character as their moral views and ways of life are distant. She has no occupation and is in no way seeking any form of education. Due to this fact she resembles at first initially in no case the modern New Women, as these sought for independence and education. Her personality can be described as girly, lovely and ‘sweetly innocent’, a seeming sample of Victorian perfection. Lucy is highly beheld for her beauty as her appearance is that of a luminous beauty with fair hair, that is described as “sunny ripples” , and pure bright eyes. Slowly through the chapters Lucy’s tempting sexuality is more lightly brought up. In one of her may letters to Mina, Lucy tells her about the three proposal she got that day and asks her why they cannot:” […] let a girl marry three men, or as many as want her, and save all this trouble.” Through her liberal dealing with sexuality, Lucy is crossing mentally boundaries set up by the social convention of society as it was immoral and forbidden for women in

Godwin, “turned to the gothic and reinvested it with a power that would render his work influential to later writers in the genre as Charles Brockden Brown, Percy Shelley, Charles Robert Maturin ,and his daughter Marry Shelley” . 45

In Dracula Lucy Westenra is a dynamic character. Lucy is portrayed as a dynamic character because of how she changes throughout the novel. Lucy was a young and innocent girl with morals. Although she had a faint desire to have a strong sexuality towards men, her weakness was abused by Count Dracula and changed her entirely. Lucy was transformed into a vampire which increased her sexuality in result her chastity and innocence were destroyed. She was a threat to men and when she was destroyed she was taken back to a harmless state and the men realized women should not trade morals and values for sexual desires.

Bram Stoker’s Dracula is a novel set during the Victorian Era, made up of a series of documents such as journal entries and letters between several characters. The Victorian society didn’t allow a woman to choose her destiny. By law, a woman was the property of her father, husband or even her brother. (YILDIRIM,46) This society originated based on the belief that women were destined to be mothers and wives and no more. During this era, women struggled to attain gender equality as the ideology during this period rested on the belief that women were both physically and intellectually the inferior sex. (YILDIRIM,46) The topic of gender equality is a very controversial topic to discuss even today in the modern world. Female oppression has been

Dracula has been famous by many people for centuries and count Dracula has become a major figure of horror movie and novel that it also has become one of the most popular characters to cosplay in Halloween. Because of its popularity and existence as representative character in field of horror, many scholars have been analyzing in various ways to find any hidden meanings beyond its massive plot. The novel, Dracula, brings up many different meanings according to how it is analyzed. Analyzing sexuality in Dracula is one way to figure connotative meanings out from Dracula. In this perspective, I would like to identify the desires of Victorian in that period through sexuality represented in the text.

Margret Atwood’s short story “Lusus Naturae” is known as a work of fiction in which a monster uncommonly plays the role of the protagonist. Discussing character dynamics, it is interesting to examine the symbolic meaning behind the girl as a monster in this story. Is this text simply a fantasy created with the goal to serve solely as a horror story with a typical ending, or does this tale have a deeper meaning encompassing the treatment of women and their sexuality throughout history. Through close reading of “Lusus Naturae,” I plan to use evidence from the text to illustrate symbolic parallels between the unusual protagonist and the known historical role women held in society.

In the nineteenth century, American writers became obsessed with the Realism movement. They started to focus on problems of that century such as wife abuse, child neglect and women’s freedom. They wrote about the middle class that suffers from different social problems especially women who act against their social norms and traditions. Realistic writers try to represent the events and social conditions as they really are without idealism. They show the harsh and cruel reality of the surrounding environment that women live in without framing that reality in beautiful frame. This is obvious in William Dean Howells’s “Editha” and Henry James’s “Daisy Miller”. Both Editha and Daisy share the same characteristic of the New Woman. These two women redefine the feminine ideology of women who suffer from following the social norms of their culture. They believe that women should have freedom as well as men, and they are responsible for making decisions in their lives without under

In reading this classic tale from 1853 which was written by Nathaniel Hawthorne, I became intrigued first by the theme of the 1800’s with shadowy undertones of biblical evilness. Although, in reviewing the story further I noticed a certain distinctive trends of old world flare that was unmistakable. These tones are of sexism which sadly marked the time period historically to such extent in which the structured confinements of gender responsibilities.

The abnormal way in which these sexual anxieties are presented permits the discussion of these apprehensions. The supernatural renders Lucy inhuman — her twisted face resembles “The coils of Medusa’s snakes ” (Stoker 250) — and as such, the sexual and moral dangers she posits in her independence are punishable by the four men. The same men who once desired nothing more than her pure affections are those who persecute her to the grave, for Lucy now personifies the destructive morals of the transgressive female. The violence employed in their fight against the vampire, in addition to their destruction of Lucy’s egregious body, demonstrates that male anxieties and fears often transform into hatred towards that which questions their masculinity.