Vicki L. Ruiz is a Chicano/Latino studies and History professor from UC Davis whose research focused on Latina feminists from 1900-1930. She made it a point that many only focus on the chicana feminists of the 20th century or only focus on the Latino narratives revolving around U.S. history. Ruiz decided to base her research and this talk on two Latina feminists: Luisa Capetillo and Luisa Moreno. Luisa Capetillo was born on October 28, 1879 in Puerto Rico and was raised in a modest household. She was married to a powerful patriarch and had two children with him. She worked as a reader in a cigar plantation and helped educated the planters. This job gave her to opening to start the mobilization for workers’ rights through labor unions. She is often falsely depicted and remembered as a “lady” and “damsel”, despite dressing in men’s clothing. In 1904, Capetillo began to write essays, titled "Mi Opinión" in which she discussed her radical (for the time) feminist ideas. She believed that removing men’s control over women’s bodies were most important for liberation. …show more content…
This concept was invented by Ruiz herself and she explained it as the unconscious or conscious act of inventing, claiming, and reinventing themselves for a purpose. Which raised the question: Did Moreno have to throw away her privilege to become the leader of a labor union? I think not, but it definitely placed her in a better position to understand the injustice felt by the workers. These Latina feminists fought for a changed world through feminism and anarchism, so much they forgot of their children. Both Moreno and Captellio were absent parents as they were always on the move and protesting for workers’ and womens’ rights. Although it was necessary for these women to be released from the chains of marriage to evolve into the influential figures, they did not need to leave their children to reach those
The story The Red Umbrella by Christina Diaz Gonzalez and the immigration photo by Jose Hernandez Clare are two things that i am comparing. The common subject that is portrayed in these stories/Photographs is family separation. The Red Umbrella and The Immigration photo both have thing in common, they both also have their own unique thing about them. In these stories/photo they both have something different, in the immigration photo the men chose to leave everything they know and love to go to america and in the red umbrella the children were forced to go to america they didn’t have a choice and they didn’t want to go.
Today, when one turns on the radio, Pandora, or any type music streaming company, we will most likely hear artists singing songs that do not sound like their ‘usual sound.’ Today they are known as crossover artists, and some of the most widely know to this day are Taylor Swift from country to pop, Enrique Iglesias and Gloria Estefan both coming from Latin fan bases to the American pop culture. Latin artists almost always start off with fan base in Spanish speaking countries, but once they are able to crossover into the American mainstream music it is a completely different story, it leads to instant fame. They are recognized around the world, even if it is for one hit. Yet this is where most Latin artists struggle, because in order to become more popular they need to break the barrier between
Selena Quintanilla-Perez was a beloved Hispanic- American singer-songwriter, model, spokesperson, actress, and fashion designer. She was born on April 16, 1971 in Lake Jackson, Texas to her parents, Marcella and Abraham Jr. Quintanilla. Selena was very popular during the 1980s and 1990s and her style of music includes: tejano cumbia, tejano, ranchera, R&B, marichi and pop. Her family’s musical background influenced her career and impacted her style of music. Throughout her career Selena has had many hits and has won many awards.
In her collection of short stories, Moths and Other Short Stories, Helena Maria Viramontes elaborates on the importance machismo has on struggles of Chicano women in their daily lives. In the short story, “Growing”, Naomi is faced with the struggle of growing up in a “machista” household where transitioning to womanhood means to forgo any trace of childhood. In another short story, “Birthday”, Alice is faced with the struggle of an unwanted pregnancy and a decision to terminate the pregnancy. Through the use of plot and diction, both of Viramontes’s short stories “Growing” and “Birthday” illustrate the influence machismo has on the norms and gender roles of women to grow up and bear children, in order to emphasize the characters breaking through
As a feminist, she has worked tirelessly to address issues of inequality and discrimination faced by women in the Chicano community. One of Huerta's major contributions to the Chicano feminist movement was her work to establish the United Farm Workers (UFW) union alongside Cesar Chavez. As the co-founder and former vice president of the UFW, she fought for better working conditions, fair wages, and improved rights for farm workers, many of whom were women. Huerta was also a strong advocate for women's rights in the Chicano community, pushing for greater representation and opportunities for women in leadership positions within the UFW and other organizations. She helped to create the UFW's women's caucus, which focused on issues such as domestic violence, reproductive rights, and equal pay.
The loyalist used the Chicana lesbian feminist as a threat of what could happen to the Chicana women if they followed feminism (Garcia). This distaste for lesbianism is still a part of the Latino culture based off the responses from Hernandez’s
He constructed the chicano movement. The Chicano movement was first brought up in New Mexico by Reies López Tijerina. Gonzalez was the one who picked it up the movement by defining being Chicano in his poem called “I am Joaquin.” He also constructed the first Chicano youth conference in 1969. Where many young Mexican American youth came together to talk about the common issues of oppression, discrimination, and injustice.
In the novel Dreaming in Cuba, author Christina Garcia’s vividly illustrated the complicated mindset of the del Pino family women. Varying through each generation beginning with the elder of the four females, Celia. Celia who is the mother of Lourdes and Felicia and the grandmother of Pilar each had become conformed to live in this imaginative world that provided them with mental stability and peace of mind. Celia who was actively devoted to driving the revolution had strategically developed a lifestyle that nurtured the regrowth of Cuba according to the ruling of El Lider. However, Lourdes had a far less interest in supporting the resolution of Cuba.
The Virgin of Guadalupe is a worldly known work of art; Jeanette Favrot Peterson questions the meaning of this iconic symbol in her article The Virgin of Guadalupe: Symbol of Conquest or Liberation? Peterson argues that this symbol is not only of religious connotation but of political value to freedom as well. Furthermore, paraphrasing her claims, that it was not until the nineteenth and twentieth century’s did the image reach its fullest potential of bringing together a fragmented people and become known as the “Mother of Mexicans.” The legend says that Juan Diego was visited by the Virgin on the hill of Tepeyacac and that she sent a message with him that she wanted a church built in her name, only after the third visit was he able to convince
One of the first conferences where women tried to voice how they were being limited in the types of jobs they were given because of traditional principles happened in 1969 and it’s known as the Chicano Youth Conference. Although all of the women agreed on the injustice, their representative stated that “It was the consensus of the group that the Chicana woman does not want to be liberated” during the workshop report. Contradictions of this sort created confusion within the chaos that was already taking a hold of the Chicana community. Evangelina Vigil, a Chicana author during this time period, read part of her poetry in an annual conference of the National Association of Chicano Studies which later allowed women to attend a university in Texas instead of being given cleaning jobs within those learning facilities. Uprisings did not only occur physically, but also arose through meaningful melodies called Mexican rancheras which were categorized by varying themes, some could be about men’s infidelity to the inequality between genders.
In the short story, “Woman Hollering Creek”, Sandra Cisneros employs a traumatic setting to communicate how most women in the Hispanic culture are being treated and the machismo that is seen in the United States. To start with, Cisneros makes the setting traumatic to make the character come to life and live the experiences of the typical Hispanic woman in the U.S. She illustrates this and details the events of how the couple got together and formed a life. In chronograph order, Sandra leads up to climax, the fights and decisions, Cleofinas (The Character) has to make a plan in order to find a solution to get out of an intense marriage. Cisneros quotes, "demands each course of dinner be served on a separate plate like at his mother's, as soon as he gets home, on time or late, and who doesn't care at all for music or telenolevas or romance or roses or the moon floating pearly over the arroyo, or through the bedroom window for
In 1967, Rodolfo “Corky” Gonzalez wrote “I Am Joaquin,” a path breaking poem that helped shape an identity for thousands of Chicanas and Chicanos through its verses; and served as a key component in developing the Chicano Movement of the late 1960’s and 1970’s. During this time, the term Chicano was specific to Mexican Americans and the movement was very male centric. The term Chicano is key to the Chicano movement, but the definition of Chicano has evolved over time and I would argue continues to evolve. The Chicano movement excluded women as well other’s with similar struggles, like Central Americans who can also identify with this movement. The Chicano social identity should not exclude anyone, it should only expand; to all those of other
Maria Amparo Ruiz De Burton work entitled the “The Squatter and the Don” captures the essence of Michel Foucault’s proposition on discourse and power by drawing from the Treaty of Guadalupe-Hidalgo in 1848. She illustrates the racism and deprived rights the Mexican-American faced after being falsely promised to be given citizenship. The discourse of Burton’s work is the written laws that any citizen living within the state is supposed to abide by. Don Mariano is a man of the Alamar family who resided in San Deigo with his wife Dona Josefa and their children.
Gloria Anzaldúa’s “La Prieta” tell her struggles with identity by talking about prejudices she dealt with while growing up. These prejudices, such as colorism, sexism, and heteronormativity, were not only held by people outside her social groups but within them as well. Anzaldúa goes on to explain the way identity is formed by intersecting factors and not only one aspect of someone’s life therefore denying one factor of identity can cause isolation and self-hatred. The fact that Anzaldúa developed faster than is deemed normal the first struggle in forming her identity.
"An Hour with Abuelo" by, Judith Ortiz Cofer illustrates the theme of hope and high ideals or goals. In the story it says " And I think he could've been a teacher if he wanted it bad enough. Nobody is going to stop me from doing what I want in life."(Ortiz Cofer596)