Macbeth Psychoanalytic Analysis

When I look at the Freud’s reading Some Character Types Met with in Psycho-Analytic Work, I get the solution that psycho-analytic work furnished up with the theory of people become ill of a neurosis in consequence of frustration with a real satisfaction. After comparing Freud’s text with Shakespeare’s Macbeth, I can easily say that the thesis of neurosis can be generated when a conflict occurs between a person’s libidinal wishes and his ‘ego’ is verified with the lead female character Lady Macbeth. Lady Macbeth enters the scene after Macbeth starts to thinking about the possibility of being the king. Macbeth has some doubts about this opportunity. However, unlike her husband, she makes her decision at the second she learns about it. Her husband

This certainty of her shows us that women can be crueler and ambitious than men. It’s certain that because of the constraints of her society, Lady Macbeth relies on trickery and manipulation rather than violence to gain her desires. She only has one misery which is a request to have an exclusive final and perhaps more outstanding by her commanding existence of mind and relentless self-possession. Her purposes formed by powerless and womanly regrets than by the hardness of her heart or want of natural

Lady Macbeth is the last character I think that has an internal conflict in the play, especially when we look at Macbeth. She has a strong-minded, steadfast personality. It was obvious from the beginning that Macbeth will collapse after homicides with his weak and frail characteristic, but I never think about Lady Macbeth had neurosis. She is even ready to sacrifice her femininity for her ambitions, even this means crime. “Come spirits. That tend on mortal thoughts, unsex me here. Come to my woman’s breasts. And take my milk for gall, you murdering