Theatre Aesthetics
Abstract: My paper is based on a research of influence of many Slovenian theatre artists who were guests in Macedonian theatres, or there plays were established on Macedonian Theatre Stages. I would like to present an idea of collaboration between these two different theatre aesthetics. And especially to research the reasons for it, the socio-political context and concrete framework (1913-2013). Then, I will represent a list of all Slovenian theatre artists and their performances in Macedonian professional Theatres. Finally I will analyze influence or impact of their poetics on Macedonian theatre, and vice versa. Македонскиот и словенечкиот театар имаат свои непрекинати релации. Релации што се базираат на сличната и блиска театарска традиција, …show more content…
For example, the role of the plays of Dušan Jovanović was discussed in his book of plays, which will be mentioned several times in this study, where Liljana Mazova, editor, states that “Dušan Jovanović was present on the theatre scene in Macedonia since the autumn of 1978, when the director Slobodan Unkovski started preparing the play Liberation of Skopje on the repertoire of the Drama Theatre, shortly after the opening night in Zagreb (KPGT) and the premiere in Ljubljana (Drama at Slovenian National Theatre, directed by Ljubisha Georgievski)”. (Mazova, in Jovanović (2007: 390-391)). This connection is not broken and lasts until today. Jovanović has been produced seven times on Macedonian stages, apart from the already mentioned Liberation of Skopje (Drama Theatre - Skopje, 1978; National Theatre - Shtip, 1979 directed by Simeon Gavrilov and Macedonian National Theatre in 2002, directed by Srgjan Janikjievikj), Millitary Secret (Macedonian National Theatre in 1984, directed by Dushan G. Naumovski), The Karamazovs (Drama Theatre - Skopje, 1984 directed by Paolo Magelli), Antigone (National Theatre - Kumanovo, 1993, directed by Lenka Udovički) and Provincial playboy (National Theatre "Jordan Hadji Konstantinov – Gjinot” - Veles, 2002, directed by Vladimir Talevski) were also
Federal Theatre Project Essay
851 Words | 4 PagesThe Federal Theatre Project was a New Deal plan, administered by the Works Progress Administration (WPA), during the Great Depression. The FTP came about during the height of the Great Depression, 1935, only four years before the Depression came to an end. The Great Depression has been referred to as the greatest economic disaster in the United States and lasted from 1929-1939 (history.com). During this time, nearly 13 million Americans were unemployed (history.com). The FTP was administered by the WPA in hopes to send many unemployed theatre professionals back to work.
Depauw Theatre Analysis
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Essay On Theatre Masks
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Sarcasms Op 17 Analysis
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Dancer Is Song Analysis
1357 Words | 6 PagesIt was the tradition of the Ancient Greek civilization to have their Tragedies and poetry performed in a stage play; more confident writers would enter their work in competitions and have it compete with the works of other fellow writers. These traditions were carried on and adapted into more modern channels of expression, progressing alongside with the changing times. The Tragedies and poetry that were once performed by actors on a stage for a present audience, are now performed by actors projected onto a screen upon the discretion of the viewer ; more commonly known as film. The tradition of having one's work compete with others was also carried on and a modern day counterpart being the Cannes International Film Festival. The modernization of the channels of expression significantly affect the process of creation and overall outcome of the work.
Aesthetics In Film
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