The beginning of the 16th century brought with it the Reformation. The Catholic Church became challenged by Martin Luther and John Calvin. With nailing of the 95 theses on the Church doors, Luther began the Protestant Reformation. The counter-reformation was introduced in Europe to weaken the Protestant Reformation and rebuild the power of the Catholic Church through education, clergy reform, and spreading of the Catholic faith. The counter-reformation can be additionally seen as a political movement because of the loss in revenue in the Baltic provinces. The Lutheranism in the area diverted funds from the Church because that religion didn’t for taxes to be paid to the pope. In order for the Roman Catholic Church to regain its power, the R.C.C.
The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts. He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project.
There is a lot of space and viewpoints that go around all areas of the painting. Another artist that recreated the painting was Cimabue. He recreated Virgin and Child Enthroned in 1305 through 1310, we see that there are many illusions and multiple viewpoints in the picture. Giotto painting of the Virgin and Child Enthroned was a very exaggerated when it comes to size. Mary is very massive and big, Mary's hips were very wide and Madonna looks very realistic compared to Cimabue painting. The prophets in the painting of Giotto all the prophets were positioned different and all the angels and prophets are looking at Mary and Jesus and the prophets are all behind the angels. The angles and the prophets were facing towards Mary and Jesus that represents humbleness and respect to Mary because both Mary and Jesus are holy. Madonna has Jesus sitting down on her lap and it looks very natural the way Jesus is positioned. Cimabue painting of Jesus sitting down in Mary's lap he looks very stiff and is positioned straight. Both paintings are so wonderful and unique they are quite similar to each other but have a different tradition and culture value behind it and both having a different way of recreating the painting of the Virgin and Child
In the Loge, by Mary Cassatt is a very interesting piece of artwork. The artwork depicts what appears to be a woman, viewing a play or some kind of entertainment inside of a theater. The woman’s gaze is set on whatever the entertainment in front of her is. However, the man across the theater is looking directly at the woman, yet he appears to be attending the show with a woman himself. This painting appears to be set sometime in the past, the outfits the people are wearing appear to be very outdated. This painting is obviously a representational artwork, because it clearly depicts an event that could have actually occurred. There is no odd parts or unusual events occurring in the painting that could make it an abstract piece of art.
Art has been around for millennium, but it starts to become more realistic as the Renaissance progresses. In Document A, a painting by Duccio di Buoninsegna is shown. This religious painting was probably painted in respect to the Madonna, but it is unclear. In terms of art, it isn’t a very good piece of work even though it has religious meaning. Duccio di Buoninsegna probably did
The painting has asymmetrical because the weight on each side is uneven. Mary is much bigger than baby Jesus. The dominate design in the painting would be Mary’s face. Mary’s face is key focus; it draws your attention to see what is next. But, Mary’s hands also take domination because in early painting Mary is barely holding on to Jesus, he is just floating above her lap, but in this painting you can tell the grip Mary has on Jesus. Although Mary’s hand and body itself take up an odd amount of room they help objects such as baby Jesus stand in the painting as well. This painting has a certain movement it creates the gesture of a baby pulling his mother closer to him has he lays his cheek on his mother. The shape used is that of a circular motion. Dieric Bouts create a sense of harmony and wholeness using the same color, skin tone between Mary and Jesus create harmony. You can tell the contrast between the two people Mary symbolizes royalty being the mother of Jesus which, is why she wears blue. Blue symbolizes royalty. Jesus symbolizes purity, which is why he has white on. White is the color of purity. Against Mary and Jesus’ pale skin the makes the color of their clothes pops. Art work has many different moods. The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his
Oscillating between the progression of life through the memories and experience of an individual is expressed through Gwen Harwood’s poem The Violets. The poem encapsulates the human experience as both integral to the formation of our perceptions of life and the timelessness that it provides to the audience. Gwen Harwood is able to create a text that goes beyond the way we respond, creating a deeper awareness of the complexity of human attitudes and behaviours.
One-point linear perspective is used with God as the vanishing point. Your eyes cannot help but to follow the looks that ascend upwards. The chiaroscuro shows the darkness and shadows on the earth and gets lighter towards Heaven. The apostles are wearing complementary colors of red and green on their clothes. The clouds are fluffy and white with shadows of gray. The higher sky is a yellow-orange with hues of gold. The red, yellow, and orange shows the warmth in the painting. Whereas the paler blue sky at the bottom show a cooler temperature. The Assumption and Consecration of the Virgin is polychromatic with its variety of color. This painting is an example of iconography. It is widely understood by the Christian culture. Mary was an important figure in biblical times. She carried Jesus though she was a virgin. She was a faithful servant to God. The apostles followed Jesus who died for all sins. God is ruler and protector of all. He watches over all of mankind. Many people worship Him and appreciate pieces of art that play a role in religion. This is an aesthetically beautiful painting that had a big part in the Italian
Gwen Harwood’s poems ‘At Mornington’ and ‘The Violets’ mirror ideas of circulatory nature of life and relationships between contrasting themes. Through images and references to certain motifs, two distinct stories and journeys are reflected, ‘At Mornington’s’ journey of life and death, and ‘The Violets’ story of the squandering of opportunities. The portrayal of certain voices and the displaying of contrasting ideas, the two poems have both similar and dissimilar aspects.
As expressed in Document A, from Theodore Rabb’s Basic Books, The Last Days of the Renaissance & The March to Modernity, “The clearest evidence of the break with medieval culture comes from the visual arts”. The Middle Ages had an emphasis on religious figures and symbolism. The two images contained Document A included: Madonna Enthroned Between two Angels by Duccio di Buonisegna from the late 13th century as well as Mona Lisa by Leonardo da Vinci, from the early 16th century; upon further observation the conclusion can be made that not only was the art from the Middle Ages focused mostly on religious subject, but it also had two-dimensional lifeless figures and drab colors, as expressed in the painting. This great contrast is clear because the Renaissance painting is the complete opposite, possessing realistic figures which were true to form and three dimensional, vibrant landscapes, with a focus on the individual. As Rabb put it, “the new artistic styles would echo broader movements and interests of the new age.” The Renaissance art gave way to a shift and man no longer wanted to focus solely on religion but also how unique they were as
The time before the Renaissance was a time of darkness. During the middle ages there was nothing but disease and religion, which why it is known as the dark ages. The Middle Ages took place 500 CE to about 1350 and the primary players of Europe were the Catholic Church and the Pope. Reason why everyone was against each other and made everything confusing. But the Renaissance was the high peak of European history because that’s when art and literature started to evolve and then science started to finally come into the picture.
Florentine type of depiction spread widely due to the painting. Its popularity among the masses can be understood by the fact that the image has been used by most religious foundation in expression of Jesus and His mother Marry during the child’s tender age (Gelfand, 2000). It’s one of the most treasured paintings in the world. When compared to the Italian standards, the panel is said to be very minor, but its regard is extensively expressed with respect to many other paintings that are said to be, in the ancient times, the most regarded.
Madonna and child with the two angels is a painting of a praying Virgin Mary with two angels who are carrying baby Jesus just in front of her. In this piece of art, Mary
The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son.
The Louvre is the world’s largest museum with an extremely impressive art collection. It is located along the Seine River in Paris, France. The louvre was originally built as a fortress, then reconstructed to a royal palace. When Louis XIV moved the royal residence to Versailles, the Louvre became an art museum. The Louvre includes Egyptian antiques, crown jewels, Greek and Roman Sculptures, as well as other French noble artifacts. It houses more than 35,000 works of art at any time. Most of the artwork spans from 6th century B.C. to 19th century A.D. The museums most famous piece is Leonardo da Vinci’s “Mona Lisa”. The Code of Hammurabi, the Greek sculpture “Nike of Samothrace” and “Venus de Milo” are also notable masterpieces.