The title of the book “Virgins” communicates more than the first sexual act. It depicts the inability to make personal decisions without basing off other people’s opinions and beliefs. The story is an analysis of the progression of two females and their interaction with men. Though different, each girl has a different perception of sexual anatomy and hence Evans is able to communicate his message that virginity or sexuality is something that is a sole decision of someone despite whether they have had vaginal sex or not. Throughout the story, Erica is unsure with men.
Unable to control their lives, the female “I” vanishes due to the imposed “we,” the kind that men designate and control according to their interests. Suzanne demonstrates identitylessness as she fills the void of her inner self through multiple sexual affairs. While sexual expression does not provide a strong foundation for one’s identity, it, at the very least, enables the articulation of a woman 's identity that challenges the pressures of patriarch and social customs, as Saddik Gohar argues in "Empowering the Subaltern in Woman at Point Zero." Gohar asserts that literature demonstrates the creative ways that the subaltern resists oppression. In the case of Suzanne, sex becomes a source of freedom, a means of empowerment to women in repressed social
A conservative analysis of Hester Prynne’s feminist ideals appear in writer’s critique of her independence, her rebellion, and her personal interactions. Hester displays her independence in her sexual expression, self-reliance, and parenting. To further assert her feminist ideals, Hester gains independence through her sexual expressions. Since Hester’s husband did not take care of her sexual needs, she provides for them through her adultery. Hester feels that her sin comes from the “original sexual incompatibility” between a husband and wife.
She states “Even so, it 's one of my most precious possessions” (64), although at that point in the story it is not known why she values the cassette so much. The suggestion that Tommy had given her the tape, since she lost the one she acquired at the sales as a young girl, allows the reader to draw some interpretations about the relationship her and Tommy share later in life. As Kathy grows, it seems that she becomes more aware of the true meaning of the words in “Never Let Me Go”. She becomes very interested in the relationships between men and women. Her curiosity concerning sex leads to her experimentation with several men.
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Besides, the three men value instrumentality when the women are silenced when they are put into a situation where they have no control over their bodies, stimulating the belief that men of all reputations can have access to any woman. Yet, the two scholars were able to have access to the women, whereas the women cannot show interest sexually because they are possessions. When the scholars have sexual relations with the women, their reactions are not shown or described, nor the act of the sexual invasion itself. In fact, the daughter was mentioned to be “doghter bolt upright” as she took it “willingly” (4266). Due to instrumentality, what was violated was Symkyn’s property- the two men committed a crime against Symkyn 's possession of the two women, not rape itself.
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These unstable relationships stemmed from her parents to friendships, and romances, whereas for at the moment made her feel whole. Susanna is that she does not like to attract attention to herself and rather prefers to be disengaged, unlike her experience at in the ice cream shop, and the wife of the teacher she had an affair with confronted her. At first, Susanna was trying to be polite to keep the attention away, but ultimately with the other girl's help, Susanna created an uncomfortable scene by being loud and creating attention to what was happening. Susanna also expresses emptiness by spontaneity, through the example of when she left with Lisa to go fulfill Lisa’s dream of being Cinderella at Disney world, or when she broke into the music room to play a song to calm Polly down after her episode, knowing that these acts of behavior is strongly prohibited, but still creates some sort of excitement for Susanna. Susanna Kaysen has borderline personality disorder whereas she expresses erratic behaviors and intense shifts in mood that can last only a few hours at a time, she attempted suicide during a time of extreme depression/anger, feelings of emptiness, loneliness, and mistreatment.
They have surrounded to men’s tyranny and ended up with nothing but self-pity. In fact, it could have been quite different. We should have understood the function of our own bodies and attracted and controlled men that way, and then tamed them. (…) Yet a woman’s sex is her magic weapon for defeating the outside world and revealing the significance of her existence (…) Sexual power is unique to women: it’s a kind of self-consciousness about one’s bodily function. When this consciousness sharpens, a woman becomes like a
“Bad girls” violate patriarchal sexual norms in some way: they’re sexually forward in appearance or behavior, or they have multiple sexual partners. Men sleep with “bad girls,” but they don’t marry them. “Bad girls” are used and then discarded because they don’t deserve better, and they probably don’t even expect better. They’re not good enough to bear a man’s name or his legitimate children. That role is appropriate only for a properly sub‑ missive “good girl.” The “good girl” is rewarded for her behavior by being placed on a pedestal by patriarchal culture.However , patriarchy objectifies both “bad girls” and “good girls.” That is, patriarchy treats women, whatever their role, like objects: like objects, women exist, according to patriarchy,