Main Themes In Twelfth Night
This essay discusses any scene three of the Twelfth Night concentrating on the thematic concerns, groups of characters, language, word choice, and other features. The main themes of the Twelfth Night include the folly of ambition, love as an agent of suffering, and gender uncertainty. In Act II, Scene III, Sir Andrew, and Sir Toby are drinking late in the night; Feste accompanies them, and the two request him to sing a love song. However, the two continue with merrymaking, make too much noise, and become a nuisance as they continue to drink, sing, and talk nonsense. Maria enters and tries to silence them, but it is too late since the noise has awakened Malvolio who comes and rebukes them for upsetting the family. The moment Malvolio departs the room; Maria make-ups a strategy to berate him since her writings are like that of Olivia 's, and decides to jot a love letter to Malvolio as if she Olivia. The team agrees to try the plan and Maria leaves while the two continues to drink for the rest of the night (Kolman 74). The scene presents different themes based on the characters’ behaviors and conduct.
Types of Characters
In scene three, audiences get to know another group of characters. In the contemporary language, readers have seen the "upstairs" actors or players in scene one and two; in this scene, viewers meet the "downstairs" players. The downstairs characters are Maria, Sir Andrew Aguecheek, and Sir Toby Belch; these characters create the subplot that
challenges the
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