Makaveli in this Killuminati, all through your body The blow's like a twelve gauge shotty Uhh, feel me! And God said he should send his one begotten son To lead the wild into the ways of the man Follow me; eat my flesh, flesh and my flesh Come with me, Hail Mary Run quick see, what do we have here Now, do you want to ride or die La dadada, la la la la I ain't a killer but don't push me Revenge is like the sweetest joy next to gettin' p**** Picture paragraphs unloaded, wise words bein' quoted Peeped the weakness int he rap game and sewed it Bow down, pray to God hoping that he's listenin' Seein' n****s comin' for me, to my diamonds, when they glistenin' Now pay attention, rest in peace father I'm a ghost in these killin' fields Hail Mary …show more content…
The solitary mind of a madman who screams in the dark Evil lurks, enemies, see me flee Activate my hate, let it break, to the flame Set trip, empty out my clip, never stop to aim Some say the game is all corrupted, f***ed in this s*** Stuck, n****s is lucky if we bust out this s***, plus Mama told me never stop until I bust a nut F*** the world if they can't adjust It's just as well, Hail Mary Come with me, Hail Mary Run quick see, what do we have here Now, do you want to ride or die La dadada, la la la la Come with me, Hail …show more content…
Visions of me, Thug livin' gettin' me by Forever live, and I multiply survived by Thugs When I die they won't cry unless they comin' with slugs Peep the whole scene and whatever's goin' on around me Brain kinda cloudy, smoked out feelin' rowdy Ready to wet the party up, and whoever in that motherf***er Nasty new street, slugger my heat seeks suckers On the regular mashin' in a black Ac Integ-ra C*** back, sixty seconds til the draw that's when I'm dead in ya Feet first, you got a nice gat but my heat's worse From a Thug to preachin' church, I gave you love now you eatin' dirt Needin' work, and I ain't the n**** to put you on 'Cause word is bond when I was broke I had to hustle til dawn That's when sun came up, there's only one way up Hold ya head and stay up, to all my n****s get ya pay and weight up If it's on then it's on, we break beat-breaks Outlaws on a paper chase, can you relate To this s*** I don't got, be the s*** I gotta take Dealin' with fate, hoping God don't close the gate If it's on then it's on, we break beat-breaks Outlawz on a paper chase, can you relate To this s*** I don't got, be the s*** I gotta take Dealin' with fate, hoping God don't close the gate Come with me, Hail Mary Run quick see, what do we have
I Hunt Killers is a suspense/horror novel that involves a copycat serial killer in the small town of Lobo's Nod and the main character, Jasper "Jazz" Dent. Jazz is a charismatic teenager and serves as the main narrator of this story, while the audience periodically hears from the copycat serial killer, known only as The Impressionist. The plot becomes much thicker when the reader quickly realizes that Lobo's Nod serves as the setting for not only the copycat murders, but also serves as the home of this piece of fiction's most notorious serial killer, Billy Dent. Dent is not a common surname in this book, Billy Dent is also Jazz's father who is sentenced to life in prison for the murders of 123 individuals.
The ultimate cause of the civil war was Slavery, however not everyone was fighting for just Slavery; they were fighting for various different reasons. The Killer Angels, written by Michael Shaara gives a more inside view of what actually happened and the different views of the characters involved. This is a novel that attempts to offer a more lifelike retelling of the Battle of Gettysburg; it portrays actual historical figures and the actual events of how they took place during the Civil War. This will probably cause some problems with historical accuracy considering we only got to read and learn the whole aspect of the war, yet not so much the minor details. “People seemed to think it was slavery that brought the war, when all it was really
I’ll show you what kind of a man I am! I’ll show you who you want to fight! Maybe you think I can’t fight! Maybe you think I can’t! I’ll show you, you criminal!
The Godfather The concept of Verisimilitude seemed to fail for the most part with this movie. In numerous scenes, such as where someone or something died, the viewer watches an incredible dramatic and exaggerated performance play out before them, which is especially tough to imagine happening in their own life. Specifically, in the incident where the godfather is shot at the market, he dramatically falls onto the car, stops due to gravity, then flops over a few extra times before hitting the ground and moving again once more. I suppose the intention of the actions here are to convince the audience that he is truly and surely dead. Another example would be the famous scene with Jack Woltz, who awakened with a severed head of a horse at the
Tired of everything. Me, the boy, the way we live--this beat-up hole--everything. Ain’t you? Soo tired--moaning and groaning all the time, but you wouldn’t do nothing to help, would you? You couldn’t be on my side that long for nothing, could you?
Near the end of the song three black new shiny cars come in, everybody scatters
We’d run PT in the morning and every time your left foot hit the deck you’d have to chant “kill, kill, kill, kill”. It was drilled into your mind so much that it seemed like when it actually came down to it, it didn’t bother you, you know?” (pg.253). In order to get past mans innate reaction to not kill another man, repetition through
Niccolò Machiavelli, better known as the father of modern political theory, wrote the famous socio-political treatise The Prince, during a dark time in his career. In The Prince, there are several policies that can be found in the American government, specifically in the United States Constitution and Bill of Rights. Many of our American leaders have adopted similar policies as Machiavelli's book is recognized as a political manual for many leaders. Obviously, there are many common themes in The Prince and The United States government's policies, such as the idea of arming one's citizens along with how leaders are brought to power; however, there are also many differences, in particular, the distribution of power in government.
“There was a pain in my head and my body was growing heavy. The shot had left me deaf and dumb. That’s it, I said to myself. It’s done. I’ve killed.
These two dominating groups responded in anger and fear, with police saying that the rap group’s lyrics are provocative, intimidating, and belittling women. They ignore the fact that N.W.A is expressing the realities of violence and racism by police that they and others from Compton experience every day. In many occasions where they perform, police would encircle them and finish the concert with arrests while others riot around the city. As the story progressed, social structural factors are what drives N.W.A to create songs like “F the Police” and “Straight Outta Compton” because their surrounding circumstances are out of their control. Their mentality, values, and beliefs are affected by the harsh reality of life in Compton, from gang violence to racism; this way of life is set for them and opportunities such as getting a good education is far from what they see for themselves.
387 people had been killed in gang-related activities in LA in 1988, but none of the killings was resolved (Moore np). Most of these people were Cube 's friends. Police mistook every black kid for a black kid for a gang member as long as he had some jeans, t-shirt, baseball hat or tennis shoes (Moore np). Music was the only weapon, a form of non- violent
Of my crime family who got nuff shots to share" -Moob Deep, Shook Ones- we can see very clear how he is promoting war and maybe threat the officer and that is a negative behavior. Another example of a song that promote drugs is: "Smoked
To be alone on an island, painting the sky the desired shade of blue, but to be secluded, fending away civilization as it it were a parasite, is not one’s ideal state of mind. Yet, by a particular female character named Moushumi In the book The Namesake, they are confused. Moushumi is the ex-wife of Gogol and identified in detail by Jhumpa Lahiri. Moushumi’s identity is composed of her experiences, her values, and her background.
Upon listening and analyzing further, however, one will find that this song has a hidden meaning to which everyone can relate. As the lyrics begin, Springsteen sings, “The screen door slams, Mary's dress waves / Like a vision she dances across the porch
(Wahl, 1999) As new black artists began creating music leading into the 80s, historical events were beginning to allow artists to use music as a platform to discuss social and political injustice in ways that had never been seen before. One specific gangster rap group, N.W.A (Niggaz Wit Attitudes), used this so-called platform to shed light on the injustices of a black man living in the city of Compton in the most raw and purest way possible. (Wahl, 1999) During the late 1980s, Compton was often seen as a city of violence and even got the label of the most dangerous city in America throughout the nation.