Male-Female Relationships In Othello

This further emphasizes how women are not submissive to male, but are forced by them to be obedient. On the other hand, the play Othello demonstrates how females are obedient to male, despite their maltreatment. Desdemona craves for Othello’s affection and approval, remaining fiercely loyal to him without the constant abuse like Rasheed in A Thousand Splendid Suns. In Desdemona’s final breath, she still remains true to her husband, saying “Nobody, I myself. Farewell.

In Their Eyes Were Watching God, Janie’s faults made her dependent emotionally towards men, but independent when finding her own happy ending throughout the book. From The Odyssey, Calypso desperately tried to find love and make Odysseus stay, but her flaws of attachment and having a higher level of authority over Odysseus in their relationship kept her from achieving real love with someone. Although Janie and Calypso are opposites when it comes to love, they do have similarities. Their relationships always ended the same way, with Janie leaving her husbands and Calypso being deserted by her lovers. They both tried to to find love, with some difficulties for each women individually.

Abigail is consumed by the idea that John Proctor loves her. She considers that John’s kind actions towards her are more than just lust. Her acknowledgement that it would be a sin for him to love another woman besides his wife reveals that she believes that John Proctor has such deep feelings for her, which are undeniable no matter how wrong it may be. Though Abigail appears to be caught up in her idea of their forbidden love, her romanticized obsession is not enough to prove that her actions are completely motivated by her obsession of

Hawthorne continues to applaud Hester for her lifestyle she is trying to live eventhough it was the Puritans that made her go through a life of embarresment and suffering. "Except for that small expenditure in the decoration of her infant, Hester bestowed all her superfluous means in charity, on wretches less miserable than herself, and who not infrequently insulted the hand that fed them.” Hawthorne praises her further here and disapproves of the Puritan society because they can’t see Hester’s true personality and

Either way, Louise knows that she should be upset. At first, she does start crying, but after having some time to herself, she begins to whisper “Free!” (Chopin 426). Louise understands that she has this new-found freedom from the oppression of Brently, and that is why she seems both happy and upset. Even though he loved her, he still oppressed her. This leads to the conclusion that even though Brently was kind with his “tender hands” (Chopin 426) he still had the ability to oppress his wife even if he did not mean to.

They loved each other. Chillingworth was thought to be dead. If Dimmesdale has accepted it, Hester thought of it as a “union” of their love and Hawthorne wants us to believe that they truly loved each other, then why doesn’t it deserve the reader’s sympathy and acceptance. Hawthorne goes as far as to say that “This had been a sin of passion, not of principle, not even purpose (187).” If he along with Hester and Dimmesdale views this adulterous

Like Jane and Bingley 's marriage, Elizabeth Bennet and Mr. Darcy 's was also based on love. Elizabeth ' character was very intellectual, and friendly, however Mr. Darcy 's was antisocial, he also had a strong sense of pride (opposites do attract). In the beginning of the novel, Elizabeth did not like Mr. Darcy that much, and he also shared the same feelings. She thought he was an arrogant and rude man, while he thought she was "tolerable". But as we proceed reading, we could see that he slowly starts to fall in love with her, and how he would give up his status and reputation to marry her.

As the title suggests, pride and prejudice collide in this scene. Even during the proposal, Mr. Darcy kept mentioning Elizabeth’s social rank and family status, which she only saw as his pride to tell her that he liked her against will, reason, and even against character. Consequently, Elizabeth became enraged, and angrily rejects him that he impressed her with his arrogance, conceit, and selfish disdain from the very beginning, from the first moment. This chapter is critical because two protagonists with pride and prejudice are directly confronted by one another, for the first time in the novel, which in a sense is violent yet an honest and truthful moment to further establish the relationship between

Roderigo cannot see through Iago’s lies because he is too busy being jealous of Othello and Desdemona’s love. Another instance of how jealousy could blind one from distinguishing the truth would be how Othello cannot see past Iago’s deceiving lies. After just being manipulated to doubt his own wife, Desdemona, Othello speaks to himself, “this fellow’s of exceeding honesty and knows all quantities, with a learned spirit, of all humans, if I do prove her haggard.” Othello is constantly insecure of himself, though he never would imagine Desdemona cheating on him, Iago managed to “plant a seed” into Othello’s mind. Manipulating him that Desdemona is having an affair and he should keep a close eye on her. Now that Iago has managed to make Othello jealous, Othello would never see where and and when Iago is deceiving

In his play “Othello,” Shakespeare is very compassionate towards the women of his era. He treats Desdemona with special sympathy. She is the victim of two crossed male aspirations — the devilry of villain Iago and the jealousy of her husband. The main cause of Desdemona’s tragedy is the total absence of women’s personal liberty. The lack of self-development without restrictions of society and family constricts the mind.