Today I will be analyzing all three versions of The Maltese Falcon film’s the scene I’ve chosen to review the scene where Spade is visited and questioned by police detectives Lt. Dundy and Sergeant Tom Polhaus. Although the films are based on the same novel The Maltese Falcon (1930), they differ in many ways I’ll use the scene I mentioned above to show the differences in mood, setting, the behavior and attitude of the main characters in this scene. The second thing I’ll do is show how breaking down a particular scene before you’ve watched the entire film could lead a first time viewer of the films could create a different conclusion in their minds than the one the films already has.
If you have viewed all three films the first thing you may notice is that the place where the detectives visit Spade for questioning varies between the three films. We see that two of the films (1931, 1941) take them to Spades apartment and the other (1936) they meet him a night club or speakeasy as it was called in those days. Even
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A great example of this would be in Satan Met a Lady when asked by spade “This is a nice place for a third degree aye Roy?” His response and actions while replying “I’ll say so” are kind of like a kid in a candy store and could give viewers the notion that he wasn’t interested in the investigation, in fact the novel hints at his lack of intelligence Hammett states when asked a question “Tom groans, but said nothing articulate” (20). In the 1941 film he seemed like less of an imbecile, but still a bit slower than the 1936’s Detective Polhaus. I speculate that viewers with no prior knowledge of this film or novel could see his behavior as suspicious and form a hypothesis that he is an accomplice in the murder of Archer rather than an incompetent
The Maltese Falcon has inspired several novels and writers, like Raymond Chandler, James M. Cain, and Jonathan Lethem, and it all started with Sam Spade.
These fictionalized accounts of a criminal investigation are provided to the public with the intention of gaining financial rewards through the mass production and consumption of entertainment. In appealing to this entertainment factor a myriad of components are considered in the development of crime films and literature. In Old City Hall, Rotenberg’s inclusion of multiple perspectives allows the readers to follow the thought process of the different components that make up the criminal justice system, including legal counsel, police officers, judges, forensic analysists and witnesses. For instance, Rotenberg mentions the techniques often used by both lawyers and detectives in carefully phrasing questions to get a response from a witness or suspect. “He knew what impressed judges and juries most was not a witness who simply read from the notebook, but one who genuinely tried to remember what it was he had seen and heard and felt” (Rotenberg, 2009, p. 247).
By allowing the reader to hear Sam’s perspective, the readers can more easily understand his morals and how they affect his actions. Sam’s morals are essential within the novel, The Maltese Falcon, because it determines where his true loyalty lies and whether his actions are influenced by greed. This source could be beneficial when writing a research paper because it includes extensive information on Sam’s character and how it leads him to react to circumstances, such as when he must decide whether of not to turn over Brigid to the police. Walter’s article shows Sam’s great struggle at the end of the
The Sapphires film is directed by Wayne Blair and produced in 2012. The Sapphires is a beautifully filmed true story based in 1968 about the story of four indigenous women who go by The Sapphires who got picked to sing to the soldiers in the Vietnam war. The scene that is being analysed is 18.15-2o.23 in this scene Gail is singing a gloomy song for the soldiers because she thinks that Dave is dead. This scene is around the end of the movie just before they go back home. The purpose of this scene is to make us feel sorry for the Sapphires because they just witnessed their manager being killed and that they are singing their sorrows out.
This essay will examine the functions and effects of cinematography in Steven Spielberg’s Jaws Jaws follows the police chief Brody, along with scientist Hooper and shark hunter Quint, in their attempt to protect the town of Amity against a Great White shark that is terrorising beachgoers. It was adapted from Peter Benchley’s 1974 novel of the same name. Following its release in summer 1975, Jaws became the highest grossing film As Jaws was one of the first motion pictures to be shot partially on water, the production came across issues with the prosthetic shark, and as a result, Spielberg decided to only suggest the appearance of the shark as often as possible, as opposed to showing the prosthetic body during attacks. This sparing use of the prosthetic, and primary focus instead on creating suspense and dread without the shark visibly present, proved to be an inspired decision, as Jaws is considered a pioneering achievement in the horror genre.
1. In the film, Birdman directed by Alejandro González Iñárritu is about a man named Riggan, whose well known as the “Birdman.” In the film we witness Riggan struggling who is making his mark in the world using broadway. When he achieved his fame as “Birdman”, he isolated himself from the screen as he battled with his inner voices which later caused him to commit suicide. His inner voices in the beginning of the film weren’t as powerful as it was towards the end.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
Lion, directed by Garth Davis, is a compelling interpretation of a remarkable true story of Saroo Brierley, lost as a child and reunited with his family 25 years later. Throughout Davis explores the unique circumstances under which Saroo is separated and reconnected with his family and his journey along the way. At some points of the film, I was confronted by how Saroo, a five-year-old boy, expertely navigates, with great instinct and genuine innocence, through an extended, yet life threatening ride. To put it in other words, Lion is a journey that grabs you entirely; whether you want it or not, and you are involved in each and every scene. I instantly fell in love with the connection and relationship between Saroo and his older brother
After Harley Quinn wrenches out Enchantress’s heart the scene shifts, from real time to slow motion. As Harley rushes to grab her gun, and tosses it to Deadshot. Deadshot takes steps a few steps forward, lines up the shot to hit the bomb that was thrown towards the machine by Killer Croc which destroys Enchantress’s doomsday machine. Through these shot sequences all the character’s motions have been dramatically reduced in speed to have a more gripping effect on the viewers. The purpose of switching from regular speed to slow motion, in this scene it was meant to create anticipation and prolong the actions of Harley throwing the gun, Killer Croc hurling the bomb, and Deadshot lining and taking the shot.
The first scene takes place at a street called Elysian Fields. Stella and Stanley live in the first floor of a building, while in the second one, Eunices flat is
N00145563 The Maltese Falcon is a film noir directed by John Huston. The film is based on the novel by Dashiell Hammett of the same name. The film was made and distributed by Warner Bros. and was released in October 1941. In this film, detective Sam Spade, played by Humphrey Bogart, takes on a case from the beautiful but deceptive Miss Wonderly, played by Mary Astor.
Suspicion can be fascinating but haunting. Since Victorian times, the suspicious death case of Sir Charles Baskerville in The Hound of the Baskerville has intrigued/compelled vast amounts of readers. However, recent audiences are more compelled to stories with a modern twist of horror and gruesomeness. Because of less main characters, a fast-paced plot, and the differing point of view of Atwood’s The Hound of the Baskervilles film adaptation, the film has a frightening, intriguing mood with a new perspective compared to Sir Arthur Conan Doyle’s original novel.
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
The Wizard of Oz has revealed to be an exceptionally well thought out film when analysed. The film has made use of stylistic elements such as colour, light, sound and mise-en-scene which coincide with the various twists and turns of the plot as Dorothy moves from Kansas, to Oz, and back again. In The Wizard of Oz, the directors have employed the use of different unique editing techniques despite being an early film. It is obvious that the audience is able to notice the absence of colour in the beginning and ending of the film. The audience is able to identify the mood and overall feeling for Dorothy when she is in her family farm in Kansas.
. Christie’s detective world is very much a product of the post World War I ‘modernist’ cynicism which also rendered in humans, a sense of introspection. As Poirot says, “It is the brain, the little grey cells on which one must rely. One must seek the truth within, not without.”