Personal Growth: A Representation of One’s many Struggles Throughout life one exhibits growth as a person and this growth is achieved through trial and error. The adage, “You gotta hurt in order to know. Fall in order to grow. Lose in order to gain; because most of life's lessons are learned in pain.” can be applied to both Mama in “Everyday Use” by Alice Walker and Connie in “Where are You Going, Where Have You Been?” written by Joyce Carol Oates, but is more reflected in Mama’s life. This is demonstrated through Mama’s age in comparison to Connie’s, Mama’s tolerance of her daughter Dee’s egoistic behavior whereas Connie is the egoistic one, and Mama’s ability to be a better mother to Maggie now that she has realizes the error of her ways …show more content…
One of her experiences include a “ fire that burned the other house to the ground” (Walker 611 ). Mama’s house burning down to the ground would cause her to start from zero and work her and her family up to having livable conditions. She rose above her situation, managing to eventually find a home for her and her daughters as well as even sending her eldest daughter to school. She also “falls” when she, for a brief moment, allows Dee to talk down to Maggie regarding a quilt made by their grandmother while Maggie informs Mama, “‘She can have them, Mama’ she said, like someone used to never winning anything” …show more content…
Once Mama realizes that Maggie had always stuck by her side she, “Hugged Maggie to [herself] , then dragged [Maggie] on into the room, snatched the quilts out of Miss Wangero’s hands and dumped them into Maggie’s lap” (Walker 616). Mama was acting on her epiphany, she knew that Maggie should be cared for and protected from her sister because she was loyal to her mother, it was the least she could do. She begins to realize that she was holding onto a daughter that did not embrace her family and so she let her go and embraced the daughter who was there for her all along. Mama’s change can also be demonstrated when she notices, “Maggie [smile]… a real smile, not scared… the two of [them] sat there just enjoying, until it was time to go in the house” (Walker 616). She begins to notice positive aspects about Maggie and learns to enjoy her company. She does not pine over Dee because she knows that she did not really care for her family so it is not Mama’s loss but Dee’s. Connie however, when faced with a threatening man thinks, “I’m not going to see my mother again… I’m not going to sleep in my bed again” (Oates 463). Here is when she realizes that her mother is important to her because she is the first person she thought of when in this dangerous
Connie lives in a world where men enjoy exploiting women, so she doesn't see much of it. Connie respects Arnold's savage and forceful attitude as typical. Connie's house is like a cardboard box in the story. " In this location, inside your father's house, I can smash down any cardboard box."
Despite her strictness, Mama loves Maggie more than her oldest daughter Dee. Mama is also protective of Maggies feelings. When Dee wanted the quilts, Mama fought for Maggie. Mama also knew that Maggie was somewhat intimidated by Dee. So she kept her promise of giving Maggie the
Oates uses Connie’s thoughts to describe her mother saying, “Her mother went scuffling around the house in old bedroom slippers and complained over the telephone to one sister about the other. If Connie’s name was mentioned it was disapproving” (Oates). The author is suggesting that Connie’s mother doesn’t like what her daughter is doing. The word disapproving is used to describe how her mother doesn’t approve how Connie is and what she does with her friends. “Her mother constantly nags at her for spending too much time in front of a mirror and for not being as steady and reliable as her twenty-four year old, unmarried sister” (Barstow).
Connie does not have any relationship with her father, which allowed her to be vulnerable to older men. Oates describes the father’s character as, “…away at work most of the time and when he came home he wanted supper and he read the newspaper at supper he went to bed. He didn’t bother talking much to them…” (26). Her parent’s lack of effective communication allowed Connie to seek validation in all the wrong places.
She emotional language at the beginning of the story when Connie has an altercation with her mother , Connie tells herself that she wished her mother was dead and so was she and often whined to her friends that her mother “makes me want to throw up sometimes”(453). Connie’s language takes a turn when she receives an unexpected visit. Oates uses phrases such as, “Who the hell do you think you are?” , “pretended to fidget”, and “Reluctantly” (457). At that point Connie grows suspension and realizes something is fishy.
(Nancy Tuten) agrees by saying, "Mama's distaste for Dee's egotism is tempered by her desire to be respected by her daughter.” The Mom’s character changes during the quilt scene, as she realizes that Maggie shares the appreciation of culture and heritage, and Dee's appreciation is entirely different from theirs. During the quilt scene, Dee is demanding Mom to give her the quilts, and Mom says, "when I looked at her like that something hit me in the top of my head and ran down to the soles of my feet.” In other words the daughter who she has always thought so highly of knew little of their culture and had little appreciation for their heritage. Walker creates the “mom” character to help defend her point, which is the importance of upholding the values and traditions in the African American
The relationship between the two was so bad that Connie had homicidal and suicidal thoughts, “Connie wished her mother were dead and she herself were dead and it would all be over. “(86) Some of the harassment from the mother seemed to come from jealousy. Oates shares some insight into the mother’s past and says she was pretty at one point in time “but now her looks were gone and that was why she was always after Connie. ”(85) Her relationship with her father wasn’t much better. In fact, Oates tells us that he didn’t give much thought to anyone in the family because “he didn’t bother talking much to them.”
At that point, she starts to discuss how her mom and sister are as yet living out-dated and how they would never think about the world. She doesn 't generally comprehend that Mama and Maggie are cheerful just they way
Apparent in the beginning stages of the short story, Connie despises her sister, June, for the glory she receives for being the reliable child. She hates her mother for liking her sister more than her,
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
Mama always dreamed that she will be in a show with her daughter Dee and Dee will be thanking mama of all what she’s done for her, but she knows it won’t happen. Maggie is smaller than Dee and she is always nerves and very shy, when she was a child their house got burned at that time she was very scared maybe that’s what makes her nerves and shy and that also hides her personality what she looks from the inside she hides it from the outside. Maggie lives at home with mama, she never spends time in the outer world she always stays at home and mama protects
This is seen by the actions she takes to get to her goal, statements she makes towards her family members, and how she responds to her family when they are troubled. Mama has lived in her apartment for a long time with her family and is about to get enough money to change that. An example of Mama’s motivation to achieve her goal is shown when Ruth, her daughter-in-law and Mama are talking about what Mama would do with the insurance money. Mama states, “Been thinking that we maybe could meet the notes on a little old two-story somewhere, with a yard where Travis could play in the summertime, if we use part of the insurance for a down payment and everybody kind of pitch in” (563). Mama is suggesting to Ruth of what could be a better future for her son and their family.
When Dee practically demands the quilts promised to Maggie, Maggie automatically forfeits them without complaint. She never takes the time to battle her sister and she doesn't lose her composure. She, akin to a defenseless child, gives in to the pressure of Dee. "She can have them, [the quilts] Mama,” She is far more worried about keeping the peace and hiding from the commotion than defending what belongs to her. This professes Maggie to be a very complacent and scared girl, especially in the face of her sister Dee.
Despite the systematic injustices that the Younger family faces, they are able to find hope and strength in the small moments of beauty and growth. As Hansberry notes in her final stage note “her plant on the table before her as the lights start to come down…takes a final desperate look, pulls her coat about her, pats her hat and goes out. The lights dim down. The door opens and she comes back in, grabs her plant, and goes out for the last time”(151). Even when all was accomplished, Mama returns for her plant proving that she still wants to brighten her family’s future.
Mama also shows her generosity, as she implies that she has given up a lot of her material possessions to just see her child smile. Although she yearns to accomplish her own dream, she puts that aside to look after Walter and his sister, which shows her determination. Although she has struggled with accomplishing her dream for a while, she has not yet given up hope. Looking back to the time when she and her husband first started conceptualizing their version of the American Dream, Mama says, “(smiling) Hadn’t been married but two weeks and wasn’t planning on living here [in this apartment] no more than a year… But lord, child, you should know all the dreams I had ‘bout buying that house and making me a little garden in the back — (She waits and stops smiling.)