T.F Hodges once said,"Manipulation, fueled with good intent, can be a blessing. But when used wickedly, it is the beginning of a magician's karmic calamity." Manipulation will only be suitable when a person is completely selfless. People however will never be completely selfless, therefore they always will try to better themselves by manipulating others. This phenomenon is also elucidated in Shakespeare's tragedies. In Othello, Shakespeare uses dramatic irony to demonstrate that resorting to manipulation for personal gain often results in disaster for all parties.
Iago's manipulation of Othello destroys his relationship with Desdemona. Othello tells Iago,
"Damn her, lewd minx! O, damn her!/ Come, go with me apart; I will withdraw,/ To furnish me with some swift means of death/ For the fair devil. Now art thou my
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Iago tells Roderigo," I could never better stead thee than now. Put money in thy purse; follow thou the wars; defeat thy favor"(I.iii.341-342). Iago needs Roderigo's money, so he makes a false promise of Desdemona's love to motivated him. However , Desdemona is in love with Othello so it is not feasible that Roderigo could win her favor. Later on, Iago implores Roderigo,"Wear thy good rapier bare,/ and Put it home: Quick, quick; fear nothing;/ I’ll be at thy elbow"(V.i.2-4) Iago encourages Roderigo to assassinate Cassio, because he promised Othello that he would eliminate Cassio ,but Iago is not the type of character to get his hands dirty so he gets Roderigo to do the deep for him. Also Iago promises to be right Roderigo his side the whole way but after the fight he instead kills Roderigo to prevent him from leaking how Iago orchestrated the whole affair, which illustrates how despicable of a person Iago is. Iago's manipulation of Roderigo ultimately ends in disaster because Roderigo is dead ,and Iago has gained nothing while ruined everyone's
Iago uses Desdemona as a pawn to get revenge on Othello for not picking him as second in command. When Iago goes to tell Brabantio about Desdemona’s relationship
Iago saw himself as the best for the position just as a person would who wanted control. He never sees Cassio as the superior Lieutenant, but as a man who was no better than him. Iago wanted for himself what he couldn’t have, so he did what he knew best, took
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
Iago tells Roderigo to pack up all his things and go to Cyprus because Desdemona will son lose feelings for Othello and she will go to Roderigo, he says “i could never better stead thee than now. Put money in thy purse. Follow thou the wars, defeat thy favor with an usurped beard. I say, put money in thy purse.
As it has been presented throughout the whole play, the hatred Iago has towards Othello has always been to get rid of him due to him being awarded Lieutenant. However, it seems that once Iago got promoted to Lieutenant shortly after Othello’s death, he stills seems to feel hatred. It maybe because Iago does not like himself and always was jealous of Cassio and Othello’s actions and how they were. Therefore, telling lies and creating schemes to make himself believable which he successfully does with Othello. They have known each other for a long time and the reason he trusts Iago because he is noble, smart with his words to allow others to have trust in
In our world, manipulation takes place in everyday life as a natural impulse for both men and women. In Macbeth, manipulation is centralized around the mask of ambition displaying dominance over humanity. Certainly the witch’s, Lady Macbeth, and our fallen hero Macbeth become puppets of Manipulation it self. Consequently the witch’s power to influence decision-making causes the initial deterioration of Macbeth, along with Lady Macbeth’s influential desire for the throne, and thus Macbeth use of manipulation to create a new embodiment of a mask suffused in ambition for his own cruel deeds.
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
Manipulation is used in both Macbeth and La Belle Dame Sans Merci. Lady Macbeth wants Macbeth to become king and for Macbeth to kill King Duncan. She manipulates Macbeth by telling Macbeth he is not a man, if he does not kill Duncan. Macbeth kills Duncan to prove he is a man and because he wants to be king (ShakeMac 1.7.35-44). In La Belle Dame Sans Merci, the witch manipulates the knight into thinking she is a beautiful girl, who is also a good girl.
Psychopaths have attributes of detachment, insincere speech, selfishness, and violence. In the tragedy, Othello, the playwright William Shakespeare constructs an antagonist with such traits. This evil character, Iago, is known for being one of the most sinister villains Shakespeare has even written. Through Iago’s psychopathic manipulations and detached persona, Shakespeare shows that psychopaths are not redeemable in the play.
In the play Othello, by William Shakespeare we are introduced to Othello who is the protagonist and faces a lot of obstacles, one of them being betrayal. Throughout the whole play we witness betrayal from many of the characters through their irrational behavior and actions. However the biggest betrayal we see is from Iago, who is the antagonist, in other words, the villain of the play. Iago plans on having his revenge and betraying Othello, Desdemona, Cassio, Rodrigo and even his wife, Emilia. Betrayal is wrong and something that can’t be forgiven, at the end betrayal breaks friendships as well as lives and trust which never works out well in the end.
In the first act of the play, after Roderigo finds out that Othello married Desdemona, he carries out a dialogue with Iago about Iago’s discontentment with Othello, Roderigo comments, “What a full fortune does the thick-lips owe,/ If he can carry it thus!” With this, Roderigo shows his feelings of jealousy for Othello, basically stating that luck was on Othello’s side in getting Desdemona, but it will probably not last very long. In addition to this, Roderigo gives Brabantio large sums of money to Iago in order to try to get Desdemona from Othello. In addition to Roderigo’s jealousy, Iago’s jealousy of Cassio cascades to the point where he begins to manipulate Othello to want to kill Cassio, which ends up leading to the death of Desdemona. In the beginning, Iago details how he was passed up for a promotion by Othello.
Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
He is jealous of Othello, show in, “I confess it is my shame to be so fond/but it is not in my virtue to amend it” (1.3:316-317). Roderigo is desperate for Desdemona and Iago takes advantage of this and makes him do thing such as kill Cassio. Roderigo does all of Iago’s dirty work and makes his plan successful. Also, Roderigo is unintelligent and realizes too late that his “money is almost spent” (2.3:364-368). Iago makes several false promises to Roderigo and he does not expose Iago because he is desperate for love.
Shakespeare’s ability to illustrate the battle between good and evil is arguably one of his best skills as a writer. Incorporating the art of the morality play, he shows the battle of these two forces for a man’s soul. But the beauty of his writing comes to light in how he shows this process. In both Macbeth and Othello, Shakespeare portrays evil as corrupting, while the source of evil differs.