However what Nea does not understand in all her youth and idealism , is that sourdi does not want to be saved: She willfully accepts her fate and her marriage to Mr.Chhay because she finds financial stability and a secure future. Since the beginning of the story Nea believes that she is saving or protecting Sourdi from the expectations of her mother and Mr. Chhay. The mother and the uncle have fix a marriage with an older man named Mr.Chhay. Sourdi is a young girl that has a boyfriend name Duke, But her mom really dosen’t cares what Sourdi thinks or wants. So Sourdi meets Mr.chhay and she feels uncomfortable in the
The poem expresses a life of a naïve woman, who is bound to marriage by God, and she cannot break the nuptial contract. She must fear her husband and listen to his every command. “Wife and servant are the same/ But only differ in the name” (1-2). She exhibits affinity between a wife and a servant by using a metaphor. The title of being a wife is the only thing that makes them different.
Janie’s grandmother, Nanny, forces Janie to marry a man she is not in love with out of convenience. Nanny does not want Janie to suffer the necessities of life, but Janie cares little about materials and seeks love. Nanny’s ideology haunts Janie for much of her life, influencing decisions she takes later in marriage. Huston says, “The memory of Nanny was still powerful and strong,” which shows how Janie conforms to the ideology her grandmother instilled in her. And although Janie conforms, she continues to question inwardly about love.
Another thing to point out is that Mary doesn’t seem remorseful at the end. “And in the other room, Mary Maloney began to giggle.” She does not feel heartbroken for the fate of her husband. All in all, Mrs. Maloney in “Lamb to the Slaughter” changes characters after Patrick reveals the truth to her. The author conveys this change with specific language and dialogue use. Before, she is the “wanna-be perfect wife”, and after, she has no care for her husband
The time and setting of the stories along with gender roles plays a large role in the plots of the story. Both stories take place before the late 20th century, when women’s rights became a huge topic amongst people around the world. When looking at Georgianna in “The Birthmark”, she clearly is submissive to her husband Aylmer. She allowed Aylmer to put her life at risk even though Georgianna didn’t have any problem with the birthmark on her cheek. When dissecting the narrator in “The Yellow Wallpaper”, she admits that her husband is controlling and clearly states her dislike of his actions, but doesn’t do anything about it.
She even committed suicide due to the fact of how badly she needed to free herself from the Creole lifestyle. Edna, a remarkable lady in a sense, rebelled against the norms of society to openly be herself. People like Edna, or people brave enough to take a chance to change societal norms, come rare to find, especially during the late 1800’s. Edna never agreed to anything she did not want, after the marriage to Leonce, and was quite straight-forward with her desires. Edna, ideally, is a great role model to look up to in today’s world for filling that brave, young woman role to not let society shape her, despite the few occurrences she had intimate moments with multiple men or her carelessness towards her children.
She was blinded by power for she wants her daughter’s future to be secured and she was longing for a man in her life when she said that she was alone for too long. Carmen represents women who are disempowered and weak. Second, we have Ofelia. Ofelia is a
Put me down easy, Janie, Ah’m a cracked plate” (Hurston 20). Nanny is successfully able to convince her granddaughter through her own traumatic experiences and make her feel “sympathy” as she tells Janie she doesn’t want her life to be spoiled like her own life was. At first, Janie refuses to marry Logan Killicks. Nanny being the older one, defends herself by saying “put me down easy” since she can no longer care for Janie and only her wish is for Janie to get married and be protected from the dangers she and her own daughter faced. By calling herself a “cracked plate” Nanny further elucidates that she went through many hardships in her own life and wants to do the right thing for her granddaughter by
In the story Where are you going, where have you been Connie, her mother and sister all have competitive relationships. Her mother says “Stop gawking at yourself.Who are you? You think you are so pretty?” to Connie after seeing Connie look at her own face maybe because her mother 's “looks were gone and that was why she was after Connie”(Oates 1). Her mother is jealous of her daughter, and because of that their relationship is weak. This is shown by the author’s choice of tone and usage of rhetorical phrases emphasizing on the point that their relationship is not family like.
According to Patria one of the three sisters involved in the movement, states that she and her other sisters were not willing to offer their family for the revolution until Minerva did “But Minerva, your own child- I began and then I saw it did hurt her to make this sacrifice she was convinced she needed to make” (Alvarez, 155). Patria’s compelling words show the determination of Minerva to end the sadistic presidency. Minerva doesn’t not want to give up her child but she does so for what she believes in. Such determination leads to worthiness of the sister’s sacrifices. Dede, the only sister who survived insists that she would have joined her sisters but she couldn’t because of her husband “Even so that night, her ears still ringing from Jaimito’s shout, Dedé had been ready to risk her life.