A prolific, controversial and innovative writer, Margaret Atwood (born 1939) has emerged as one of the most eminent contemporary figures in Canadian literature. As a feminist, Atwood deals with portrayal of women, women’s perspectives and values, analysis, and myths and versions of what it means to be a woman. Atwood was born in Ottawa, Canada, the second of three children. She spent her early childhood in northern Quebec where her father was a forest entomologist. Her years in the wilderness influenced her writing which makes considerable metaphorical use of the place, its flora and its fauna. Later, Atwood’s childhood experiences of the bush provided material for her focus on rediscovering identity in the wild in Surfacing (1972). She has …show more content…
Canadian writers, who were not very much noticed beyond their borders, have tried to forge a national consciousness and a distinct identity for their country. As a woman, Atwood is concerned about her universally marginalized gender, reeling under the pressures of a patriarchal power structure. Being an emergent and immigrant literature, Canadian literature has shared the movements of British and American literary history over the past century and has been shaped to a great extent by those influences. In this context, the quest for identity is, of course, not a peculiar Canadian problem. Accordingly, it is a fate Canada shares with all postcolonial or new nations. However, what distinguishes the Canadian predicament from that of the other countries is the continuation of identity crisis over an inordinately long time span. The question of identity in modern English, Canadian fiction has broadly been approached at three levels involving the dimensions of national identity, regional identity and individual or personal identity. Quite often these dimensions convey different meanings to different people, for some it is simply a deep sense of loyalty to, or pride in, one's native land, whereas for other it takes the form of a well articulated political philosophy, encompassing the overriding goals of the policies of the nation state. It seems quite apparent that the regional and individual aspects of …show more content…
Despite her notable search for an understanding of Canada that is not first mediated by an English or American aesthetic. Atwood’s novels are examined in a cultural context in this study, which explores the victimization of women. Victimization includes anything that affects women’s survival, specifically, victimization through physical, psychological, and economic manipulation. Atwood’s novels show how society sustains victimization by holding power over women. The protagonists of Atwood’s novels are not satisfied with their lives, and as they explore the reasons for their discontent, come to realize that they are victims of social, economic, and political
They bring with them the English language and culture, one that expands and solidifies Canada’s predominantly bilingual and bi-national identity in the midst of the existing Quebecois culture. They establish English schools, newspapers and social organizations that reflect the British culture, and set up the Anglican Church in Canada, the first of many Protestant churches to come. They are successful in convincing the British government to divide Quebec into Upper and Lower Canada and to Upper Canada they bring their ideas about freehold land ownership, systematic planning of townships and representative government. United in their distrust of the Americans, they adopt the term ‘Canadian,’ a term once reserved for the francophone population but now one that marks the conversion of ‘British’ immigrants to ‘Canadians’, a term that is still used today. Their varied nationalities are also instrumental in creating the foundation for the pluralistic and multi-ethnic Canada that is foundational to its identity.
Guy Bedard, writes in the story “Québécitude: An Ambiguous Identity” that “all identities are a construction of mind.” (Karpinski, p.344). That means each person think differently about his/her identity and create their identities through their history and life experiences. According to Bedard, he figured it out how formations make changes in label of identities. Such as, “Canadian” to “French Canadian” and then “Quebecois”.
Women in Canada have struggled for many years to redefine the roles they play in society, demanding justice and equality. These efforts yet continue to occur through politics, economics, law, and literature, all to gain formal equality. Women eventually turned to feminist literature realizing that legal, political, and institutional modifications will not assist them entirely in the fight for egalitarianism (The Canadian Encyclopedia). The sciences continue to be more male dominated, expecting a fewer number of women to write traditional science fiction literature.
I would allow students to remap Canada related to identity. Student’s will be able to build on their own family background, ethnic groups, family experience, food etc. I would provide students with my example, but also encourage students imagine Canada how they see it. However, I would urge students to use primary and secondary sources to back up their argument. Bahbahani & Hyun (2008) argue “major step in embedding geographical thinking resides in making the curriculum problematic so that the study of geography is more a matter of challenges to thin through than it is information to be remembered” (p.3).
Perrault, a 17th century French author, wrote about women as damsels in distress in his fairy tales, while Atwood, a 20th and 21st century Canadian author, offers a more realistic and modern approach in her writing. Sharon Wilson, author of the essay “Margaret Atwood and the Fairy Tale: Postmodern Revisioning In Recent Texts”, calls Atwood’s use of fairy tales to talk about current issues in society as “meta-fairy tales”. Atwood’s “meta-fairy tales” offer insight on gender politics in a current patriarchal society. Instead of using generic conventions to tell her story, like Perrault does, Atwood uses them and then dismantles them in order to show the reader the problems within the genre like she does in her poem.
CANADIAN IDENTITY By Rebecca Grimwood Does Canada have a secure identity, or have we become an American wannabe? The two countries share the longest border in the world, and have a similar amount of land mass. Many wonder if Canada is simply a smaller version of America. Although Canada is aware of America’s entertainment industry, concept of multiculturalism, and history, there are fundamental differences that make Canada’s identity unique and secure.
Canadian individual identity is questioned often because it is so diverse and means something different to each person in Canada. Although there is not a set identity there are many values and beliefs that are owned by all Canadians. To find out what Canadians identity is, one has to take into account what has affected it. The United States is the biggest influence on Canadian identity. The U.S. culture is very similar to Canadians as we are exposed to it all the time in media sources.
This year is the 30th anniversary of the publication of Margaret Atwood 's dystopian classic, The Handmaid 's Tale. The novel is told from a first person account of a young woman, Offred. In an age of declining births, she is forced to become a Handmaid in the Republic of Gilead, the imagined future in the United States. The Handmaids are to provide children by the substitution of infertile women of a higher social status. Through the creation of different characteristics of female characters – ones who are submissive yet rebellious, and like to take advantage of their power - Margaret Atwood portray themes of love, theocracy, rebellion, and gender roles.
Margaret Atwood is a creative and revered Canadian writer who is know to be a social activist and an advocate of feminism. She is very broad in her work and has written poetry, novels, short stories, and books for children. Her poem “Helen of Troy Does Countertop Dancing" portrays how women are treated as things and not human beings in the eyes of men. Edgar Allen Poe’s poem “To Helen” however is a complete opposite to Atwood’s poem and shows the love and respect that a man can have for a woman.
In this written text, the emphasis will be on Margaret Atwood’s novel, The Handmaid’s Tale and as well as the way Atwood portrays women and how it can be argued to show the oppression of women. The main purpose is to analyze the way women are treated throughout this book and depict why they are represented this way in the society in Gilead. Then, comparatively, observe the men’s domination over women and how they govern this society. In The Handmaid’s Tale, women are stripped of their rights, suffer many inequalities and are objectified, controlled by men and only valued for their reproductive qualities. The Gilead society is divided in multiple social group.
Atwood’s dystopian novel is a warning about the consequences of misogynistic, authoritarian governments. Her message seems to be universal since the subjugation of women by religious extremists, remains a concern in the present
The purpose of my paper is to scrutinize closely the concept of social satire, revealing and thereby amending the society’s blight in relation to the novel, The Edible Woman by the Canadian author Margaret Atwood. The novel is unambiguously interested in the complex body truths in the Consumerist Society. In The Edible Woman, Atwood furnish a critique of North American consumer society in the 1960s from a feminist point of view. As a feminist social satire, it takes specific bend at the way society has customised the methods of marginalizing and preventing women from having power, authority and influence.
From the outset, literature and all forms of art have been used to express their author’s feelings, opinions, ideas, and believes. Accordingly, many authors have resorted to their writing to express their feminist ideas, but first we must define what feminism is. According to the Cambridge Advanced Learner’s Dictionary, feminism is “the belief that women should be allowed the same rights, power, and opportunities as men and be treated in the same way, or the set of activities intended to achieve this state”. As early as the fifteenth century is possible to find feminist writings. Centuries later, and although she never referred to herself as one, the famous English writer Virginia Woolf became one of the greatest feminist writers of the twentieth
Margaret Atwood’s novel, The Handmaid’s Tale, argues that women are instruments of the patriarchy, that women know this, and that women allow the system of oppression to live on. Her fictions ask, “What stories do women tell about themselves? What happens when their stories run counter to literary conventions or society’s expectations?” (Lecker 1). The Handmaid’s Tale is told through the protagonist, Offred, and allows readers to follow through her life as a handmaid while looking back on how life used to be prior to the societal changes.
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a