Chica Da Silva Chica da Silva was a freed slave living in Brazil during the eighteen century. While there are many false myths and stereotypes connected to Chica, Furtado’s biography’s goal was to find out the truth. To not only discover what Chica Da Silva was really like, but to also defend her people from the stereotypes that have followed them for many years. Furtado took a different approach to researching the famous freed slave. Instead of using popular beliefs and myths to make assumptions on what Chica must have been like based on her race and family background.
1. “What attracted me to Garciaparra was, is that he wasn’t the typical, prototypical Boston athlete” 8:23 In this quote, Julio Ricardo Virella, the digital director of the website Latino USA speaks about Mexican-American baseball player Nomar Garciaparra. This part is important since it shows how the baseball that Virella watched began to integrate more Latino players, thus changing how the typical Boston athlete appeared. The usual baseball players that were being idolized were just an assortment of white men, but this began to change as Latino players gained popularity.
The corrido is a song in a narrative form, or a ballad. The songs were brought around by Mexican-Americans of the southwest. As Spaniards travelled, they carried these musical traditions with them to help make the transition easier. Many of the Mexican corridos became a musical tradition. These ballads became tradition especially around the Río Grande del Norte.
In the seventeenth century, a mixture of sophisticated verse drama, allegorical opera, popular song, and dance, became the fashion of the Spanish court for over the next hundreds of years. This new lyric-dramatic genre of music was created in Spain by playwright/writer/poet Calderon De La Barca during Spanish Golden Age in 1657. Zarzuela, the new music theatrical genre, was capable of alternating spoken and sung scenes. People in Spain living in that era could finally enjoy a local dramatic representation of music in their own native language. Mary Quinn presented a lecturer to familiarize those in the twenty-first century with the new genre Zarzuela, she went into details of the work El Laurel de Apolo.
In Mexico, the main artist is Lila Damos. She is an indigenous woman that sings more for the rights of woman, but any human being. Her songs are accompanied by various instruments depending on the song. Some of them included a harp, electric piano, drum, guitar and flute. The pitch she sang in was usually higher than the other artist.
Patrick Martin Music 3585 Latin American Research Paper The Life of Carlos Chavez Although there is a plethora of interesting Latin American composers and classical musicians, Carlos Chavez seems to stand out the most. Chavez was a revered influence in the world of music and dabbled in many different aspects of the culture. Besides his uncanny musical ability, Carlos is an overall interesting person because he was a master of so many trades. He was a notorious composer, conductor, journalist, educator and even founded the Mexican Symphonic Orchestra in 1928. He was heavily influenced by the native sounds and indigenous music of Mexico, composed seven symphonies, and has created a lasting impression on the cultural face of Latin American music.
Sinaloa mazatlán méxico is one of my favorite because it is a place to take your family. This place is a relaxing place they have many beaches where you can play with your family and do many things and not worry about something happening. The food they sell is mostly sea food they are popular because of the seafood they seal. Seafood is one of the things they sell comes from a nearby ocean and every day they take them out. They have the best Spanish music when people go they hear lots of bands.
Geographic Location Colombia is a transcontinental nation located in the north and western part of South America. The country has several territories in Central and North America under its sovereignty. To the Northwest, the country borders Panama. It borders Brazil and Venezuela to the east. It borders Peru and Ecuador to the south (Cancillería, 2016).
Chicano art possesses a true aesthetic, mirroring a diverse and ever-changing Chicago reality. Today's Chicano art is multipurpose and multifaceted, social and psychological, American in character and universal in spirit. Chicago is considered as people's art movement, outside of museums and hierarchy, so it continues to establish radical or protest art. Since most Chicano artist continue to be rejected for the creative works due to cultural bias therefore, Chicano art does not appear in museums, alternatively motivating the tension between artists and art authority. Chicano art can be expressed as the experiences Chicanos went through by deciphering codes in images, signs, and symbols.
In Garcia’s text, Latino Politics in America, discuss the concept of pan-ethnicity as it relates to Latinos as well as the consequences of this term for political action. To start off pan-ethnicity “refers to a sense of group affinity and identification that transcends one’s own national-origin group,” stated by Garcia. Garcia continues by stating that pan-ethnicity identity does not necessarily replace national-origin affinity, but it also includes a broader configuration in defining the group. An example is, the label “Hispanic” and “Latino” as they been serving as an identification in the formation of a Latino community; however, these terms are the meaning beyond the use of the labels that establishes the sense of working community and
Introduction Chicana or Chicano refers to an identity used by a certain community of Mexican-Americans who live in the United States. Most of the Americans born Mexicans do not like to be called Chicanos or Chicanas as they have a negative personality towards it. They take it as a refusal of identity since it is difficult to identify whether they are Americans or Mexicans. To them, it is a sign of discrimination as they are at times called ‘country less people’ (Doubleday, 1970).