March 15, 1955
This is a story that has been disregarded. It’s the story of an impeccable solution to a paradoxical situation. It’s a story about an unusual woman who was a little ahead of her times. It’s a story about how the life of the most popular female jazz singer had changed direction, on account of a single phone call. Let’s make a start at Mocambo, a nightclub in West Hollywood, California, at 8588 Sunset Boulevard on the Sunset Strip in 1955. 1955; The year where American saw extreme segregation, and black musicians often faced with the brunt of it.
With this particular story, it revolves around 2 iconic stars, one counteracted from her success and one who conjures unconventional images for different people, known mostly for the wrong reasons. Marilyn Monroe and Ella Fitzgerald.
Ella Fitzgerald, the acclaimed jazz singer, who had had her fair share of struggles to overcome. While she was venerated by her community, (and still is widely regarded as one of the adept singers to this day), the fact that she was African American secured a numerous amount of doors to her professionally. Upsetting many knowing that people’s prejudice got in the way of her authentic talent.
Marilyn Monroe had to get
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“I’d been thinking for years about taking over Ella’s personal management. … Ella was afraid. She thought I was too much of a blow-top,” Granz had said before Ella had accepted. “So I told her it was a matter of pride with me, that she still hadn’t been recognized—economically, at least—as the greatest singer of our time…. We had no contract. Mutual love and respect was all the contract we needed.” Little did they know, the collaboration of Franz 's shrewdness from years of experience and Fitzgerald’s immense talent upraised her social standing from one of jazz’s most cherished singers to the International First Lady of
-Lena Horne” (A Star Who Broke Barriers, 2010). Traveling and her improving status had taken her away from the south, and Horne had forgotten the mistreat of African Americans. She knew she had to do more than just refuse demeaning roles. She began performing at rallies around the country on behalf of the NAACP and the Nation Council for Negro Women. She protested racial separation at the hotels where she performed.
The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of her era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage
So Brian Gibson's made-for-cable biography of the famed singer Josephine Baker stars Lynn Whitfield as the black American who found stardom and scandal as the toast of the Paris night-life during the 1920s and '30s.today i will be telling you about all of her accomplishments and the journey of her life. As an adolescent she became a dancer at the age of 16 she started touring with a dance troupe from philadelphia. Also in 1925 josephine attended the the Theatre des champs-Elysées in los
While Irvin recognizes Ma Rainey’s success, Sturdyvant devalues her and her accomplishments. Specifically, he refuses to respect her title, attempts to alter the type of music she produces, and denies her artists’ fair pay. Although August Wilson emphasizes the triumphs of Ma Rainey’s career, Sturdyvant serves as a foil to illustrate the mistreatment and exploitation Black artists faced within their own industry. Sturdyvant’s and Irvin’s discussion prior to Ma Rainey’s arrival reflects the lack of respect that Blues artist had from their white managers and producers during the 1920s.
She gave people like her a voice because she sang for her rights and the rights for other people around
It was around this time that Josephine first took up dancing, honing her skills, both in clubs and in street performances, by 1919 she was touring the United States with the Jones Family Band and the Dixie Steppers performing comedic skits. By 1921 she married her second husband, Willie Baker whose name she obtained even after they divorced years later. In 1925, France’s had an obsession with American jazz and all things
R-E-S-P-E-C-T, the song that put on her on the charts, Aretha Franklin, one of the most influential female artists of all time is the artist that interest me the most. With her vocals a mixture of jazz and rhythm & blues, Aretha gained fame. Her vocals were so good, that it made her to have hit records over five years, which later on in her career, cause her to be inducted into the rock and roll hall of fame. Also giving her the title “The Queen of Soul”. Like most artists today, Franklin got her career started by singing gospel, and from gospel to pop and R&B.
In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.
The genre of blues exploded into the blues craze during the 1920’s. During this time, white record producers saw the untapped goldmine that was blues music performed by people of color. Ma Rainey was one of them, and to some, one of the first, giving her the title, ‘The Mother of Blues’. The 1920’s was not only an era of continuing homophobia from the past (although that would change, briefly, into a mild form of acceptance until the more conservative 1930’s), but also of harsh racism. And yet, one singer, Ma Rainey’s, broke these restrictions.
Because of this, and despite her “gawky and unkempt” appearance, he gave her the opportunity to sing with his band at a dance at Yale University as a test run. Webb was quoted for saying that “if the kids like her, she stays”. She was a raging success and true to his promise, Chick hired Ella to travel with the band. She recorded “Love and Kisses” with the band in 1935 and was soon a regular artist at the Savoy, one of Harlem’s hottest nightclubs. It didn’t take too long for Ella to emerge from the shadows and become a star attraction coming out with major hits such as her first number one single, “A-tisket, A-tasket”.
Her song, “Mississippi Goddam,” (written about the assassination of civil rights leader, Medgar Evers) was her first protest song, soon following with “Four Women,” and “Young, Gifted and Black.” However, she was reluctant to write protest songs at first, as shown in her autobiography, ‘I Put A Spell On You.’ She wrote, “How can you take the memory of a man like Medgar Evers and reduce all that he was to three and a half minutes and a simple tune? That was the musical side of it I shied away from; I didn’t like ‘protest music’ because a lot of it was so simple and unimaginative it stripped the dignity away from the people it was trying to celebrate. But the Alabama church bombing and the murder of Medgar Evers stopped that argument and with ‘Mississippi Goddam,’ I realized there was no turning back.”
Billie Holiday was one of many influential jazz singers during the period known as the Harlem Renaissance. Billie Holiday was born on April 7, 1915 as Eleanora Fagan and began singing in local clubs and renamed herself “Billie” after the film star Billie Dove (“Billie Holiday Biography”). At age 18, Holiday was discovered by producer John Hammond who was impressed by Holiday’s performance at a jazz club in Harlem (Charles). Billie had a thriving career as a jazz singer until she died at age 44 due to heart and liver complications. Although she lost her battle of addiction that led to her death, Billie Holiday is not remembered as a tragic figure of the Harlem Renaissance, but she is remembered as one of the best jazz singers that ever lived.
She sang as if withholding a secret, drawing in each and every listener to catch a glimpse of her tragic life with her quiet and intense tone. However, she didn’t reveal too much and kept her audience wanting more. This invoked complex emotions in the audience, for they admired her natural talent as well as pitied the toll of drug use on her vocal chords. Her minimalist style of conveying the message of a piece without emphasizing her individual talent inspired future musicians. The influence of Holiday’s music was far reaching, including Diana Ross, who played Billie Holiday in the film “Lady Sings the Blues” (Morgenstern 258).
Billie Holiday’s biggest influences in music were Bessie Smith and Louis “Pops” Armstrong; she admired the power that Smith had to interpret a song, and Armstrong’s music style. “Lady Day” became famous in 1939 when she recorded “Strange Fruit”, which is song that protests against the lynching of African Americans in the United States (The Biography.com website). A year later, in 1940 she recorded a new version of “All of Me”. This song which was written in 1931 by Seymour Simons and Gerald Marks, is one of the most popular songs from the 1930s.
Music is not only used to capture peoples hearing but it is used to power peoples minds through the power of an individuals voice. Music served a critical role in the African American’s lives, as it was used to uplift their spirits as well as providing them with hope and strength to fight for civil rights and overcome segregation between white superiority and the unfair treatment of the inferior black. Music was defined as the voice of the people that lived through the oppression of the civil rights movement. During the civil rights movement, there were many different types of music genres sung, dependent on the culture, this included spiritual music; gospel and even folk music, which was performed by musicians, singers and even people of any musical talents. Through this, it brought about the uniting of people to join together and sing songs that helped them go through the oppression of the civil rights movement.