Many high school students are required to read a book for class. Most students do not enjoy these books, but they are forced to read them. Students are forced to read these books over their academic career because the books teach students the lessons they need to learn in that time period. In the book Persepolis it teaches students about religion, politics, and how Marji, the main character grows up in Iraq. Persepolis is a good reading experience for high schoolers because it is a graphic novel, has a sophisticated theme and it represents how characters can grow over the period of a book.
First off, in the book Persepolis by Marjane Satrapi, she wrote it in a memoir but also a graphic novel. Satrapi has chosen this format to tell a story because the picture could give more detail than the text could. On page 32 Marji's parents started laughing and when Marji started laughing they got angry, it did not say that in the text but they had a mad expression on their face. It shows more detail in
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Marji acted like a very religious kid even though her parents did not act religious. The Islamic revolution began and compulsory enforced Marji to wear a veil, on page three last column it says “We didn't like to wear the veil, especially because we didn't know why”, but she did not have a choice because if she did not wear the veil she would be executed. This talks about the Islamic religion and how Marji did not like or comprehend it. Marji had an imaginary friend that she considered as God and on page 17 in the last column Marji lies down on her bed and she says “ God where are you?”. This shows that Marji does talk to this imaginary friend she calls God. In the book Persepolis it shows many places that display the theme which represents
People are like cameras and their personal experiences can be their lenses that change and modify the actual picture. This evident in Marjane Satrapi’s book Persepolis because the whole book is about a girl growing up, and forming her own opinions. Furthermore, Marjane has to mature in the turmoil of an Iranian-Iraqi war, she also has to survive the brutal Islamic regime governing her. This creates a very particular point of view considering that the parents raising Marjane are against the new form of government, and actively protest, risking their lives. As a result, this rubs off on her creating a very rebellious and dauntless little girl, who isn’t afraid of the new oppressors.
The imperialism that took place in Marjane’s country, the religion that Marjane strongly believed in, and Marjane’s loss of innocence while she was very young, all affected her perspective throughout the graphic novel, Persepolis. As a demonstration
Persepolis Argumentative Essay “If children feel safe, they can take risks, ask questions, make mistakes, learn to trust, share their feelings, and grow.” , (Alfie Kohn). In Persepolis, Mariji’s parents create a safe and free environment within their household to allow her to express herself freely. While she is growing up, she understands the meaning of the revolution through stories, books, and personal events because they provide her with knowledge and can affect her in the future.
Persepolis begins when the main character, Marji, is just six years old and both the Islamic Revolution and the cultural revolution are just beginning. During this period of radical change, Marji and her female schoolmates “found (themselves) being veiled and separated from (their) friends” when gender suddenly segregated their school (Satrapi 4). Throughout the novel, we see instances where Marji is trying to figure out her identity as an Iranian girl who has a passion for rebelling against a regime that is holding her back from becoming the individual she desires. For example, later in the revolution, Marji must illegally buy western music off the street which shows how little say and freedom they have when it comes to their culture (Satrapi). Because their new government opposed westernization, much of their material culture was taken away from them.
Throughout Persepolis, we constantly see use of shading. A
Coming of age can be a difficult part of the journey of one’s life, but it may prove to be essential to understanding the world in which one lives, even if it evokes a sense of loss of innocence. In Marjane Satrapi’s graphic memoir Persepolis: A Story of a Childhood, Satrapi describes the story of her childhood and the various events that contribute to her coming of age journey. The journey of the main character, Marji, reveals what it is like to grow up bombarded by war and the effects that this has on both her innocence and knowledge as a child. In the beginning of Persepolis: A Story of a Childhood, Satrapi conveys that Marji has a yearning for knowledge to better understand the world she lives.
Have your younger siblings ever had a completely different view on something such as where to go out for dinner or what show to watch on television? It is important to realize that the two of you are going to have different perspectives because you are at different ages and the two of you have different interests. As a matter of fact, Marjane Satrapi’s perspective as a child is different from when she gets older because of her loss of innocence, her political and social awareness, and her views on religion. At the beginning of Persepolis, Marjane is around the age of ten. By the end of the story, Marjane is around the age of fourteen.
Instead of a simple coming-of-age story, Satrapi outlines the social and economic conditions that shaped her childhood and adolescence. The simplicity of a child’s mind and her confusion at adult notions is a constant theme in the book. This is brought forth in Marji’s childlike understanding of the
Firstly, pages 70-71 demonstrate Marjane’s inner conflict with her emotions, beliefs, and mind after the loss of her uncle. In order to convey the grief, Marjane feels, Satrapi draws a frowning mouth, downturned eyebrows, and an emanate of tear drops on Marjane’s face. Additionally, in the 4th panel with god, speech bubbles have jagged edges, which symbolise the ferocity of Marjane’s voice and her extreme anger towards god. These outbursts of anger and sadness, signify her unstable emotions. Furthermore, Satrapi draws Marjane on her bed with arms open and looking up to express that Marjane is trying to find some kind of confirmation that “everything will be alright”.
Like many other bildungsroman novels, Persepolis, by Marjane Satrapi, features a young girl becoming more aware of her culture, beliefs, and society. Marji, the protagonist, was a girl born in Iran and grew up during the Islamic Revolution. Her story consist of how she copes with the many social and emotional struggles in her society. In the beginning of the novel, Marji is a naive 10 year old with little understanding of the society she lives in. However, as the novel progresses, she becomes more mature and aware of her surroundings.
The graphic novel Persepolis by Marjane Satrapi is an animated ‘identity crisis’ showing how she has trouble reconciling the Eastern and Western values that she has been influenced by. By ‘identity crisis’ I mean Marjane is uncertain about who she is and where she belongs to. The Eastern values would include hierarchy, restraint, collectivism and deference, whereas the Western values would include equality, freedom of expression, individualism and self-assertion. A graphic novel can be defined as a book containing a long story told mostly in pictures but with some writing. I intend to investigate why Satrapi has chosen to use the graphic novel instead of using other styles to present Marjane attempts to reconcile the different values and find
Effects on the Memoir Persepolis Marjane Satrapi’s novel Persepolis describes experiences during the Islamic Regime that leave people suffering, dying, and fighting for a better government. Marjane Satrapi uses a comic layout to illustrate what is difficult to say in words. Her panel design depicts images of her, her family, and friends as well as how people in the community are reacting to the different events of the revolution. The use of panel design assists the memoir by making Satrapi’s purpose of portraying information more successful. Throughout the novel Persepolis, Marjane Satrapi uses panel design to advance the reader 's’ knowledge of the many situations occurring in Iran that cause distress to many individuals rebelling against the regime.
She knew that it wasn’t all perfect and good but she also knew that it was not a cesspool of despair and darkness that some people make it out to be. So, she wrote the novel in a very smart way, she uses literary devices to show and tell a fantastic story but at the same time uses it as a way to talk about the problems and good things about Iran in the 1970s. This allows Persepolis to live longer and be discussed much longer if she simply didn’t use metaphors. It is also a way to show and teach people about a very heated subject and show them not everything is totally black and white in this world and that sometimes the monsters are actually men but at the very same time people can be great, people can work together to further a cause, people can care and at the end of the day people in Iran are exactly that, people and Marjane Satrapi simply wanted to show that in her novel and she succeeded
The categorization of Persepolis should be under autobiography. The book tells the story of the author growing up as a child during these historical events. The author informs the readers of what she grew up with and how her childish personality thought about during the time she dealt with. Persepolis tries to persuade the reader that Muslims aren’t that all bad. This book is a comic, yet it tells more of a story with its words rather than the pictures thus classifying it as autobiography.
Conforming to a rule is not a place Marji strived in, as it took away the identity she had to express herself. Marji is also taught to be religious, through her lessons at school and home, but she does not receive what she asks for in return for talking to God (8). By not receiving the religious return Marji struggles in identifying with God, as she feels no sense of warmth from her