Marjane Satrapi's Persepolis Literary Analysis

Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the biggest themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life, Alison Bechdel eventually comes to the realization that she is a lesbian. Interestingly, Alison Bechdel uses this novel to recount her experience of events that helped to shape her personal identity, which resulted in a transformation of the way she sees herself.

Through this social worker and client relationship exploration, Laura will discover how her current perceptions of her mother are connected to expectations from their relationship when she was a child, providing her the opportunity to view the current relationship differently. Also, I will assist Laura to understand her own internal working models that were established by past experiences and how they need to be changed in order to establish and positively operate within her current and future

The author expertly describes events Laila and Mariam encountered within their everyday lives that has either affected them or helped them progress and deal with the modern rules for women rooted within Afghanistan. The novel starts by introducing Mariam, in the beginning, she’s a self-conscious young lady with a mother who is despicable and suffers from depression.Her father has entirely different family and shuns her when she tries to be indulged in his life. Mariam is the banished child, due to Nana and Jalil having intercourse while unmarried, resulting in Mariam being illegitimate. At a young age, she was forced to marry a severely abusive man named

After that, Inem was forced to get married by her own mother at such a young age as her family lives in poverty, so, marrying the daughter can trim down the outlays of the family. When Gus Muk’s mother defies Inem’s mother’s plan in marrying Inem, her mother opposes by saying that all of her family members were married at a young age. This condition conveys that in Indonesia, child marriage is permissible and widely practiced; overlooking the repercussions that it may bring to the child. During

As she begins to mature she learns a valuable lesson on how cruel society can be and just how hard it can be to be a girl who is growing up. In the short story The House On Mango Street, the author Sandra Cisneros uses Esperanza’s struggles and moments of growth as a girl

The word identity is the fact of being who or what a person or thing is. Your identity is what you are recognized as by your friends and yourself. The actions that people take throughout their childhood and into their adulthood shape their identity and help develop the person you are. This concept of identity is evident in the novel Cat’s Eye by Margaret Atwood. The character Elaine Risley tells the stories of her growing up as a child and how it influenced her life as an adult.

She says that “Here also I began to wake in earnest, and shed superstition, and plan my days” (66). Throughout An American Childhood Dillard often places books with the metaphor of either waking up or time. Here Dillard discusses that after she read her books, she was awakened and started to once again become more realistic and logical about what the world is really like and what it realistically has to offer veresus her old romantic childhood ways of thinking. Annie’s brain had been awakened by books, and that changed her childhood and life forever. Dillard connects time and waking up in the quote that reads “Who turned on the lights?

In the book, Lindo Jong was forced to marry the boy chosen for her by the matchmaker. This meant she had to give up her happiness to fulfill the promise she made to her mother that she wouldn’t shame the family and she did everything in her power to keep that promise. Her daughter, Waverly Jong, did not have the same devotion to the meaning of the word “promise”. Amy Tan wrote, “A daughter can promise to come to dinner, but if she has a headache, if she has a traffic jam, if she wants to watch her favorite movie on TV, she no longer has a promise (Tan 42).” The younger generation does not apply as much devotion to the smaller things in life as their moms did because they did not grow up in the culture that the older

But Nancy made a decision to leave the relationship despite her parent’s pressure. Everyone from her parents to her siblings to her uncles and aunty, felt she made the wrong decision. But she never cared about they opinion. Nancy made her decision based on her happiness and been tired of her parents controlling her. Just has the song says “Don't let them control your life, that's just how I feel” (nico and vinz, paragraph 3).

Persepolis is a graphic bildungsroman by Marjane Satrapi which is based on Satrapi’s childhood memories and her coming of age throughout the novel. At the start of the book, Marji is 10 years old, living in Iran, when she starts talking about her childhood and she ends the book by going to France at the age of 24. She is also interested in knowing about war and politics. Surroundings that people grow in can affect and influence them in many ways. Marji talks about the laws and problems that she and her family face.