Character Analysis: Marlon Brando
Marlon Brando
“For my generation and generations to come, Marlon Brando represents truth and frankness as a public figure. Everything we know about the screenplay revolution is thanks to him: when you compare his work from the Quay to The Last Tango in Paris, you see the lightest possible, and full of sensations. "- (Martin Scorsese)
Despite his German-British origins, Marlon Brando was the most influential actor in the history of the American cinema and even the most "disturbing" critic. Roger Ebert, said, "There is no one before or ever since that has been like Marlon Brando.” Jack Nicholson also said “He was so ingenious that it was the beginning of a revolution, and at the end of it was the end of a special revolution in the world of acting.
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His first Broadway show was in the romantic play "Remember Mama" in 1944. He was chosen by theater critics in New York City as the most promising actor of his role in Truckline Café in 1946.
The Godfather
Don. Vito Corleone
Producers didn’t want to choose Marlon Brando to play Don. Vito Corleone, the eldest Corleone family in The Godfather, because of his failed experiments in recent years. They chose Lawrence Olivier and Edward Robinson for the role, but director Francis Ford Coppola insisted on playing one of the most important roles in the American cinema.
Brando insisted on not keeping the role in the Godfather film, and followed another technique that made his performance more spontaneous. He wrote the scene dialogue on a piece of paper and placed it next to the camera to read it while filming, in a way closer to the method used on television. That method makes the viewer feel that the actor does not repeat the words that he/she memorized.
While training to play a role without Vito Corleone, Brando put cotton in his mouth to allow him to speak in the film. While he was acting in the filming, he asked a dentist to install an artificial jaw, allowing him to perform the role with a hoarse voice as he thought it should
What Did Al Capone Do During Prohibition
682 Words | 3 PagesHe became part of the Five Points gang in Manhattan and worked in gangster Frankie Yale's Brooklyn dive, as a bouncer and bartender. While working there, Capone received his infamous facial scars and the resulting nickname "Scarface" when he insulted a patron and was attacked
How Did Al Capone Contribute To The Rise Of Prohibition
1314 Words | 6 Pages(“Johnny”). Under his massive influence he took the infamous Al Capone under his wing. Alphonse who was one of the nine Capone children, decided that he had to take care of his family who had just migrated to U.S (“Al”). So in sixth grade he quit school and he joined the James Street Boys gang. Torrio was mentoring Capone to take over his supporters.
Al Capone During The 1920's Crime
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How Did Al Capone Influence Crime
1200 Words | 5 PagesTorrio was running a gambling operation near Capone’s home when Capone began running small errands for him. Torrio viewed Capone as a valuable asset as he was skilled with numbers and his bookkeeping helped Torrio run his operations smoothly. He immediately recruited Capone into his notorious gang “The James Street Boys”. Although Torrio left Brooklyn
Al Capone Research Papers
1344 Words | 6 PagesOnce Al Capone joined gangs he started getting recognized in other gangs. Torrio had recognized that Al Capone had the potentials to join Torrio's gang. " About 1920, at Torrio’s invitation, Capone joined Torrio in Chicago where he had become an influential lieutenant in the Colosimo mob.” (FBI) This means that Al Capone turn into a lieutenant and Torrio watched him.
Al Capone's Accomplishments
1365 Words | 6 PagesAlfonso Capone was the symbol of the prohibition era lawlessness. Born to an immigrant family, Capone had a rough start. He started his career in a gang and it ended in Alcatraz off the coast of California. Throughout his life he committed murder, helped in a massacre, and went to jail a number of times.
Al Capone: Who Was Al Capone?
1129 Words | 5 PagesWho was Al Capone? Who was Al Capone? Alphonse Capone, who became known as “Scarface” was born on January 17, 1899. His parents, along with two brothers immigrated from Italy in 1894.
What Were Al Capone's Accomplishments
1138 Words | 5 PagesAfter being kicked out he eventually found Johnny Torrio who would change Al Capone’s life forever. He helped Jonny run drugs to woman to anything illegal. During one of his escapades Capone met another gangster who was from the opposite side of town who cut Capone’s left cheek and left a long scar. Which eventually he got his name Scarface. Torrio Eventually moved to Chicago to run a whorehouse in 1909.
Al Capone's Accomplishments
1314 Words | 6 PagesThen Johnny introduced Capone to his friend and gangster Frankie Yale. Yale then decided to get Capone a job as a bartender at the Harvard Inn. This job is where he would receive his nickname scarface when he made an indecent comment to a lady and her brother cut him across the face leaving 3 scars. He then married Mae Coughlin at the age of 19 after having a child a few weeks
Sylvester Stallone Quotes From The Movie Rocky's Life
3236 Words | 13 PagesA lot of research went into this paper. The challenges Sylvester Stallone faced to produce Rocky presented every obstacle, had an all-star cast, and was the greatest underdog story ever told. Stallone was and actor and screen writer, who wrote the screen play for Rocky in three days. With the main role being himself. From the beginning he was supposed to play Rocky, but Hollywood wanted a name actor to play the part.
Analysis Of Look Who's Talking: The Auteur Theory
1703 Words | 7 PagesOne aspect of film theory, the auteur theory, has been debated and critiqued by many film theorists since it was first introduced. The auteur theory is the idea that the director is the main creative force behind a motion picture; that similarly to the author of a novel, a director constructs a film through camera movements (akin to an authors pen). In this theory, the fundamentals of the film, which include blocking, lighting, camera movement and placement, are more important than the plot itself. The director, in a sense, makes the film great because of his/hers creative control over every aspect of the filmmaking process. The theory, however, has raised many concerns; it puts ‘great directors’ into this group of ‘auteurs’ and once you make
Al Capone Research Paper
660 Words | 3 PagesHe wasn't himself there, and he was stabbed by a fellow inmate. His last year in prison was in the hospital. He was realised November 16 1939. Capone had many problems later in his life, such as a stroke.
Analysis Of Henry Hill In Goodfellas
1058 Words | 5 PagesWhat Scorsese did differently was that he made male protagonists vulnerable again, just like they were in the old mobster movie days, but in a bit more realistic way Scorsese produces movies in a way that, according to Kolker, he „Determines our point of view and our emotional and intellectual attachment to the film. We are therefore, scarcely allowed any separation from what the central character is seeing. “ (218). He even does this directly by breaking the fourth wall twice in Goodfellas, and therefore making us feel as though we are the acomplices in all the things that were happening in the film. And we all know that it is very hard to judge ourselves effectively.
Goodfellas Film Analysis
1008 Words | 5 PagesThe critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
The Adaptation Of Rum Punch By Jackie Brown
1403 Words | 6 PagesThe mannerisms a character portrays by the way they act, and speak, conveys a message to the audience that engages them with the film. Quentin Tarantino, director of Jackie Brown, has the resources to capture the story in Elmore Leonard’s novel into a film. The dynamic dialogue in Rum Punch is complimented with imagery by the actors, who enforce those words through body and facial expressions. In a film, acting is not just what is being seen on screen, but acting involves actors memorizing a script, knowing where to be at all times, and behaving certain ways, even when some facets are not
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