Over the past fifty years, young people have become increasingly accepting of individuals who break social standards. This acceptance can be attributed to the influence of Hollywood actors such as Marlon Brando. Firstly, Brando’s wardrobe stretched the boundaries of what was socially acceptable. Additionally, his bold political work had a measurable influence on the attitudes of people towards racial minorities. As well as this, his portrayals of rebellious characters lead the public to be more accepting of alternative lifestyles. Young people’s beliefs in the 1950’s were highly influenced by movie actors, who behaved in increasingly daring and unconventional ways compared to past actors. It is clear that Marlon Brando influenced an acceptance …show more content…
To begin with, Brando’s role in “The Wild One” helped to change young peoples’ views on motorcyclists. In the film, Brando plays Johnny Strabler, a member of a motorcycle gang. Prior to the film, motorcyclists were looked down upon by the public. Brando writes, “in this film we were accused of glamorizing motorcycle gangs, whose members were considered inherently evil with no redeeming qualities,” In the 1950’s motorcyclists were considered to be bad people because they did not live up to the conservative standards individuals held towards having a stable income and dressing appropriately. “The Wild One” portrayed motorcyclists in the movie in a more realistic light, which helped to change youths’ attitudes about motorcyclists. Moreover, in “On The Waterfront” Brando portrays a character (Terry Malloy) who fits the rebel stereotype, but also proves to be extremely likeable. Shulyer writes, “...we like Terry, but his reluctance to testify frustrates us; the wishy-washy demeanour of the washed-up boxer makes us root for him to recover his one-time toughness” Brando’s character fits the “tough guy” stereotype with his interest in boxing. The common belief in the 1950’s was that individuals who fit the “tough guy” stereotype were criminals and untrustworthy. Brando’s role helps to bring light to the fact that despite their bad reputations, many “tough guys” can also have redeeming qualities. All things considered, Brando’s rebellious roles help to present rebels in a more positive way, such as in his “On The Waterfront” and “The Wild One”
The general argument made by Peter Catapano in his work, “Performing Race on the Great Divide”, is that minstrelsy has been a significant topic that’s been examined upon by many intellectuals. More specifically, Catapano argues that minstrelsy has influenced the field of race and entertainment. He writes, “popular music, theater, and popular advertising images were particularly destructive to their notion of uplift and respectability of a race that was suffering under an assault of odious stereotypes.” In this passage, Catapano is suggesting that there were stereotypes about African-American culture in music and shows back in the older days. In conclusion, Catapano’s belief is that even though the great divide raised a challenge between the
To start the switch in styles of Rock and Roll, the Alabama White Citizens Council came out with a pamphlet titled A Manual for Southerners . This literature acknowledged that it is the music industry that has the biggest influence on how kids present themselves from the way they dress to their mannerisms. The white, southerners who wrote this pamphlet were afraid their children would start interacting in interracial manners and wanted to protest this vulgarism by boycotting “Negro records”. (Larson page 53) This did not help in the upcoming battle towards civil rights for African Americans.
He includes allusions to pop culture event that many people are familiar with. These allusions, such as Paris Hilton's arrest, famous quotes from movies, and a reference to Brad Pitt and Angelina Jolie's relationship, act as examples of the effect of pop culture on the American public as readers are more likely to recognize these references. (Suver, 2011) The readers familiarity with the allusions gives more to the main argument of Suver's essay. Suver also maintains an informative tone for readers who may not get many of the references or fully understand the point Suver is trying to make, such as the moment where he explains high and low culture.
Advertisement Men of color held in esteem by the media, while entirely worthy of praise, too often personify a circumscribed spectrum of human qualities. Prowess in sports, physical achievement in general and musicality are emphasized inordinately. Common role models depicted by the media such as rap or hip-hop stars and basketball players imply limited life choices. When is the last time you have seen a black college professor, doctor, lawyer or scientist selling a product? Many important dynamics that affect black lives, such as a history of economic disadvantage and a prevailing anti-black bias in society, don’t often make it to the presses or the screens.
Terry Melloy in the film On the Waterfront is a dynamic character that gradually develops throughout the film from a mindless child to a liberated adult. Being a part of the labor union, the dock
Ewen and Ewen show that US film culture went through a significant shift from the 1910s to the 1920s. In the 1910s, movies and movie houses offered spaces and stories that spoke directly to working-class immigrants, and particularly immigrant women. By the 1920s, movies began telling very different stories to immigrant women. According to Ewen and Ewen, in what ways did movies in the 1910s speak to working class immigrants, and in what ways did movies start to tell different stories in the 1920s? Explain how this shift in movie culture relates to the concept of antiseptic electrical space.
The film defines such archetypes as the Jock, the Brain, the Basket Case, the Princess, and the Criminal. Two of these roles that stand out the most, are the Brain and the Criminal. These characters are acted out through the persons of John Bender and Brian Johnson. The similarities and opposing traits of these two
The 1950s in the United States saw the end of World War 2, the rise of the civil rights movement, and the beginning of the soviet crisis. These events created a continually fluctuating environment in America. As a means of distraction from these events, American’s became a celebrity obsessed population. The increased access to televisions, movies, and current news “…fed a culture of celebrity-worship across the United States.” (MoMA: Museum of Modern Art)
He witnesses a murder and has to decide whether he should do the right thing and testify against his friends, or continue to live a life under the oppressive rule of his boss. On the Waterfront is one of the greatest American movies. Even today, many consider Marlon Brando’s performance to be not just the best of his impressive career, but of all time. The movie even went on the win eight Oscars at the Academy
The film is a myriad of deconstruction of the mafia stereotype; it does not gratify gang life of any form. In fact, it tries to subvert several of them. First is the inclusion of Michael, the oddest of the family, a college educated war veteran with a normal girlfriend. He is the anti-thesis to another anti-thesis, which is Vito Corleone. Vito, the father of the family, is not the typical ruthless crime lord; instead, he is the role model of the family, honorable, smart, sociable and very kind.
In Marlon Riggs’ 1992 documentary film titled Color Adjustment, Riggs, the Emmy winning producer of Ethnic Notions, continues his studies of prejudice in television. The documentary film looks at the years between 1948 and 1988 to analyze how over a 40 year period, race relations are viewed through the lens of prime time entertainment. The film examined many of television’s stereotypes and mythes and how they changed over the years. The one hour and twenty-two minute documentary is narrated by Ruby Dee, the American actress, poet, playwright, screenwriter, journalist, and civil rights activist.
Clint Eastwood’s films High Plains Drifter, The Outlaw Josie Wales, and Pale Rider all work together in order to create a stark portrayal and criticism of greed and its devastating consequences. Eastwood’s thoughtful and insightful commentary on greed can be tracked through each of these three films. Throughout the films, the concept of greed plays a recurring role, in which it is explored in a unique way. This is usually done from a fresh perspective that helps provide thoughtful insight into the impact that it has on the people who are consumed by it, as well as the individuals and society that it directly affects. Eastwood’s most striking commentary on greed can be found in High Plains Drifter, where he portrays the specter of the town’s former Marshall.
Ethnicity and Hollywood Racism is always issues which take a huge part of American history. Until the twenty-first century, although people tried to make the country becomes the freedom and equality nation, these issues are still happening everywhere. According to "In Living Color: Race and American Culture," Stuart Hall argues that racism is still widespread in the society and "it is widely invisible even to those who formulate the world in its terms" (qtd. in Omi 683). Indeed, situations about race quietly exist in the movie industry, which "has led to the perpetuation of racial caricatures" to the majority audiences and even minority audiences (Omi 629).
T being a sellout. Obviously, the 1980’s were a very different time, and the portrayal of African Americans in mainstream media has changed considerably since then for the better, with black people now having a much wider range of leading roles available as well as better representation at award shows. Since this poem was written in 2002, it is easy for the speaker to look back and label Mr. T as a negative role model due to his cooperation in demeaning roles; but I do not think that it is fair to look at Mr. T in this condescending way because the fact that he was able to win the uphill battle of achieving success in Hollywood during a time when it was much less considerate toward black people is impressive, even if the means by which Mr. T attained such success were controversial. All in all, Terrance Hayes’s “Mr. T-” may be harsh, but at least it advocates the pursuit of positive role models for the African American youth, which, fortunately, is what America now has a larger supply
The former played the character Gordon Gekko, who, according to the intended message of the movie, was supposed to be the villain, representing the greed in the financial sector. However, Gekko did not turn out to be the villain for everybody; he became a cult hero in the financial sector. The sector that bears great responsibility for the 2008 financial crisis in the United States, in which greed played a crucial role. By presenting greed in an appealing way, Wall Street increased the extent to which greed