Then, Gregor 's sister stated that they had to cut of Gregor. They all agreed with the father when he pathetically wailed “if he could just understand us”. This is a bit comedic since the father is the one who didn 't understand Gregor. Gregor understood them perfectly. Gregor felt his pain subsiding and breathed his last breath.
Her perspective towards Gregor’s existence changes once again when she begins work at a shop. She is often “exhausted… [she] had gotten fed up with taking care of Gregor” (42) and increasingly neglects Gregor’s humanity as he is no longer the only source that gives her merit to her family. She later proposes that the family “must try to get rid of it” (49) as Gregor has little pragmatic use to her, and his existence only threatens her
The narrator said, “During the first fortnight, Gregor’s parents could not bring themselves to enter his room…” He has been disconnected from his family to the point where they’re emotionally unstable and unable to treat him as he deserves with affection and comfort to help him cope with his metamorphosis. The narrator shows this disconnection before the mutation,”Gregor later earned so much money that he was in a position to cover the expenses for the entire family…” He later described the exchange not “particularly warm”. Gregor feels alienated by his parents because of the lack of affection for him providing for them. This change has long since happened but is in full affect more than ever since the transmutation. Overall Gregor has changed both physically and emotionally.
She continues this conversation and ends up crying, wanting to get rid of Gregor to end this suffering that they have been enduring for way too long. Her outburst shows that she has completely changed in the treatment towards Gregor, and this was the tipping point of Grete’s sympathy and caring of him. In the beginning, she treated him like her brother, but now she treats him like a bug that needs to be gotten rid of. When she finds out that Gregor has passed, it is apparent she is happy to move on with life. She throws out the boarders of the apartment and writes a letter to her employer for a day off.
This definition applies to the Metamorphosis, as Gregor is in an ”unfathomable universe“, and assumes ”ultimate responsibility for acts of free will“, as he believes he is responsible for forcing his family to provide for themselves. The father confirms the argument that he wants to alienate Gregor after Gregor’s death when he says, ”’Now then… let’s give thanks to God for that’“(Kafka, 27-8). This shows that even though his son has died, he still considers him as an ”it“, for he shows little sympathy for his death. Finally, now that Gregor is gone, the father is at peace with himself, and he takes his wife and daughter, and move out of their home. This shows how the father also believed that Gregor was holding them back, as they need to take care of him, and now that he cut him loose he can finally move
He eventually copes with his loneliness and finds hope beyond his despair, but the hunger is more problematic. His new form has him ravenous but he cannot tolerate the foods he once loved. He has no idea how to nourish his new body. Gregor’s physical nourishment once met by garbage and leftovers delivered from his sister now gives way to the spiritual and emotional hunger he feels. Kafka warns against the dangers of complacency and assimilation through the objectification of Gregor.
Metamorphosis Metamorphosis is among the most frequently analyzed pieces in the field of writing. It is an indefinable story that mostly archives the makeover of Samsa Gregor, who transformed to a gargantuan insect (Kafka et al. 3-7). Mainly, this work has been renowned for its ability to create inspiration to various, sometimes equally exclusive interpretations. As a result, the Metamorphosis has become one of the fundamental enigmas of the present day literary mind 's eye.
Vince Dinh Mr. Platt IB English SL 2 Mar 2018 The Representative Transformation of Gregor in The Metamorphosis Franz Kafka’s The Metamorphosis, known for defining a new grotesque, or kafkaesque, genre of literature, explores the life of a travelling salesman after his unfortunate transformation into a giant vermin. As the novella progresses, Gregor Samsa becomes anything but human after the titular metamorphosis occurs. During his human life, being a hardworking salesman for his family, Gregor Samsa exuded common traits of the typical middle-class worker during the time, such as that he worked tirelessly for his family. Thereby, his intentions are selfless in nature when he chooses to provide money for the family instead of affection. Yet,
Metamorphosis by Franz Kafka was written in 1915, it was based on a man named Gregor, a travelling salesman who wakes up to find himself transformed into an insect. Disgusted by his appearance he tries to deal with his new condition, but he is forced to endure the rejection of his family, which is what eventually drove him to his death. Despite having two different characters, one in real life and the other fictional, there is still a correlation between both; showing the author´s feelings, ideas and even problems, that are thrown into the story in a way to express his anguish. The clearest correlation between both is the idea of the transformation into an insect such as Gregor experienced, the novella starts, “…When Gregor Samsa awoke one
He retreats back into his room one last time without anyone following behind him. “…He barely noticed that not a single word, not an ejaculation from his family, interfered with his progress.” (Kafka 497). His family did not believe that Gregor was still present. At this point in the story they are giving up on Gregor, and they want to put an end to him. They locked the door behind him and from then on they went about their lives without him.