Introduction to Photography Investigative Workbook Session One Lara SmithProject summaryMary Ellen Mark Mary Ellen Mark was known for her skills as a Photojournalist/Documentary Photographer, portraitist photographer, and advertising photographer. She had 18 collections of her work published. She also had work exhibited at galleries and published in Vanity Fair, The New Yorker, Rolling Stone, New York Times and Life. Her accolades include three Robert F. Kennedy Journalism Awards, three fellowships from the National Endowments for the Arts, the Outstanding Contribution Photography Award from the World Photography Organisation and the 2014 Lifetime Achievement in Photography Award from the George Eastman House. Mary Ellen Mark was born …show more content…
This photograph has beautiful composition, exposure, and focus, but it 's story has a disappointing ending. It perfectly portrays the moment, permanently freezing it and making it last forever. Early Types of Photography What is a camera obscura? A darkened box or room with a convex aperture, hole or lens that projects the image of an external object onto a screen or wall inside. It was a major forerunner to the modern day camera. How does it work? The hole in the wall allows light through but flips it horizontally to be projected onto the wall or screen on the wall opposite. What is a daguerreotype? The daguerrotype was the first publicly announced process of photography. To make a daguerrotype, the daguerrotypist would have to polish a sheet of silver plated copper to a mirror finish and then treat it with fumes to make the surface light sensitive. To take a daguerrotype, the sheet would need to be exposed in a camera for as long as was guessed to be necessary (from just a few seconds to minutes depending on how well lit the subject was). For the sheet to be processed, it had to be treated with mercury vapour, then treat it with liquid chemical treatment to remove the light sensitivity, rinse, dry and seal the easily ruined result behind glass. What are the strengths of a …show more content…
How is a daguerrotype fixed? After being developed in a mercury fume box, sodium thiosulfate is used to remove the remaining unexposed silver compound. Then the plate is guided with gold chloride after being rinsed with distilled water. Who made the first image? The earliest known surviving photograph made with a camera was taken by Joseph Nicéphore Niépce in 1826/7. What is an albumen print? What is an ambrotype? An albumen print was the first commercially available method of producing a photographic print from a negative from a negative. An ambrotype was also known as a collodion positive in the UK, was a positive photograph on glass made by a form of the wet plate collodion process. What is a calotype? A calotype was William Fox Talbot 's second photographic process, made by using high quality writing paper iodised with silver nitrate and potassium iodide. How is a calotype made? The treated paper then formed the negative when exposed in a camera after a coat of a solution of gallo-nitrate of silver. The paper was the exposed through the camera for a time between ten seconds and tens of
1845: Elias Howe invented a new type of sewing machine. It stitched on both sides of the material. 1839: An Austrian tailor Josef Madersperger designed several machines during the early 1800’s including a machine to sew caps.
Throughout history, photographs have been known to depict and represent culture, character, information, and ideology. Through specific elements of form, and close scrutiny, photographs give a representation of the “bigger picture” by providing content and invaluable information that text, on its own, does not produce. Dr. Carol Payne, a professor of art history at Carleton University, wrote an essay in 2012 for the Oxford University Press. This essay focused on the relationships between photographic images, Canadian culture and identity, and indigenous people. Her thesis was to discuss how an image can present a sense of national identity (Carol Payne 310).
The article allows its readers to understand the importance and limitations of photography while showing the significance of new inventions during this era. The author makes two central claims throughout the article relating to the camera’s effect. Firstly, they say “His images
There a multiple angles and perspectives you can use to see images through a camera lens. Using a “camera” allows creativity that people will never be able to see using the cardboard paper
Subject: A series of black and white photographs, Cindy Sherman’s Untitled Film Stills look similar to snapshots from 1950 B-Grade Hollywood Films. Untitled Film Still #48 seems to have spurned from a film set in the country, as indicated by the plaid skirt Sherman is wearing. Standing beneath an overcast sky, her hands behind her back, she looks vulnerable and defenceless. The dark shapes of the trees and the shadows over the road and in the background stand erect, dominating her.
Abandoned by her father at a young age, four year old Vivian and her mother lived with the award winning French portrait time photographer, Jeanne J. Bertrand. It is presumed that Ms. Bertrand possibly had a big influence on Vivian at an early age. According to the Boston Globe dated Aug.23, 1902, “From Factory to High Place as Artist,” Jeanne J. Bertrand, had become one of the most distinguished photographers of Connecticut (Boston Globe, 1902). During her early twenties, Vivian Maier’s moved between the United States and France.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
Mary Fields, also known as Stagecoach Mary and Black Mary. In(1832–1914),she was the first African-American woman star route mail carrier in the United States. She was not an employee of the United States Post Office. The Post Office Department did not hire or employ mail carriers for star routes, it awarded star route contracts to persons who proposed the lowest qualified bids, and who in accordance with the Department’s application process posted bonds and sureties to substantiate their ability to finance the route. Once a contract was obtained, the contractor could then drive the route themselves, sublet the route, or hire an experienced driver.
Pennsylvania and Delaware The pennsylvania colony was one of the thirteen original colonies in America. The delaware colony was one of the thirteen colonies in America, which were divided into three regions including the New england colony , The Middle colonies , and the southern colonies. Pennsylvania was founded as a colony in 1681. Delaware was founded as a colony in 1638.
As many as 13 photographers were commissioned by the FSA and produced well over 270,000 images (prints and negatives) during this time span. Not only did the FSA provide visual proof of the social and economic problems facing America, these photos are significant for they exposed the disparities of living in America and helped shape policy and social reform after the First World War. They set a precedent for a new genre of storytelling that combined visuals with words, and collectively remembered for documentation of strife and discontent in America. The FSA photos and documentaries are part of history and continue to be included in numerous photo books, magazines, newspapers, news services, museums, and exhibits as one of the most convincing examples of documentary photography. In retrospect, this form of visual advocacy served a higher purpose that elevated art as a form of social awareness and brought legitimacy to social reform and to the masses.
A photograph is more than just a simple image; it tells a story. A story beyond a particular moment in time, it holds secrets and memories. The eagerness to comprise a moment in the perfect shot seems to become an obsession for many. In Kim Edwards ' novel The Memory Keeper 's Daughter, Edwards uses photography as a motif which coincides with the novel 's idea of secrets. David Henry, the antagonist of the novel, becomes fascinated with photography after choosing to give away his daughter and compresses his guilt with photography.
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
In her essay, Susan Sontag takes on her perception of debating on photography considering as an art or activity, examines the study of looking at photography, and how it is considered a creation of images. In this essay, she also discusses and argues on how there is such thing as “Photographic seeing”. She mentions that some people could see through the camera and they can change their ways of seeing as “in the process of becoming a habitual camera users”. As she stated, “The world becomes a series of events that you transforms into pictures and those events have reality, so far you have the pictures of them.” She discusses how people are affected by photographs, the effects that shock photography can have on society and the numbness this can
CHAPTER TWO LITERATURE REVIEW AND THEORETICAL FRAMEWORK 2.1 Introduction: This chapter would analysis photography under conceptual review as the main concept of this study, it would look at the history of photography, types of photography, and types of cameras available till date, followed by empirical review and lastly the theoretical framework would come at the end of this chapter. 2.2.1 History of photography The concept of photography was coined out of a Greek words “photo” meaning light and “graphy” meaning writing and when merged together the word means writing with light. Although different scholars proffered different definitions of photography, the concept, however still remains the same.
Photography, as suggested by Collier and Collier (1986) is a mechanistic record of culture, behaviour and interactions which extends our perceptions and representations of our surroundings and environment. Photographs and still images are able to encapsulate our senses to reveal a record of abstraction and vision to create a material representation of what the photographer recognises as meaningful (Collier & Collier 1986). However, according to Davies (1999), a camera which captures these images does not record what the ethnographer sees and hears, but only a mechanically limited selection of it. Additionally, Ruby (cited in Davies 1999, p.122) suggests, "the camera creates a photographic realism reflecting the culturally constructed reality