Mary Shelley's Eyes In Frankenstein

Grendel in the novel by John Gardner is very similar to “the monster” in Frankenstein by Mary Shelly because both Grendel and the monster feel like outsiders, they kill humans, and they both are able to learn new things.

In the novel, Frankenstein, the author, Mary Shelley, uses frame story to express different viewpoints of each character. These figures include Robert Walton, Victor Frankenstein, and the Creature. Within these traits, Mary Shelley explicitly uses the Creature as her primary focus. She uses the Creature because she wants readers to understand how humanity rejects people due to their appearances instead of their inner self. Due to the monster 's appearances, humanity rejects him. Within this rejection of humankind, the creature was made evil. Throughout the novel, Mary Shelley explicitly portrays that not only did humankind shun the creature but his creator, Victor Frankenstein, also rejected the creature, making the creature becoming

Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions. In chapter four, Frankenstein describes his toil in creating human life. “...the moon gazed on my

Though, the creature is often referred to as the monster, he cannot be viewed as one-dimensional. He is responsible for the murders of William, the younger brother, Henry Clerval, Victor’s friend, and Elizabeth Lavenza, as well as being responsible for the hanging of Justine, the maid of the Frankenstein’s. Although the creature took revenge because of his anger and bitterness, it can be said that he was not born with those character traits. He became such a being due to Victor’s rejection. He experiences hate from the very beginning as Victor is horrified by his creation.

An eye for an eye or the law of retaliation is the principle most people live their lives by. For the characters in Frankenstein, this concept is apparent as the main character, Victor, creates a monster and instantly abandons him which sets off the chain of events revolving around revenge. However, as Gandhi once stated, “an eye for an eye only ends up making the whole world blind” (Gandhi). Throughout the novel, the creature and Victor engage in a recurring cycle of vengeance, but these acts of revenge are bittersweet as in the end it destroys both of them. In the novel Frankenstein, Mary Shelley reveals how revenge consumes and destroys those who surrender to it.

In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen in the novel. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism.

Often in a novel, an author will make the relationship between a parental figure and a child be one of conflict to emphasize their relationship to each other. However, in the 1818 Gothic Romantic novel Frankenstein, author Mary Shelley uses the father and son relationship between scientist Victor Frankenstein and the creature as a tool to demonstrate that one must take responsibility for their actions and that monsters are not born monsters visualized through Victor’s abandonment of the creature, the monsters reaction to being shunned and Victor’s failure to comply with the creatures request to create a partner.

Sacrificing. Suffering. Despising. The novel Frankenstein by Marie Shelly tells the story of Victor Frankenstein, a young scientist who creates a grotesque creature in an experiment trying to invent life of his own. Victor regrets his action so turns the creature lose to the world and closes himself in his abysm of thoughts. The creature toughly discovers the world on his own and declares war on humanity. Frankenstein’s act as God conducts his life and his creation’s into a series of terrific events. As the novel progresses, Victor and his monster vie for the role or protagonist. At simple site, readers think the monster and Victor are two completely different people, but in fact they share the same desires. The creature ironically becomes Victor’s doppelganger by both wanting affection, their miseries and hate for each other.

In literary works, authors often use minor characters to accentuate certain characteristics of a main character, often traits that are going to be important down the road. Justine, the family servant, is accused of murdering Victor’s young brother, William. Even though she pleads guilty to this crime, her and Victor know she’s innocent. However, Victor knows that his creation is responsible for the murder but doesn’t say anything, letting Justine take the fall for it. When people only think of themselves, others often innocently suffer for those actions. In Mary Shelley’s Frankenstein, Justine is used as a foil for Victor to highlight his flaw of selfishness, and how their relationship foreshadows the devastating deaths of Victors loved ones

Throughout history, many pieces of literature have been composed that tell the tales of various heroes and villains. Oftentimes, it is quite clear which characters are heroes and which characters are classified as villains. However, there are also several texts that have characters that can be argued as appearing in either category of characters. Oftentimes, these borderline characters play minor roles in the story line. However, in Mary Shelley’s novel, Frankenstein, the main character, Victor Frankenstein, can appear to certain readers as both hero and villain. There are several scenarios throughout the novel that point to Victor Frankenstein as

In Mary Shelley’s Frankenstein, a conflict as old as life itself emerges as the story progresses; parent versus posterity in a struggle for reconciliation.Victor Frankenstein and his creation become tied up in a constant battle as the creation seeks his origins, finding a horrifying truth; the creator had abandoned the creation. This central conflict derives from the creation of the creature, inability of Frankenstein to appreciate his creation, and the creation’s need for a parental figure. The conflict addresses themes of the book such as human desires for prestige, acceptance, and the intimacy of a relationship with one’s creator. Not only does Shelley capture the resentful conflict between a father and his “son”, but she derives this conflict from her own rebellious battle against her father.

Mary Shelley, the author of Frankenstein wrote the novel as an attempt to be involved into a group ghost story writing competition what she did not know was the effects it would have on literature for the rest of time. The story Frankenstein is about a young man named Victor Frankenstein who is obsessed with discovering something that has never been seen or done. In seeing a tree being stricken by lightning he gets the idea to create life out of dead skins and body parts of the dead to create this being. What he did not know was going to occur was that this monster would be the death of him. Mary Shelley uses the idea of progress which is the consequences or effects of a person or a thing in another one’s doing. Throughout the book Mary Shelley

After years of Victor’s passion for science and life, his longing passion has finally been accomplished when the creature has come to life. Victor, however, realized that his creation was horrid and rejects it completely by abandoning it. This portrays the downfall of Victor Frankenstein because Victor has defied the laws of nature by acting like God and created life. It impacts the rest of the novel because this crucial moment in the story leads us to upcoming conflicts that Victor has created for himself, and other

This throws light upon the idea it is not always simple to know about goodness and evilness with regard to outer beauty but it’s the beauty of the soul as the victor was projected as a good and loving human being and the monster evil but we can realize throughout the novel that this might be up turned for both victor and the monster Mary Shelley depicted the phenomena of beauty vs. ugliness of the soul very prominently in the novel Frankenstein