The use of the word monster in the book also correlates to appearance, and when the creature is called a monster, he feels forced to act like one. After being rejected by society because of his appearance the creature cries to Frankenstein, “Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust” (Shelley 93). This shows that the creature internalized all of the hate he received from his appearance, to the point where he viewed himself as a monster. When he internalizes all this negativity about himself that stems from his appearance, and begins to see himself as a monster, he then begins to behave as one.
The characterization of Elizabeth on her bridal boer after the monster slays her is showcasing the disastrous effects of the knowledge Victor gains earlier in the story. Mary Shelley uses imagery and direct characterization to fully portray this terrible event. Victor describes the scene as he thinks, “She was there, lifeless and inanimate, thrown across the bed, her head hanging down and her pale and distorted features half covered by her hair”(173). Later on, one can see the negative effects of the deaths of her and most of his loved ones, his suffering because of knowledge. When Shelley characterizes Victor, she uses imagery and descriptive language to show how damaged Victor is.
In Frankenstein, Mary Shelley utilizes her protagonist’s agony over his “failed” creation––what Attridge would call the “act” of creation–– and the suffering he engenders in his creation through the rejection of it––what Attridge would call the “event” of creation––to illuminate how the creation derived from suffering arises not from the failure to create something beautiful, but from our recognition of our own ugliness, our own shadow, our own suffering in what we
She uses imagery to show the kind of reaction that Frankenstein had on his creation’s awakening and the kind of words he used to describe his very own creation. His description of the creature is used to show how judgemental humans are against other people who are not similar to them though they do not even know the other being. Frankenstein’s foreshadowing of the future with his creation in it, also is used as an example as to how humans discriminate others and assume the worst based on appearances. Shelley’s use of both of these strategies gives the readers a first hand look into how judgemental and discriminating humans can be to those that are slightly or majorly different to them, and it allows the readers to see why this way of being and thinking is not acceptable. Her way of writing her story serves as a lesson to those who read it and as an example about what is wrong with the way Frankenstein judged his own creation and why it is not right to discriminate or isolate another individual or group based on their appearance or any
In Frankenstein, Mary Shelley portrays a negative light on humanity from the characters’ insults and malice towards one another. Shelley’s characters lack redeeming qualities shown through society’s abuse of Justine, humanity’s disgust and neglect of the Creature, and Victor’s determination to kill the Creature. Overall, Shelley’s characters display qualities of cruelty, vengeance, and betrayal causing them to deserve none of the reader’s sympathy. Society’s abuse of Justine Mortiz shows an evil aspect of humanity.
In Frankenstein the monster has so much hatred towards Victor and humanity and in “The Sniper” the man has a kind of hatred for the Free Staters. Also at the end of the story they both feel bad about what they have done and want it all to end and stop. This is shown
In Shelley’s novel, the Creature exclaims that “sorrow only increase[s] with knowledge” (96). The Creature initially receives benefits of survival in the human world from his acquisition of knowledge, but he ultimately only causes himself pain. The Creature’s idea of befriending a human is crushed after learning that he is hated by the human race for his differences. The knowledge of humans’ hatred of the Creature causes the Creature’s sorrow, which is further developed into self-hatred. Similarly, fire allows for the pleasure of warmth and cooked food, but it also provides the
I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (42). Shelley uses the words “horror” and “disgust” to express Frankenstein’s regret. At first, Victor “desired” to make the monster with extreme “ardour,” or passion, which consumed him and damaged his “health.” The damage inflicted to Frankenstein is both physical and mental, as his physical “health” is diminished and the “dream vanished,” causing “disgust to fill his heart,” a fact which is only actually true in Victor’s
The first instance where we learn about the monster is through Victor’s point of view; however, due to the monster’s constant acts of revenge, everything Victor says shows his hateful bias against the creation. Victor describes that “breathless horror and disgust” (Shelley, 59) filled him and that he was “Unable to
In the novel, Frankenstein, the author, Mary Shelley, uses frame story to express different viewpoints of each character. These figures include Robert Walton, Victor Frankenstein, and the Creature. Within these traits, Mary Shelley explicitly uses the Creature as her primary focus. She uses the Creature because she wants readers to understand how humanity rejects people due to their appearances instead of their inner self. Due to the monster 's appearances, humanity rejects him.
Perhaps the greatest similarity between Frankenstein and the Creature is their great hatred for one another. The Creature told Frankenstein himself that he " I declared everlasting war against the species, and more all, against him who had formed me and sent forth to this insupportable misery”(113). The Creature hates Frankenstein for not only creating him, but more so for abandoning him. Victor also hates the Creature, however for a different reason. Victor shouted in rage, "Scoffing devil!
In Mary Shelley's Frankenstein, Shelley uses language and effectiveness of her writing to describe imagery, tone, and theme to make the monster seem more of a human than the monster people perceive him to be. The monster is learning on how to be a human without the help of his creator, Frankenstein. Shelley’s usage of the language that she presents in her imagery, tone and theme clearly make you relate to the monster and show you what Shelley was thinking when she was scripted the monster. Shelley clearly shows imagery to express how the monster feels about the world around him.
Throughout the book Frankenstein, Mary Shelly uses nature imagery to show the character’s emotions and mood. Mary Shelley often uses nature and the character’s surroundings to reflect the character’s mood. In chapter 11, the monster is alone during the winter, having to survive in this unfamiliar world he is cold and frightened especially during the cold winter nights. “It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate.” (Shelly, 105)
People are often very intuitive, they gets feelings that motivate them to make decisions regardless of if they are morally right or not. They are able to make the right decisions, maybe not for the betterment of themselves, but for the betterment of all humans in general. In the story “Frankenstein” by Mary Shelley Victor Frankenstein is given a choice. He is given the choice to either create the monster he created a wife, or be tormented and undoubtedly have more of his family killed. Victor at first agrees, he is promised by the creature that they will travel to South America and be away from