The characters in The Little Mermaid are stragetically designed in a way that conveniently adheres to stereotypical ideas of how males and females should behave, value, and appear according to their gender roles in a patriarchal society that demeans women. In order to do this, the main male characters, including King Triton and Prince Eric, must depict hypermasculinity to dramatically contrast from the creation of their fragile and inferior female counterparts. This is to also exhibit the men’s hypothetical ownership over these women, and using their displayed incompetence as justification of their assumed possession of Ariel. Ariel, the central female character, is depicted as beautiful, because she meets stereotypical standards of beauty …show more content…
These songs include “Part of Your World,” “Under the Sea,” “Poor Unfortunate Souls,” and “Kiss the Girl.” “Part of Your World” is sung by Ariel to express her desire to change from a mermaid to a human, and despite the fact that “she’s got everything” her mermaid “world” and all its materialistic “treasures” is not as fulfilling as the humans’ appears to be. The song explicitly describes of a longing for female independence and proof that their degradation by the males is detrimentally affecting their happiness. “Betcha' on land, they'd understand, bet they don't reprimand their daughters, bright young women, sick of swimming ready to stand,” Ariel sings of the unfair and unjust treatment she and the other women of the sea experience and their need to stand against their suppressive dictators and “explore the shore above” to seek a better life. She sings this song in a secret cove that contains all her treasures, emphasizing the need for women to be private with the part of their lives that society deems as “unacceptable” and that does not align with their gender roles and expectations. “Under the Sea” is sung by Sebastian, the lobster who is assigned by King Triton to patrol Ariel as another example of their controlling behaviors. The lyrics include a line that reads, “under the sea, darlin’ it’s better down where it’s wetter, take it from me” which one could assume is rather a sexual innuendo to appeal to its heterosexual viewers. These lyrics compare the greatness of the sea to female genitalia, as Sebastian, a male, invokes his authority of this statement with the last line. “Poor Unfortunate Souls,” is Urusla’s lyrical description of all of unhappy fish who have come to her to improve their livelihood, including Ariel, who in exchange for legs, must give up her beloved
Calypso knew the man fighting the sea had no chance in winning, so her loving and big heart decided to help. “To be gone forever more/and the waves will take him again/ but he’ll know their ways now/ i will stand upon the shore/ with a clean heart.” (lines 30-34)
I think the narrator is saying that like the sea his mother is dark and intimidating like her people who are also fishing people. In my opinion I think the mother makes the mood of the story dark and melancholy. She wants so much out of her husband and children, and when they don’t do what she wants she doesn’t talk to them. The mother puts too much pressure on the family to do what her family did. I can understand that the mother didn’t want to be alone, but as a mother you should want you kids to do better than you did and want them to succeed in life.
In stanza two, she goes on to compare the waves of the sea to “an iron gate”, as both are strong, dependable, and always in constant motion. This is for her to better her mental, emotional, and even spiritual health in a better environment. Moving on, the poet mentions “My darling” in line nine, alluding to the fact that she has somebody to lean on, a significant other or close friend, whom she has plans to enjoy her life with. This is yet another drastic shift, as before, it was implied that the speaker was entirely alone, having to fake happiness around others, yet here it is said that the both of them are supposedly healing together mentally. In the fourth stanza, line thirteen, she questions the dead, and what happens to them: “And what of the dead?”
The Sea King is widowed and his mother takes care of his palace. “They were six beautiful children; but the youngest was the prettiest of them all; her skin was as clear and delicate as a rose-leaf, and her eyes as blue as the deepest sea; but, like all the others, she had no feet, and her body ended in a fish’s tail. All day long they played in the great halls of the castle, or among the living flowers that
Most women and teenage girls loved the idea of the mermaid that it grew into a new trend of fashion. Their obsession over this new trend even encouraged them to walk on beaches with mermaid suits and their breast exposed to male voyeurs. Millhauser wanted to justify to his readers that this societal attitude the people had on the creature can get out of hand and lead to madness and instability within the town. For example, a fourteen-year-old girl was assaulted at a party by some high school girls, painted her hips down a green, bound at the ankles and tossed into her into a stream.
The sea is often associated with calmness, power and hope, so when included in the phrase “deep new sea”, it expresses a sense of renewal and a resilience to one’s internal struggles. In the line, “your heart has a kick”, there are strong associations of the word “heart” in relation to life and the soul as well as “kick” having connotations of energy and strength. Combined, this phrase suggests a rejuvenation from a previously lifeless and pessimistic outlook of life to one with rigour and vitality. In conclusion, this poem brings hope and optimism that a positive shift is possible even under seemingly hopeless circumstances. The use of connotation in Dorothy Porter’s poem
Ariel is the only reoccurring female character, as most of the animals and people featured in the human kingdom are male, sharing the same male dominated ideals. The Little Mermaid was even accused of portraying penile imagery on its videocassette cover, which Disney later defended as simply a “castle,” although its “phallic-shaped center spire” makes this unbelievable (Schweitzer and Schweitzer 143) Most of all The Little Mermaid exhibits many examples of female objectification and themes of misogyny, versus the hegemonic male characters, that force inflicting control of sexism over the women, while belittling their self-worth and social relevance. They are constantly victimized or portrayed as victims and imposed upon by
Rhetorical Analysis Cinderella, Snow White, Sleeping Beauty and many other Disney movies all have one thing in common, they feature a female lead who need a male figure to save them. However, things started to change after the release of Mulan 1988. It changed from only having those female leads who always needed to rely on someone, to females who were able to show off their more masculine side. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney,” Ken Gillam and Shannon R. Wooden explored the idea that Pixar movies were starting to show male characters who weren 't afraid to show their emotions and feminine attributes, to promote the “New Man” model.
However, the later Disney films have gradually attempted to break away from this stereotype resulting in stronger female characters like Ariel, Mulan, and Elsa among others. Keeping this transition in mind, this paper uses semiotic analysis of four popular Disney films, namely, Snow White and the Seven Dwarfs (1937), The Little Mermaid (1989) and Mulan (1998) to depict the influence of societies ' changing perceptions of women on the portrayal of Disney princesses. These films taking into account the earliest film and certain popular characters that have represented a shift from being the coy damsel in distress to a woman who plays an active role in determining her own destiny. The portrayal of the Disney princess has changed in accordance with the development of women in society over time (1937 to 2013) from demure and traditional to
Walt Disney has been making girls think that in order to be beautiful you have to be the perfect shape and size. (Shortridge). Some people believe that the Disney Princesses are great role models for children because Mulan teaches us to never give up on the strengths we have just because we are girls, Belle teaches us to never judge a book by its cover, and Pocahontas shows us real princesses are strong leaders. On the other hand, some individuals feel that Disney Princesses are bad role models because of their unrealistic body appearance, telling girls every marriage ends with a happily ever after when you get married at a young age, and saying every girl needs a man in order to be happy. Both sides have valid points but in reality everyone
From the depths of the Sea, to pubs on the shore, tales have been told countless times, how fisherman fell or jumped to their death following a supposed temptress of the Sea. From this myth, "Sailors believed that figurehead sculptures on the front of their ships protected them from harm" (Rau 14). Today these tales have a less disturbing climax; instead of falling to their death, this temptress saves the lives of overboard fishermen, singing songs to keep them alert, alive and well. From myth to modern, How does this evil fallacy come to make a friend and healer? Although having similar attributes, the original myth of the siren reaper, contradicts today 's modern portrait of the now fairytale heroine, known in both, as the Mermaid.
The Little Mermaid which was produced in 1989, was the first Disney movie to challenge the traditional gender roles, for the fact that Ariel wanted to explore, and was more independent and assertive in her desires than the earlier princesses of the 1930’s and 50s films. Also the prince in The Little Mermaid went against traditional gender roles as well, simply because he was more affectionate and loving than his prince counterparts in other Disney films. “Both the male and female roles have changed over time, but overall the male characters evinced less change then the female characters and were more androgynous throughout.” (Descartes & England, pg.566). Disney movies have been for a long time a strong media target for children, and can serve as a way to address stereotypical gender roles (Leaper, 2000).
Taking into consideration the first and main version of The Little Mermaid, author Han Christian Andersen’s, Little Mermaid, written in 1837, has different characters than the 2006 interpretation of the short story, Aquamarine. From an addition of two new female characters to the subtraction of the royal titles that each character possessed, Aquamarine is based on a twenty first century setting. The plots between the two also greatly differ and even lead up to different endings. Similarly, both mermaids are searching for love and both mermaids asked to be human. Both mermaids have a due date that forces them back into the ocean if they do not find love.
This movie represents everything that society says a real life princess should be; beautiful and silent. Ariel is the princess that shows that the innocent and quiet women will always win. Women in movies and books are often described as dependent, weak, self-critical, and passive. While there is a great deal of influence over younger girls, boys are also influenced through the slight humor in male characters. Prince Eric is described as masculine and has qualities including being a man of power, strong and self-confident.
In The Mermaid’s Sister, by Carrie Anne Noble, the main two characters Maren and Clara are raised as sisters by Auntie Verity, who is a specialist at potions for illnesses. Both children came to her as babies. Maren came by a clam shell and Clara came by a stork. The main issue in the book is Maren is changing into a mermaid. Clara does not want her to become a mermaid.