In our world, manipulation takes place in everyday life as a natural impulse for both men and women. In Macbeth, manipulation is centralized around the mask of ambition displaying dominance over humanity. Certainly the witch’s, Lady Macbeth, and our fallen hero Macbeth become puppets of Manipulation it self. Consequently the witch’s power to influence decision-making causes the initial deterioration of Macbeth, along with Lady Macbeth’s influential desire for the throne, and thus Macbeth use of manipulation to create a new embodiment of a mask suffused in ambition for his own cruel deeds. After the victory of Banquo and Macbeth against the king 's traitor Macdonwald the witches presence contract the vibe of manipulation seeking Macbeth as its next victim.
At the beginning of the play Lady Macbeth tries to control Macbeth and tell him what to do. As time goes on, Lady Macbeth becomes less ambitious and she begins to feel guilt for the murder of Duncan. Lady Macbeth and her husband switch roles to where he is now the strong ambitious murderer, while Lady Macbeth becomes scared and guilty. Since Lady Macbeth is driven by her ambition her decision to have Duncan killed creates guilt by the end of the play.
Lady Macbeth persuades and manipulates Macbeth by pointing out his insecurities successfully and pressuring him into murdering the king. Along with this, Lady Macbeth also questions Macbeth’s manhood and masculinity when he does not want to carry out the plan when she says “When you durst do it, then you were a man;//And to be more than what you were, you would//Be so much more the man” (Shakespeare 1.7.49-51). By saying these things, Lady Macbeth persuades her husband to believe that murdering the king will be his redemption from being a
“Pressure is the use of persuasion, influence, or intimidation to make someone do something.” In William Shakespeare’s “Macbeth”, Macbeth experience pressure from his surroundings. Pressure can lead a person in either the right or wrong direction. Futhermore it can also take away the consistent thought of one’s mind to jeopardize themselves or others. Macbeth’s wife and the witches encouraged him to be woeful. From reading this drama, some people can infer that Lady Macbeth supports her husband’s injurious scheme to kill King Duncan and the witches made Macbeth feel arrogant about himself.
In the play Macbeth, Lady Macbeth is more responsible for the deaths that occur in the play. Lady Macbeth accomplished this by infringing Macbeth’s comfort level, which made him uncomfortable and give into her desires. The four reasons why Lady Macbeth is responsible is she summons evil demons to fill her body with evil, her death pushes Macbeth over the edge, she has the gender power over Macbeth, and she drives Macbeth to become power hungry. During the course of the play most of Lady Macbeth’s actions cause a direct reaction from Macbeth. If Lady Macbeth had not exhorted Macbeth into murdering King Duncan, then he would have remained a sane man and decided against killing Duncan.
William Shakespeare portrayed the character Lady Macbeth to be extremely ruthless, malicious and manipulative. Thus, being the reason she could easily convince Macbeth to do her will, yet still put on such a convincing performance in front of those who knew nothing of her and her husband’s actions. Lady Macbeth shows her complexity constantly throughout the story when she shares her view-point on masculinity by demasculinizing her own husband, when she strategically plans the murder of the King Duncan, and finally when she finally goes crazy because of the guilt she possesses for not only her own actions but also turning her own husband into a
Lady Macbeth responds, “screw your courage to the sticking place/And we’ll not fail.” (I.vii.70-71) Lady Macbeth believes that screwing Macbeth’s courage and bravery in place will help him get through the process of killing Duncan, and she believes courage is what will make him manly. For example, Lady Macbeth asks, “Art thou afeard/ To be the same in thine own act of valor/ As thou art in desire?” (I.vii.43-45). Lady Macbeth wonders if Macbeth is afraid to act the way he desires. She somewhat tricks Macbeth into thinking that he desires to be king, to make him want to continue with the plan, ultimately for her benefit of becoming queen and having a good social
Furthermore, Feminist Criticism provides a better view of literature because it shows that women can be powerful. When Emilia finds out that her husband has been plotting an evil plan she says,” Tis proper I obey him, but not now”(Othello V.2.195). Emilia refuses to help her husband after she finds the cruel intentions he has despite the expectation of women always being submissive to their husbands. Women also have a voice and feelings, they are capable of defying their husbands commands when they know what he expects is simply wrong. In a literary article,The Role of Women in Othello: A Feminist Reading states that,” Society weighs heavily on the shoulders of women; they feel that they must support the men and defer to them, even if the actions of the men are questionable” (Literary Articles).
Shakespeare, however, presented Lady Macbeth and the witches to be manipulative and cunning, rather than violent like Macbeth was during the play. Finally, even though the women were shown to be strong throughout most of the play, Lady Macbeth and Lady Macduff both have unfortunate outcomes. The women in Macbeth’s
How does Lady Macbeth change over the course of the play? Over the course of the play the characters of both Macbeth and his wife Lady Macbeth develop intensively. They share similar ambitions, but it is Lady Macbeth who dares to do unspeakable things to accomplish them. This creates great conflict within Lady Macbeth who does not conform to the traditional female stereotypes of her epoch. Throughout most of the play, she is portrayed as powerful and confident, and more daring than Macbeth himself, though this image changes when she shows signs of weakness, resulting in her death.
This tactic works for her as she get Macbeth to go through with the killing of King Duncan. There are times where Macbeth is very hesitant in killing the king and but she uses her emasculating tactics to make him feel that he has to go through with the murder to feel more masculine and prove himself of his manhood . One example of how she uses this tactic is by questioning his manhood. Although cruel, this tactic works and makes her husband murder King Duncan. One example in the play where she uses this tactic is when she says that she wish she were a man so she can do it herself.
With this in mind, if a man couldn’t do something a woman can, he was a disgrace; Lady Macbeth is taunting Macbeth with the gender gap, which makes him want to prove he’s more masculine and can keep it together. Even though, Lady Macbeth is viewed as a manipulative character, towards the end, she changes and shows signs of remorse/regret, which is not like her character. Lady Macbeth begins to feel remorseful because she has made an outright killing machine out of Macbeth. Lady Macbeth starts to ask herself “The thane of Fife had a wife. Where is she now?
To begin with, Lady Macbeth and Macduff demonstrate various attributes of the topic Good vs. Evil. Lady Macbeth stood out as one who was ruthless, manipulative, wicked, and a woman of words. These traits portray her as an evil character because of her desire for power just like her husband Macbeth, which also leads to the bloody deeds she commits with him. (Act I, Scene V, Line 40-54) The next character is one who follows the good characteristics and that would be Macduff.
She states that she is being tormented with anxiety and is fearful of what Banquo and Fleance could do to the two rulers. Could her fear be the cause of her downfall? The power and fierceness between Macbeth and Lady Macbeth is comparable to a scale. The lower Lady Macbeth goes, the higher Macbeth goes. Her descent in power causes Macbeth to ascend in power, however, the fact that later on in the act, Macbeth seems to have planned a murder(s) without consent from Lady Macbeth, which shocks