In The Sun Also Rises by Ernest Hemingway, the main character, Jake Barnes, is experiencing life post World War I. In a war that denounced faith and integrity, Jake becomes troubled by the concept of being part of a world without purpose. As a result, he starts drinking heavily along with his friends, who are also experiencing the same problems. However, no matter how much these characters drink, they cannot escape their sadness. To add to this purposeless life, Jake also struggles with male insecurity which all the veteran males struggled with after the war. In particular, Jake’s castration soon leads him to a troubling love life. Brett, his love interest, says she is in love with him, but cannot commit because he wouldn 't be able to give …show more content…
Robert Cohn, Jake’s friend from tennis, embodies feminine traits. Cohn’s effeminate behavior demonstrated by his following Brett around, helplessly in love. In the text, Mike Campbell, Brett’s fiancé, points this failure and weakness out by saying, “’Tell me, Robert. Why do you follow Brett around like a poor bloody steer?’” (146). Thus, Mike criticizes Cohn’s masculinity, saying he cannot have a relationship the woman he wants, confirming the statement with: “’’Why don’t you know you 're not wanted?’” (146). Therefore, Cohn becomes incredibly frustrated upon hearing these remarks; not being able to be in a relationship with Brett is the ultimate failure because the men see her as an object they must get. For instance, Mike refers to Brett as a piece and not as a human being when he says “’I say, Brett you are a lovely piece’” (85). The reader can see from the attention the men give Brett that all the men 's goals are geared towards winning the ‘piece’ of affection as a way to prove their masculinity. With this in mind for the rest of the novel, Cohn’s jealousy explodes, resulting in an attack on Jake and Mike near the end of the book. Brett’s irresistible nature makes the men lose control. This control, in turn, makes Brett more powerful, while the men become weaker, letting a woman take over the consciousness. Brett’s …show more content…
Brett is another interesting character in the book, defying the feminine traits Jake and Cohn portray. For example, men were not, and still are not, ostracized for sleeping around. Women, however, were and still are. However, Brett lives a carefree life, and sleeps around anyway, showing her independence and resistance to normal societal standards. Her defiance has become so evident that Mike, her own fiancé, acknowledges Brett’s tendencies, saying, “’Mark you. Brett 's had affairs with men before. She tells me everything’" (147-148). The fact that Brett ‘tells him everything’ proves that she does not care about her commitment to someone. Brett’s fluidity within her own identity and sexuality confuses the men in the book, who are in love with her and are unfamiliar with the concept of a free, independent woman. This then, as mentioned above, evokes different reactions from the men. Cohn’s huge reaction was, of course, beating up the other men he was competing against to
Ultimately, as a woman, she is a limited agent and can only do so much indecently. Jane breaks off from the domestic sphere to which she is confined
(John McCormick) Gacy’s homosexual desires and urges to hurt others were becoming more and more apparent to those around him. By 1975, Carole and Gacy had drifted apart. Their sex life had come to a halt and Gacy would have unpredictable and sometimes violent mood swings. Carole had started to find magazines of young men and boys in the house. When asked, Gacy acted like it was a normal thing.
This is shown by the line “This was Brett that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night is another thing.” This line serves as evidence that Jake is aware that Brett does not love him but feels the intense pressure to please Brett. When Brett leaves, he becomes miserable as he knows he will always fail to please Brett and other women.
Through Logan, Janie finds her answer to the her question “Did marriage compel love like the sun of day?” (Hurston 21), no. The natural relationship she experienced with the pear tree did not compare to that of a sacred relationship in real life with a man. Even though Janie is not abused by Logan, his money does not compensate for the labor he has her do. “Got uh mule all gentled up so even uh women kin handle’im.”
In “To Be a Man,” Julie Burrell claims that there are two types of masculinity present in Lorraine Hansberry’s A Raisin in the Sun: Mama’s version of masculinity that’s rooted from “a life-affirming Black tradition” and Walter’s version of masculinity that’s dependent on earning money for the family. (3). Initially, in Hansberry’s play, Walter was solely focused on acquiring power through wealth; however, with the decision he made to move into the white neighborhood in the end, he had grew out of his mindset of having a “capitalist masculinity.” Burrell stated that “Walter's newfound manhood...allows him to support the dreams of the women in the household against the obstacles of racist and sexist oppression"
It is ironic that Jane is seen as the guilty party in the incident with John Reed because John started the fight when he slapped Jane. Then when John’s sisters, Eliza and Georgina, go to “tattle tale” on Jane, their mother blames Jane for the whole situation. Jane compares John to a “murderer,” “slave-driver,” and “Roman Emperors” (Bronte 9). During this comparison, she is implying that he is a very cruel and awful person. That he would beat her and boss her around.
Interestingly, in all her relationships, Janie`s partners were the strongest ones who needed to show their dominance. Further, the traditional division of gender roles and male dominance is visible throughout all three marriages of the protagonist of the novel. Janie suffers from double physical violence and, as Trudier Harris argues, becomes an object of
Individuals are consistently pressured by gender expectations within societies, predominantly in rural towns during the 1960’s. Silvey’s utilisation of characterisation and point of view of Charlie Bucktin presents the traditional gender roles in Jasper Jones, set in Australia during the 1960’s. As Charlie prepares himself to set foot on a journey with Jasper Jones, he noted his appearances and display of femininity: “…the application of pansy footwear, is my first display of girlishness… I jog back with as much masculinity as I can muster, which even in the moonlight must resemble something of an arthritic chicken.” This excerpt shows that Charlie is challenged by Corrigan’s gender expectation of masculinity.
Chief Bromden, the narrator of One Flew Over the Cuckoo’s Nest, is a willingly mute inmate of a psychiatric ward, run by a nurse who clings to control in order to secure herself as the leader of the ward. She uses her matronly presence as a weapon against Chief and his fellow inmates in order to deprive them of their masculinity. The Nurse (what Chief calls her) uses these tactics to break down the inmates. Chief, wanting to avoid this confrontation decides to be mute. As he tells the story through his eyes, Chief repeatedly looks at his inmates ' hands and describes them thoroughly.
The Sun Also Rises by Ernest Hemingway takes place in the 1920s in Paris. The novel starts out focusing on Robert Cohn, while the rest of it is narrated by Jake. He is an expatriate, is madly in love with Brett, and has a war injury. Jake Barnes was raised Catholic and has had an on-again-off-again fling with Brett. He talks about Brett and his religion differently than how he thinks about them.
Doubtlessly Paul’s only friend, Charley Edwards creates a protective atmosphere within his dressing room for Paul. Because of his homosexual tendencies Paul has forever felt alienated from the world. But within the confines of Charley’s room, all the fear fades away to bliss. Eventually, it becomes evident that Charley exhibits mirroring tendencies of Paul. Quickly, we begin to question whether this is simply a friendship or if it is something more.
In Charlotte Bronte’s novel “Jane Eyre” Edward Fairfax Rochester plays a contributing role in Janes development and growth as a character and human being in the Victorian time period. Not only does he play a large role in her independency, but in her emotional and spiritual growth as well. She grows around him whether she likes it or not. Due to Edwards manipulative and seductive nature, jane has to grow and develop in a way that has her frequently questioning her own ideals, whether that be spiritually or morally, and strengthening her independence by constantly refusing her feelings for him and adapting to punishing situations. Edward also opens Janes eyes to a world that is bigger than she realized due to his company at the house, wealth, and opportunities at the favorable Thornfeild manor at which she was employed by him.
Maloney’s impetuous behaviour and change in character after being betrayed exemplify how characters which the reader views as innocent may be the complete opposite. Her rash decisions and hypocritical actions make the reader question the accuracy of female stereotypes. Furthermore, Mrs. Maloney’s change in character from innocent to deceptive and dangerous allows the reader to come to a realization of how betrayal changes a person as a whole. As a result, one realizes that relying on appearances is impartial because one will never fully understand a person’s true
As an adult, Jane asserts her independence by rejecting unequal marriage. When Jane finds out that the man she was to marry, Mr. Rochester, was already wed, she ran away. Mr. Rochester pleaded passionately for her to stay, revealing his unfortunate history and even threatening to use physical force to restrain Jane. Both tactics failed since, as Jane puts it, her conscience personified strangles her passion for Rochester. Being a mistress to Rochester in addition to being financially and socially inferior to him prompts her to leave him.
Jake Barnes is impotent as a result of a wound he got during the World War I. During his stay in a hospital he fell in love with a British woman named Brett Ashley; he has to live his own grief watching Brett in several love affairs with two marriages. Critic Michael S. Reynolds comments “Hospitalized in England, Jake falls in love with his nurse, Brett Ashley: the sexually incapable man and the sexually active woman - a punishment that might have come from Dante’s Inferno” (Reynolds, 1989, p.25). With a hope to get any sort of normal life, Jake struggles to find a meaning of his life through his work as an American journalist and through his friendships and his sports especially bullfighting. Once Jake picks up a pretty prostitute named Georgette and her attempt for sex was faced by Jake’s declaration that he is sick.