The face is an important element in all cultures. It harbors all of the five senses: seeing, speaking, smelling, hearing, tasting. As a master of the senses the face plays a large role in art especially in that of the Dan ethos. In African Dan culture the face is a central theme in the tradition of masquerade. The approximate 35, 000 Dan peoples of Northern Liberia and Northern Cote D’Ivoire (Ivory Coast) employ artistic form and evoke spiritual association through masquerade ritual. Masks of the Dan people reference both the physical mask and the spirits they manifest during masquerade performance.
Masks act as a part of the Dan religion. The Dan people follow a complex animist faith tradition. Their beliefs surround a Supreme Being, Zlan,
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Deangle masks give pleasure and comfort. They serve as mediators in initiation rites for boys and their mothers. The deangle are carved with oval faces and narrow slit eyes. Often the mouth is carved with open full lips to expose the teeth. Deangle are the representation of beauty. Bugle masks serve the purpose of frightening. The eyes are open tubes and they are carved with bold angles. The most powerful of these are adorned in fur and bone. Ka gle is an extraordinary mask that displays erratic and aggressive behavior. It serves to teach the value of discipline by setting a bad example. Its name comes from the term ka, hooked sticks, which it often throws the audience during Dan performance.
The Dan culture has a variety of masks that each exhibit a unique and singular personality. The sacred gebande masks are the most sacred of the Dan culture while the genome are of a lower rank. Masks are categorized by their attributions rather than their aesthetic appeal. The gebande is a very large group and therefore has several subgroups. Subcategories include Singers’ masks, Dancers’ masks, Storytellers’ masks, and Beggars’ masks. Categories of gebande might be Goge (ancestor masks), Gesuya (avenger masks), miniature masks (goge or gesuya substitutes), and sagbwe runners’/fire watchers’
Those masks were those that resembled death and their gods. The god of fire (Xiuhtecuhtli) was used within these rituals by mask. Xiuhtecuhtli was "thought to be the creator of all life." The Mask of Xiuhtecuhtli was made with a base of cedar wood and decorated with pieces of turquoise atop it. The turquoise was hand-cut and shaped to resemble the 3d
On the other hand, Yunior is portrayed as a sensitive character who is easily pushed around by Rafa. One of the ideas of the story is about a “mask” and it could mean that people wear masks to hide their true “face” and or to become someone they’re not. I
Back in the day, men wore masks to hide their identity so they could go around town and beg for offerings to help make their gumbo, but today masks are worn to hide the identity of revelers. Mardi gras face masks have a tradition which goes back to centuries, and they represent a number of many different things. The most common and oldest mask is the Colombina, which only covers the eyes and mouth of the person wearing it. It is worn to represent a person who is loving and intelligent. Another most common type of mask is a red and black mask that covers the whole face of a person which you will see throughout the entire city of New Orleans.
In figure # it is possible to see the tribe doing a ceremonial dance praying to their master wearing their ritual stylized masks. The chief males of the tribe are in control of organising the ceremonial events such as feast and dances. Some of the main ceremonial events are, Building [creating the main buildings of the tribe. All from cedar wood] ,Naming and tattooing of children and also for their tribes Deaths
There is a clear through-line in our nation’s history of blackface. As a detrimental tradition, the practice reflects a collectively low opinion of African-Americans, so much so that it became feasible to reduce an entire group of people to caricatures. When Rondrich describes minstrelsy as the “first truly American band” based on its origin within and its reflection of our past beliefs, I found it a sickeningly accurate statement. It is rather astonishing how music has been used to disseminate racially charged imagery—in this situation, Adorno’s fears of music perpetuating group-thought was startlingly supported. Beyond the racial elements, the growing popularity of blackface minstrelsy reflects how low-quality entertainment (more colloquially,
People act differently when they are with certain people than when they are alone. Some will call this act a “mask.” This metaphor is used because people cover up who they truly are or what they really feel with their actions; similar to the way a mask covers up a person’s face. This idea of a mask is explored in Paul Laurence Dunbar’s poem, “We Wear the Mask” and readers can see examples of “masks” in Harper Lee’s novel, To Kill a Mockingbird. People often wear masks to hide something about themselves that they are not proud of or hide their emotions and fears they do not want others to know.
Hiding behind a mask Have you ever had a day when you are too embarrassed of yourself that you wanted to hide by wearing a mask? Masks are used in various ways, they can be used for a Halloween costume or a stage play. The astonishing thing is that those masks are visible to others. In the Great Gatsby, by F. Scott Fitzgerald, the characters such as Myrtle Wilson, Jay Gatsby, and Daisy Buchanan use masks that cannot be seen with the naked eye, they used them as a way to hide their flaws to others. Jay Gatsby is one of the major characters of the novel, Gatsby is a tremendously rich young guy living in a mansion located known as West Egg.
The Mandans Tribe was mainly located in North Dakota, with rich farming land growing many different plants. The mandans live in earth lodges and use their rich soil to help explorers on their journeys, including Lewis and Clark. They also had an interesting belief system called Animism. The Mandans mainly lived in North Dakota.
These mask reminded me of different rituals that is practiced in the Haitian culture. However, I believe that these mask were used in Africa for very specific rituals to contact certain Gods for different personal reasons. In addition there was an African sculpture of a woman with a fabricated wig. Once of seen this sculpture I envision all of the less fortunate women in Africa that have to struggle day in day out to make ends meet. This sculpture is very powerful because it reminds people of the struggle that women had and still have today.
Masks hide the truth and obscure the facts. They form a barrier between what is real and what is an illusion. Yet, during from the moment blacks were brought to this continent in chains, to the moment they were granted civil rights in the 1960’s, masks were a method of survival. Another way of life for African Americans was the practice of signifying. Signifying is mostly seen in the black literary tradition as a means for African Americans to take back power from the white through misinformation and deception.
The mask is the hard shell that young men are expected to face the world with. They are expected to show only their best selves and hide their insecurities and worries. The mask is incredibly relatable to the social construction of gender, because it was created through the social construction of gender. Young males would not need to create a mask and live behind it if society didn 't force them too.
In the book the Lord of the Flies the masks that Jack’s group uses helps them overcome their fear of killing the pig by hiding their true feelings. When Jack volunteers himself as the leader of hunting he doesn’t realize that he would have to overcome new challenges. Masculinity “masks” and the clay masks they wear in the Lord of the Flies are basically just “things trying to look like something else” (Golding 63). Jack explains to his group of hunters that the masks they were going to wear are so they can look like something they are not or to hide what is keeping them from killing a pig. This shows that they are trying to push away their true selves and by looking like something else they can make a character of who they choose to be based on the reason they put the “mask” on.
The first piece of artwork I critiqued was the famous Virgin of Guadalupe. The Virgin of Guadalupe is currently exhibited in the Basilica of Guadalupe in Mexico City. The piece of art is not solely a painting, but an enconchado. It was made into wood, and it essentially creates a reflective surface that appears as moving. Also, I like how they explain their theory on the woman of the apocalypse and how it relates to this piece of art.
Auggie wears masks so that he can hide his face from people. Masks mean a lot to Auggie and help with his confidence"Halloween is the best holiday in the world. I get to wear a mask. I get to go around like every other kid with a mask and nobody thinks I look weird. Nobody takes a second look.
It is, obviously, a symbolic one, that is meant to hide the suffering of people. It hides everything, “our cheeks and […] our eyes”, and “the eyes [being] the mirror of the soul”, the mask hides the inner you. (Dunbar, l. 2) (Paulo Coelho, Manuscript Found in Accra). But, in addition to the hiding, there’s also the lie about the emotion. Indeed, the mask isn’t only meant to hide the emotions, but also to create new ones on the surface, as we can see when the author said “We wear the mask that […] lies” (Dunbar, l. 1).