These roles are open to creative freedom. I pretty much just give you a basic background and from there you can do whatever you choose for said character. Play-by's are semi-negotiable but I'm a bit picky about that. The Sophia Bush play-by is Mason's wife, whom he married soon after meeting. They fell in love insistently and from there things escalated rather quickly. About a month after meeting one another, they were married without really thinking of the consequences and within a few months she was pregnant. However, when they realized neither of them were ready to settle down and the novelty of each other had worn out, they fell apart. Their marriage only lasting a year and a half before they decided to go their separate ways. Nonetheless, they were now stuck with each other since they had their son to raise. Soon after Mason went to Mystic Falls, where he was killed by Damon Salvatore.---This cause Sophia to believe he abandoned their child. (They were never divorced so they're still married) When Mason is brought back to life he enters New Orleans, where he joins up with the Crescent pack and …show more content…
Mason is extremely protective of her, but she can more than take care of herself. Her personality somewhat matches Hayley's but she's also a lot more gentle in nature. It's when she's angered that her wolf rage surfaces. When Mason died, she decided to branch out on her own and therefore joined another NOLA pack. This pack doesn't care for the Crescents so there is a lot of bloodshed between the packs. When Mason returns and learns his sister is apart of what he refers to as "a backwoods" pack, he asks her to leave them and join the Crescents but she's already too deep in and loyal to them. This causes strife between the siblings. Mason continuously asks her to leave the pack, but her refusal causes him to take extreme
In The Fifth Wave the protagonist Cassie Sullivan is strong willed. She is petrified has to do whatever it takes to keep her alive. Throughout the book Cassie is fighting. She is fighting not only for her life but for her families life. It becomes evident when Cassie goes on a bus.
Their heritage dating back hundreds of years, always lead by the strongest and wisest alphas, this pack had managed to thrive and rise from the ashes of great wars and genocide.--their ranks only growing with each passing year. Once a respect and united group, it has now fallen to chaos, their preferred method of gaining new members is to retrieve young and untriggered werewolves and get them to murder against their will; this ultimately triggering their werewolf curse and allowing for them to join the Sangune's. Now ran by merciless alphas, this once great pack is no longer what it used to be. Now considered a "backwoods" pack, they are banished deep into the bayou. However, they're growing friction with the Crescents just may spark a war between the packs very soon.
Although Capote exhibits Perry’s impulsive and heinous actions are due to his internal struggle, his ultimate goal is to illustrate Perry as a ruthless, manipulative murderer; therefore, he asserts that even the most monstrous of people can captivate compassion from others because of the diverse layers of their personality. To begin, Capote uses a paradox to highlight Perry’s internal struggle that lead him to doing such atrocities. Throughout the novel, Capote reveals to readers that Perry had a hard life growing up and most everyone in his family committed suicide, besides his only surviving sibling, Barbara. While Capote is talking about Perry’s family, he says, “They shared a doom against which virtue was no defense" (Capote 185).
In Roll of Thunder, Hear my Cry, the main character Cassie is a nine-year-old girl growing up during 1933. Since she was black, she had to deal with growing up with racism. She and some of her family went to Strawberry. Cassie described her visit to Strawberry as a cruel day. Cassie's first trip to Strawberry was cruel because she was told off by Mr. Barnett, she was confronted by Mr. Simms and her brother and Big Ma would not back her up.
She never talks to Conrad, never asks him how he is doing. She doesn’t want anything to do with them. Usually when you are young your mother is someone that helps you through your adolescent age. When you become older your dad takes over.
A Character profile of Honey West in "Honey West: This Girl For Hire" by G.G. Fickling Personality: Honey West’s personality is a highly socially interactive woman that has exploits her sexual prowess as a means of gathering information from her clients and potential suspects. More so, West is an intelligent woman that is capable of solving problems with logic and reasoning. These personality factors define the sexual active and highly motivated social acumen that West utilizes as a private investigator working out of Hollywood. Honey West has many of the traits of a “protector”, since she becomes a private investigator to seek revenge for the death of her father. West as a strong intuition about people, which allows her to manipulate them through sexuality, charisma, and guile when investigating cases for her clients.
Freaky Green Eyes by Joyce Carol Oates tells the petrifying story of an abusive situation and how a fourteen-year-old girl managed to stand up against the megalomaniac, that is her father. Oates begins the novel by introducing the main character, Franky, and the first appearance of her alter ego, Freaky Green Eyes. While not being an alter ego in the literal sense of the word, Freaky Green Eyes is seemingly Franky’s way of coping with her situation and being a personification of her confidence. The story goes on to skip forward a year where Franky’s family, the Piersons, are introduced.
The people of Hillsboro have a preconception of Henry Drummond being a “sinner” and a “godless” man, but he is a character that is worth to be highly appreciated. During the trial, Henry Drummond had shown his righteous and fair self along with his quick – minded thinking. He had also exposed many of his great character such as his understanding and truth - seeking nature. With these elements, it shows that Henry Drummond is actually an admirable character.
Vivien Thomas was a good man. He helped save lives of tiny children. He helped save a one year old Eileen Saxon. Eileen was a blue baby. And Vivien helped save blue babies.
Based on the evidence in Patrick Shanley’s play, Doubt: A Parable, I conclude Father Flynn is guilty because of his desire to help boys and his ability to hide his past. Father Flynn has a strange liking of boys. He is the basketball coach at the school and loves spending time teaching kids how to play basketball. Although he is suppose to be teaching the boys about basketball, He tends to boys how to be men. When talking to the boys Father Flynn says, “I’ve noticed several of you guys have dirty nails.
Power, the ability to maintain control, command, or authority over others can often be determined by one’s reputation and his or her persuasiveness. This principle is displayed within The Crucible, a play written by Arthur Miller, in which follows the town of Salem, Massachusetts attempting to navigate through a “Witchcraft” outbreak supposedly lead by the Devil. Within such a theocratic society such as Salem, the Devil is often associated with death, fear, and uncertainty. While his name alone is often believed to be able to influence others in to following through in certain actions. The Devil, as a key figure behind the immense “witchcraft” occurring in Salem, is crafted by Miller as the most influential “character” due to his infamous reputation and his ability to control characters’ actions.
They met when she saw an ad in the newspaper asking for help, he wanted someone to read to him, a blind man. The blind man and the wife had become really good friends over the years. Once the wife stopped working for the blind man they started
Throughout the book, Patterson makes the flock grow closer together, tears them apart, and brings them back together in time for the final battle for the survival of the planet. This progression not only represents the plot of the book, it also serves as the progression of family throughout the book. Despite the fact that author does all of these things, the author also allows each of the characters to have or induct someone new into their own family, and to build or rebuild relationships with them. These relationships not only fit into the plotline leading up to the final battle, it also adds to the theme that your family might not always be immediate, or lab bred, or knowing one another enough so that everyone cares about each other, but also that sometime we may find a friend, and go through some experiences with them that lead to an incredible amount of trust between one another. The fact that they rejoin at the end of the book brings the theme full circle, and the fact that fate brought it about in the book shows that sometimes rejoining
Emily Grierson is from the story "A Rose for Emily"and is the main character. In a story, you usually have a protagonist which is the hero or main character of the story and also an antagonist which is pretty much the bad guy. Well in "A Rose for Emily," she is both protagonist and antagonist. Emily is qualified to be the antagonist because she murdered Homer Barron. Murder is quite a big deal and would definitely go under as being the bad guy.
Daisy Miller is a flamboyant, tease from Schenectady, NY. She is traveling all around Europe with her mother and brother, Randolph. Daisy comes from a wealthy family. She is vibrant, individualistic, and well meaning but Daisy is also superficial, ignorant, and conceited. She is also very manipulative when it comes to men.